All posts filed under: Bluegrass Music

I grew up with Flatt & Scruggs and WSM’s Martha White show on the radio every morning, but truly went down the rabbit hole the first time I placed the needle on side 1 / track 1 of the “Circle” album

Saturday Music: Greensky Bluegrass

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Greensky Bluegrass  began playing together more than 18 years ago, and they remain road warriors today, making up to 175 tour stops a year. Based in Kalamazoo, Michigan, these five musicians play bluegrass music and much more on traditional bluegrass instruments. In fact, Greensky Bluegrass fits nicely into the progressive bluegrass and jam band category begun lo those many years ago by Sam Bush and the New Grass Revival, II Generation, and others. Today, they are often compared—and share the stage with—String Cheese Incident, the Infamous Stringdusters, and similar bands. While they’ve played hallowed country music halls such as Nashville’s Ryman Auditorium, they also play to large audiences in venues less frequently connected to traditional bluegrass acts, such as Red Rocks Amphitheatre, Bonnaroo, and the New Orleans Jazz Festival. The band has been described as “a live force of nature renowned for bringing rock ‘n’ roll showmanship to high-energy bluegrass…. Their unpredictable performances remain the stuff of legend attracting diehard devotees who typically travel far and wide to experience multiple gigs.” The internet has a …

Eighth of January Revisited

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Ten years ago today, I wrote the following on More to Come: “For all who love great old-time fiddle tunes, here’s a little luncheon treat. One of my favorites among the old-time tunes is the Eighth of January, which many will remember from the old Johnny Horton country hit The Battle of New Orleans. (The date of the battle was January 8, 1815, and Jimmy Driftwood, an Arkansas school principal who wrote the words to the song to interest children in history, used the fiddle tune for the music.) The Eighth of January is a sweet little melody that’s relatively easy to play but has lots of possibilities for variations. I found this video by Roland White with a nice short mandolin version. I wrote about Roland and his brother Clarence back in March 2009 when they were featured in the Fretboard Journal. So, on January 8, 2010, enjoy the Eighth of January in a more timeless mode.” UPDATE: I was reminded of the post here in 2020 because a friend’s birthday falls on this auspicious …

Saturday Music: Sierra Hull

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Sierra Hull has been playing music professionally since before she reached her teens. Her debut on the Grand Ole Opry came at age 10, she brought her exceptional mandolin skills to Carnegie Hall at age 12, had her first deal with Rounder Records at age 13, and at age 17 became the first bluegrass musician to receive a Presidential Scholarship at the Berklee College of Music. As a 20-year-old, Hull played the White House. The way I best remember how young she was when she burst on the music scene is from her performance at the Merlefest music festival in 2012. When introducing the band, she noted that the bass player was a good musician, but he was also “the only one of us old enough to rent a van.” I’ve heard Hull play over the years at both the Merlefest and Red Wing festivals, and she’s always had the chops to play amazing bluegrass and traditional music. Her first album post-Berklee hinted at new directions, but it wasn’t until 2017’s Weighted Mind (produced by …

Saturday Music: Molly Tuttle

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Roots music. The name suggests an adherence to tradition and a reverence for the elders. While there is much truth in that characterization, roots genres such as old time, blues, bluegrass and Americana are continually refreshed with exciting and talented young performers. These are musicians who show a mastery of the traditional styles that goes well beyond their years while also probing the opportunities beyond the traditions. Thinking of musicians I have long admired, Ricky Skaggs, Jerry Douglas, Tony Rice, Alison Krauss, and Bryan Sutton all were—at one point—young bluegrass whippersnappers who pushed those boundaries and set new standards of excellence. Heck, Chris Thile—at the ripe old age of 38 who has been playing like, forever, and is the host of public radio’s Live From Here—long ago graduated from the amazing kid mandolinist stage of his life to being just the amazingly talented musician who has unbelievable chops and musical ears. Thankfully, gifted young roots music performers keep turning up. People like Molly Tuttle, the exceptionally talented 26-year-old guitar flatpicker who has recently released a debut …

Our Year in Photos – 2019

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As we enter this season of Thanksgiving, I continue my annual tradition of posting family photographs from the past year on More to Come. Despite all the turmoil in our country and throughout the world, so many of us still have much for which to be thankful in 2019. Each December is a special time in our family, as we celebrate Andrew and Claire’s birthdays followed quickly by the holidays. Andrew did a bit of singing and celebrating with friends while in London, but both of the twins returned to Washington in late December 2018 during breaks in their school years. We were delighted to have everyone together again, if only for a few days, under one roof. The twins turned 26 last December, and less than two weeks later rolled off the family health care plan! I think that’s the new 21st century milestone for adulthood. As he pursues his Masters in Vocal Performance at the Royal College of Music (RCM) in London, Andrew has maintained a busy singing schedule. Early in 2019 he …

Saturday Music: Dolly Parton

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Few people—much less entertainers and celebrities—can bring together blue and red Americans, straight and gay communities, grandmothers and granddaughters, rich and poor. Dolly Parton bridges those divides, and more. As Dolly celebrates her 50th anniversary on the Grand Ole Opry this year, NBC will be airing a two-hour celebration of the occasion on November 26th. With a new podcast called “Dolly Parton’s America” and a new Netflix series, Dolly is everywhere. At a time when the marginalization of women in country music is being called out more and more forcefully, it is important to realize that Dolly’s been in that fight for half a century. And often winning it, always very much on her own terms. Growing up near Nashville in the 1960s, I was first introduced to Dolly and her exceptional gifts through the Porter Wagoner TV show where she was featured as the “girl singer.” But she had higher aspirations, and over the course of 50 years has earned the affection so many bestow upon her. She is well known as an entertainer, …

Saturday Music: Flux

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Jerry “Flux” Douglas is among a handful of innovators whose life work has defined, transformed, and elevated the dobro, taking it from a little-known instrument used primarily in bluegrass to the point today where it is heard and welcomed in a wide variety of musical styles. Much of the credit for the dobro’s growth in popularity results from Jerry Douglas’s skillful musicianship and free-wheeling approach. Several years have passed since I last heard Douglas take front and center in the instrumental spotlight. He is much more likely to be showcased playing his role as sideman extraordinaire, as with Alison Krauss + Union Station featuring Jerry Douglas (longest band name ever) or on more than 1500 albums. Thus, last evening promised to be special. I joined friends at the Rams Head in Annapolis to hear Douglas front his own trio and show off his monster instrumental chops (and idiosyncratic singing voice). He didn’t disappoint, playing a generous set of almost two hours and covering a range of musical styles. A couple of my favorites were from …