Adia Victoria is making the blues dangerous again
Adia Victoria sings the blues, and she has important stories to tell.
Adia Victoria sings the blues, and she has important stories to tell.
Bromberg plays multiple styles while singing quirky songs with a straight face and distinctive voice.
The really grim and scary songs for Halloween were all hiding out in the roots music bin.
Keb’ Mo’ has been playing traditional blues and roots music for more than three decades. So he seemed a natural to be included in our Black History Month tribute to musicians at the forefront of the work to reclaim the African American contributions to folk, old-time, country and roots music. I kicked off the series with my January tribute to Amythyst Kiah and then began it in earnest the last three weeks; first with a celebration of the music of Rhiannon Giddens, followed by Dom Flemons and then Otis Taylor. Kevin Roosevelt Moore (rechristened Keb’ Mo’ around 1994) has been at the work of reclaiming disappeared African American musical contributions for his entire career. His inaugural album included two Robert Johnson covers and he has a well-earned reputation for his mastery of multiple blues styles. But it is his ability to combine traditional approaches with a contemporary attitude, while working with a wide variety of artists, that generates such enthusiasm for his work. Keb’ Mo’ is more than just a highly skilled retro act. As Nashville …
The element of surprise makes Otis Taylor one of the most compelling artists to emerge in recent years.
Over the Thanksgiving holidays, I was listening to a live performance by blues guitarist Joe Bonamassa from Madison, Wisconsin, on the SiriusXM B.B. King’s Bluesville channel. In between songs, Bonamassa recounted a story from the band’s current tour, noting that they had recently found themselves with a rare couple of days off while staying in nearby Chicago. Instead of going to their customary Days Inn, the band decided to treat themselves to two nights at the Four Seasons. Bonamassa said the accommodations were just what you’d expect from a luxury, four-star hotel, with the only downside being the 1200 “yuppies” who were attending a financial convention in the hotel. He ran into a group of these young, well-paid professionals at the elevator, and with his “street person” appearance and guitar case in hand, he became an instant target for a bully who clearly had more money than brains. Here’s how Bonamassa told of the interaction: Yuppie Bully: “Hi. What’s in the case?” Bonamassa: “‘It’s a guitar,’ I replied. ‘I wasn’t going to tell him that …