Author Q&As, Heritage Travel, Recommended Readings, Weekly Reader
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Onions, celery, and bell peppers

Every state has its claim to uniqueness, but none of them is so “out there” as Louisiana. It has what can truly be called a human gumbo of European, African, Native American, and Caribbean cultures, to name just a few, all mixed together. The northern part of the state is predominantly Protestant while the South is distinctly Catholic. The broad Mississippi River goes along the eastern border of the state before bisecting the southern portion, winding some 337 miles before it empties into the Gulf of Mexico. The state’s laws are based on the Napoleonic Code rather than English Common Law. The Holy Trinity in Louisiana also refers to onions, celery, and bell peppers.

Why Louisiana Ain’t Mississippi . . . or Any Place Else! (2022) by Jay Dardenne with photography by Carol M. Highsmith is a companion book to a Louisiana Public Broadcasting documentary and a beautifully illustrated guide to a fascinating piece of America. Dardenne is a long-time politico who provides an updated look at Louisiana’s demographics, history, economy, and politics in a short but insightful introduction. He writes that Louisianans innately recognize that we’re different. The title of the book “isn’t a knock on our neighbor. It’s just a recognition that our unique blend of religious zeal and joie de vivre exists nowhere else in America.”

The bulk of the book is composed of Highsmith’s wonderful photographs taken throughout the state, capturing the flavor of this place which calls us back again and again.

Carol Highsmith is a photographer who has taken the time to notice and share the wonder. In a remarkable 43-year project, Carol has visited all 50 states and photographed the people and places of this incredible country. Tens of thousands of those images now reside with the Library of Congress. Hundreds of thousands will eventually be donated copyright free to the American people.

Carol was gracious enough to answer a few of my questions about Why Louisiana Ain’t Mississippi and—most importantly—share some of her pictures with the readers of More To Come.


DJB: Carol, how did you become interested in photography and what subjects first drew you in as you were establishing your career?

CMH: In the 70s I traveled to Russia and came home with some amazing images because it was so remote—this is one:

When I arrived home from Russia, I noticed all of downtown Washington, D.C. was under renovation.  I decided to document it . . . starting with the Willard Hotel—this is the first image I took in a broken mirror. And it went from there.

A soon-to-be released book on Carol Highsmith’s work

Louisiana is an incredibly diverse state. Were there particular regions or communities that intrigued you or called out to you to linger as you captured their unique essence in your work?

I worked closely with the staff at Louisiana Public Broadcasting (PBS) and Jay Dardenne who was the Lieutenant Governor of Louisiana and the narrator of the 4-hour documentary on the state of Louisiana that was tied to the book. I’m a Louisiana fan so I love all of it, but they told me what they wanted, and I caught it. The book has done very, very well.

Louisiana ‘Steamboat House,’ New Orleans
Infrared view of a streetcar on St. Charles Avenue in New Orleans. The St. Charles Avenue Streetcar line is the oldest continuously operating street railway system in the world.
Slave quarters at Oak Alley in Vacherie, Louisiana, one of the historic former plantations along the River Road that winds along the Mississippi River. Although it was a sugar plantation, Oak Alley became world famous in the mid-1800s when a slave named Antoine perfected the practice of grafting pecan trees, including those with paper-thin, easily cracked shells.
Flowers sprout in a tiny island within a meandering bayou that flows through Tallulah, a small city in northeastern Louisiana, just across the Mississippi River from the State of Mississippi.
Shadows-on-the-Teche, a National Trust Historic Site in New Iberia, Louisiana

Your photograph of Gayle Benson, the owner of the NFL’s New Orleans Saints and the NBA’s New Orleans Pelicans, was taken in St. Louis Cathedral, where she is a regular lay reader. How did you choose that particular spot in which to capture this influential and powerful woman?

She is very tied to the St. Louis Cathedral so we decided it would mean a great deal to her to have her photograph taken there.  

Gayle Benson at the St. Louis Cathedral, where she is a lay reader
St. Louis Cathedral on Jackson Square in New Orleans.
St. Louis Cathedral Interior in New Orleans

There are so many intriguing, unique, and even wacky characters in Louisiana. Which particular photographs and subjects provided the most fun for you, as a photographer?

Here’s a sampling from the book.

A street musician from New Orleans

Do you have other books in print that capture specific states?

These are all available. You can click on the links to order the books (shipping included) for Arizona . . .

. . . Colorado, and . . .

. . . Wyoming.

Many thanks, Carol.

You’re welcome!

More to come . . .

DJB


The Weekly Reader links to the works of other writers I’ve enjoyed. I hope you find something that makes you laugh, think, or cry. 


NOTE: All pictures by Carol M. Highsmith. Some are from the book and others are from the Louisiana section of the Highsmith Collection in the Library of Congress.

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I am David J. Brown (hence the DJB) and I originally created this personal newsletter more than fifteen years ago as a way to capture photos and memories from a family vacation. Afterwards I simply continued writing. Over the years the newsletter has changed to have a more definite focus aligned with my interest in places that matter, reading well, roots music, heritage travel, and more. My professional background is as a national nonprofit leader with a four-decade record of growing and strengthening organizations at local, state, and national levels. This work has been driven by my passion for connecting people in thriving, sustainable, and vibrant communities.

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