Top Ten Posts of 2019
As December is the month of the “Best of…” lists, here are my top ten posts from 2019.
As December is the month of the “Best of…” lists, here are my top ten posts from 2019.
Over the Thanksgiving holidays, I was listening to a live performance by blues guitarist Joe Bonamassa from Madison, Wisconsin, on the SiriusXM B.B. King’s Bluesville channel. In between songs, Bonamassa recounted a story from the band’s current tour, noting that they had recently found themselves with a rare couple of days off while staying in nearby Chicago. Instead of going to their customary Days Inn, the band decided to treat themselves to two nights at the Four Seasons. Bonamassa said the accommodations were just what you’d expect from a luxury, four-star hotel, with the only downside being the 1200 “yuppies” who were attending a financial convention in the hotel. He ran into a group of these young, well-paid professionals at the elevator, and with his “street person” appearance and guitar case in hand, he became an instant target for a bully who clearly had more money than brains. Here’s how Bonamassa told of the interaction: Yuppie Bully: “Hi. What’s in the case?” Bonamassa: “‘It’s a guitar,’ I replied. ‘I wasn’t going to tell him that …
College football bowl games should only be named after things that grow from the ground.
I’ve long been a fan of the pithy proverb that contains truth in 20 words or less.
Sierra Hull, who we celebrate on this Saturday Soundtrack, has been playing music professionally since before she reached her teens. Her debut on the Grand Ole Opry came at age 10, she brought her exceptional mandolin skills to Carnegie Hall at age 12, had her first deal with Rounder Records at age 13, and at age 17 became the first bluegrass musician to receive a Presidential Scholarship at the Berklee College of Music. As a 20-year-old, Hull played the White House. The way I best remember how young she was when she burst on the music scene is from her performance at the Merlefest music festival in 2012. When introducing the band, she noted that the bass player was a good musician, but he was also “the only one of us old enough to rent a van.” I’ve heard Hull play over the years at both the Merlefest and Red Wing festivals, and she’s always had the chops to play amazing bluegrass and traditional music. Her first album post-Berklee hinted at new directions, but it …
Regret and grief are very real. But there are ways to address the disconnect between our suffering and the hope and joy of the season.
My annual review of books I’ve read over the past 12 months.
It was about 15 years ago when I first heard the beautiful vocals of English folksinger and songwriter Kate Rusby. I was walking through a small shop in the U.K., and the album that was playing on the shop’s sound system was her 2003 offering, Underneath the Stars. I walked out—with a copy of the CD in my bag—as a new fan, and I’ve been enjoying Rusby’s forward-looking traditional folk stylings ever since. Late last month, Rusby released a new album of Christmas music, Holly Head, which features tunes ranging from the traditional Lu Lay to the quirky Hippo for Christmas to Christina Rossetti’s classic Bleak Mid-Winter (Yorkshire). For non-seasonal offerings, check out her 2019 performance of Benjamin Bowmaneer at the Shrewsbury Folk Festival. In addition to her vocal stylings, Rusby is also an excellent songwriter. Her work is covered by other artists, such as the international vocal group VOCES8 with their beautiful arrangement of Underneath the Stars. (VOCES8’s recent holiday concert in Georgetown was the subject of an earlier post this month.) From her breakout recordings in 1999 all the …
A student asks, “Do you think I could be a writer?” The writer responds, “Well, do you like sentences?”
Writer, editor, writing coach, France aficionado, and family friend Janet Hulstrand produced a delightful little book earlier this year entitled Demystifying the French: How to Love Them and Make Them Love You. Having just finished this advice manual for travelers and others interested in living more successfully with the French, I found Janet’s take on how to understand these sometimes curious, somewhat frustrating, occasionally mystifying, but always interesting people to be delightful, informative, and useful all at once. I also found that Janet had—either on purpose or unwittingly, I’m not sure which—captured some wonderful life lessons from her observations about the country she’s now observed and come to love as a visitor and resident for some 40 years. The book is written as if you are sitting by the fireplace with a wonderful French wine and a good friend who is giving you a crash course before you venture out on your first trip to France. Janet’s writing is clear and, as one reviewer put it, “breezy and digestible.” She begins with five essential tips for “even …