Author: DJB

Kate Rusby

The forward-looking folk stylings of Kate Rusby

It was about 15 years ago when I first heard the beautiful vocals of English folksinger and songwriter Kate Rusby. I was walking through a small shop in the U.K., and the album that was playing on the shop’s sound system was her 2003 offering, Underneath the Stars. I walked out—with a copy of the CD in my bag—as a new fan, and I’ve been enjoying Rusby’s forward-looking traditional folk stylings ever since. Late last month, Rusby released a new album of Christmas music, Holly Head, which features tunes ranging from the traditional Lu Lay to the quirky Hippo for Christmas to Christina Rossetti’s classic Bleak Mid-Winter (Yorkshire).  For non-seasonal offerings, check out her 2019 performance of Benjamin Bowmaneer at the Shrewsbury Folk Festival. In addition to her vocal stylings, Rusby is also an excellent songwriter. Her work is covered by other artists, such as the international vocal group VOCES8 with their beautiful arrangement of Underneath the Stars. (VOCES8’s recent holiday concert in Georgetown was the subject of an earlier post this month.) From her breakout recordings in 1999 all the …

Janet Hulstrand

The importance of being interesting

Writer, editor, writing coach, France aficionado, and family friend Janet Hulstrand produced a delightful little book earlier this year entitled Demystifying the French: How to Love Them and Make Them Love You. Having just finished this advice manual for travelers and others interested in living more successfully with the French, I found Janet’s take on how to understand these sometimes curious, somewhat frustrating, occasionally mystifying, but always interesting people to be delightful, informative, and useful all at once. I also found that Janet had—either on purpose or unwittingly, I’m not sure which—captured some wonderful life lessons from her observations about the country she’s now observed and come to love as a visitor and resident for some 40 years. The book is written as if you are sitting by the fireplace with a wonderful French wine and a good friend who is giving you a crash course before you venture out on your first trip to France. Janet’s writing is clear and, as one reviewer put it, “breezy and digestible.” She begins with five essential tips for “even …

Robin Bullock

Robin Bullock and the artistry of acoustic music for the winter solstice

‘Tis the season to begin thinking about finding and supporting some excellent holiday music, which we’ll do in this edition of the Saturday Soundtrack. When you tire of the endless, dreary Christmas muzak, I suggest you set up a winter solstice playlist or take in a concert by Robin Bullock to alleviate your pain. For years I’ve been a regular at Bullock’s Celtic Holiday Concert sponsored by the Institute of Musical Traditions, and I’ll be there again next week for the 2019 performance. Set for Monday, December 9th at St. Mark’s in Rockville, the concert also includes, besides Bullock, the world-class folk instrumentalist Ken Kolodner on fiddle and hammered dulcimer, along with U.S. National Scottish Fiddle Champion Elke Baker. Bullock is a master of the acoustic guitar, cittern, and mandolin, where he blends “…the ancient melodies of the Celtic lands, their vigorous American descendants, and the masterworks of the Baroque and Renaissance eras into one powerful musical vision. The 17th-century harp tunes of legendary Irish bard Turlough O’Carolan, the spirited jigs and reels of rural …

VOCES8

Remembering the innocents

Last evening a sold-out Georgetown crowd was treated to a sumptuous musical feast of the season by the English-based VOCES8 ensemble. The “impeccable quality of tone and balance” that has been recognized by Gramophone and many others was on full display in the splendid acoustics of historic St. John’s Episcopal Church. The program was varied, reaching back to the music of Tómas Luis de Victoria, Michael Praetorius, Giovanni Pierluigi da Palestrina, and Benjamin Britten, while also reaching forward to contemporary composers Jonathan Rathbone, Jonathan Dove, and David Pickthall, among others. For me, the evening’s highlight was the moving Philip Stopford setting of the Coventry Carol, the traditional English carol dating from the 16th century. Stopford’s Lully, Lulla, Lullay—filmed by VOCES8 earlier this year in St. Stephen’s Walbrook Church, London—is as haunting and beautiful on film as it was in the live performance last evening. Soprano Eleonore Cockerham‘s soft, clear, yet ethereal voice is a treasure. The subject of the carol—the massacre of the innocent male children of Bethlehem by King Herod’s army following the birth …

Facing life’s worries

We all have our phobias and fears. For much of my life, that personal horror was stage fright. I’m surprised when people tell me they have never experienced the sensation of walking to a podium or settling in with their musical instrument and, suddenly, being gripped by a paralyzing fear. That dread just came naturally to me. Stage fright—or performance anxiety, as it is also known—is a condition that affects many people who have to talk for a living or want to perform for others. I’ve experienced it in both speaking publicly—say, for television interviews—and in playing music in any space other than my living room. If you don’t address your fears, the feeling saps your confidence and energy in ways that seem to make poor performance a self-fulfilling prophecy. With work and experience, I overcame at least a part of my anxiety through the years and came to enjoy public speaking and conversation. A little bit of online research will turn up 21.5 million results (I Googled it) around ways to combat stage fright. …