Author: DJB

Lift Every Voice and Sing

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In honor of Juneteenth (+ 1), I want to use my Saturday Soundtrack post to celebrate the song known as the “Black National Anthem” — none other than the soul-stirring Lift Every Voice and Sing. With words by James Weldon Johnson and music by his brother John, Lift Every Voice and Sing was written at the turn of the 20th century, a time when Jim Crow laws were beginning to take hold across the South and Blacks were looking for an identity. In a way that was both gloriously uplifting and starkly realistic, it spoke to the history of the dark journey of African Americans. “It allows us to acknowledge all of the brutalities and inhumanities and dispossession that came with enslavement, that came with Jim Crow, that comes still today with disenfranchisement, police brutality, dispossession of education and resources,” Shana Redmond — author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora — says. “It continues to announce that we see this brighter future, that we believe that something will …

Finding your potential: Aging in a time of turmoil

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I recently dove into two books on aging. It wasn’t because I felt old, aged, infirmed, or any of those descriptors we often use when talking about the elderly. However, I can read a calendar, and I recognize that I can’t claim to be middle age when no one lives to be 130 years old.* My study began just as the global pandemic struck, with the coronavirus focusing so much of its potency on the vulnerable and those 60 years of age and older. I finished the second book as the nation roiled from both the largest economic downturn since the Great Depression and the injustice that was highlighted in the grotesque and brutal deaths of black men, women, and children at the hands of the police. Whether I liked it or not, I was forced to think about aging in a time of turmoil. Talk about your inauspicious timing. In light of current events, I quipped to some friends that these book choices could be interpreted as: a sign of naiveté, a sign of …

Sturgill Simpson on my mind

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Sturgill Simpson is the hard-to-classify, but always intriguing singer and songwriter who sounds like Waylon Jennings or Merle Haggard (take your choice, as both were great singers); writes about topics not often heard on contemporary country radio; has outspoken progressive politics sure to rub many country music fans the wrong way; and who has a gift for surprise…as you’ll find at the end of this Saturday Soundtrack post. (Bluegrass fans who can’t wait should just jump there first!) A native of Kentucky, the son of a secretary and a Kentucky State Trooper, Simpson is the first male on his mother’s side of the family to not work in a strip mine or deep mine. Nonetheless, that blue collar, hard working sensibility comes through with every song he writes and every note he sings. He is a Navy veteran who speaks up in his songs and in interviews about the dangers of the military industrial complex. In a famous Facebook Live post outside the 2017 Country Music Association awards show, Simpson said, “Nobody needs a machine …

Listen, learn, love…and act.

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This past week the nation reached an important inflection point in our 400-year-old history with race and racism. The horrific murder of George Floyd, a 46-year-old black man who died in Minneapolis after Derek Chauvin, a white police officer, knelt on his neck for almost nine minutes while he was lying face down handcuffed on the street, touched off nationwide protests and confrontations with the police and the Trump administration. The photo showing Chauvin on Floyd’s neck while casually looking away, hand in his pocket, hit like a punch in the country’s collective gut. Pictures can both reflect and change history. The iconic May 1963 photographs of Bull Connor’s police dogs and officers with fire hoses attacking peaceful protesters in Birmingham depicted savage assaults that, in civil rights historian Taylor Branch’s words, “struck like lightning in the American mind.” The 1968 photos of sanitation workers, with their “I Am A Man” signs, remind us of why Dr. Martin Luther King, Jr. was in Memphis on that fateful April day. While I have no idea if …

Music for troubled times: The old songs

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I’ve found myself drawn to several musical performances online this week during our troubled times. Most are covers — where musicians perform works by other musicians — and while the date of the originals range across centuries, most of the versions that have touched me were recently recorded. While some are instrumentals, knowing the lyrics to the songs has given me a context to hear the music in new ways. I want to share with you a few of my favorites from this music for troubled times. “We’re not doing my original songs,” Rhiannon Giddens says in her recent NPR Tiny Desk (Home) Concert, before she and her partner, Francesco Turrisi, launch into an old spiritual, “’cause with these kinds of emotions, the old songs say it best.” The set list for the 20 minute mini-concert, filmed at Turrisi’s home in Ireland in late May, goes back to “the origins” as Giddens says, and includes Black As Crow, Spiritual, and the tune set Carolina Gals / Last Chance. While all are wonderful, the haunting vocals and …

Observations from…

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It is not surprising that two women and two African American men have been the most effective religious leaders speaking truth to power to Donald Trump over the past few days. My “Observations from” series usually includes a location. But this one doesn’t because, well, I don’t know where we are at this moment in this country. One of our most amoral presidents in history is walking and driving around the nation’s capitol looking for religious props for photo ops while he orders peaceful protesters tear-gassed and forcibly removed from his sight. Protesters who are, by the way, angry over yet another senseless and grotesque murder of a black man by a white police officer. Oh, and at the same time, his Secretary of State is tweeting about Chinese authoritarianism and meeting with Tiananmen Square survivors. Rightwing religious extremists are saying of the president’s use of the sacred symbols of Christendom, “Well, at least he’s pro-life.” Irony is apparently something that the modern-day Republican party doesn’t understand or at least doesn’t do anymore. So just …

Saturday Soundtrack: Brooks Williams

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Singer and guitarist Brooks Williams hails from Statesboro, Georgia, the town made famous by country-blues legend Blind Willie McTell. Williams’ backstory provides a bit of context as to why this Cambridge, England resident has a love for country blues — evident throughout his three decades of work — that comes so naturally. “Ranked in the Top 100 Acoustic Guitarists, he’s a mean finger-picker and a stunning slide guitarist. Plus, ‘he has a beautiful voice,’ says Americana UK, ‘that you just melt into.’ Not one easy to pigeon-hole, Brooks’ music is the love-child of country-blues and soulful Americana.” Williams has been playing live and releasing albums since 1990. To celebrate the 30th anniversary of the release of his first record, Williams recently recorded an album of 12 of his favorite songs from his back catalogue. Called Work My Claim, the recording features musicians John McCusker (Mark Knopfler), Christine Collister (Richard Thompson), and Aaron Catlow (Sheelanagig) in addition to Williams. We’ll begin our tour with a soulful and bluesy version of You Don’t Know My Mind from Work …

Incalculable Loss. Enduring Grief.

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Yesterday the United States passed a tragic milestone: 100,000 of our fellow citizens have died because of the COVID-19 virus. The true number is certainly much higher. Sunday’s New York Times featured a front page full of names and simple obituaries of just 1% of those who have died. They spoke of the incalculable loss we have suffered from the impact of the pandemic. Because of a botched response to the coronavirus from the administration that continues to this day, many more people died than would have with competent, credible, and empathetic leadership. The United States is, unfortunately, a world leader in an area where we once relegated so-called third world, developing nations. We have lost our minds. But more importantly, we have lost all that those lives that are being cut short could have contributed had they not been felled by a disease that was allowed to run rampant in support of a political ideology. We have lost world-class scientific knowledge. Soul enriching music. Literature that touches our heart. Hugs and smiles from grandmothers. …

Grant

Hope, redemption, and U.S. Grant

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Last evening the History Channel began a three-part mini-series entitled Grant. The series* is based on the Ron Chernow magnificent biography of the same name. I decided to repost my 2018 review of Chernow’s work here to provide readers with some background along with encouragement to watch the mini-series. I was thinking of the themes of hope and redemption and how much impact they can have on our lives as I’ve been reading Ron Chernow’s new biography of Ulysses S. Grant.  Chernow is one of the few historians who, through deep scholarship and powerful writing, can drive the country toward a full reappraisal of a historical figure’s life and impact.  David McCullough’s works on Truman and John Adams come immediately to mind as examples of this type of national reassessment, but Chernow has also worked his magic in the past with Alexander Hamilton and George Washington. He does so again with this biography of Grant. The historical stereotype of U.S. Grant — especially if you grew up in the South — is of a failed …