Author: DJB

Steel Wheels 2015

The Steel Wheels

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I first became aware of The Steel Wheels somewhere around 2008. I had picked up a CD of the Shenandoah Valley-based band on one of our Thanksgiving trips to Staunton and was introduced to and intrigued by the unique voice and careful songcraft of lead singer and songwriter Trent Wagler. But it was at Merlefest in 2012 that the band pushed their way into the front part of my brain, and, I suspect, the brains of thousands of other music fans as well. After one of the main acts wrapped up their show, as I wrote at the time, a number of attendees were exiting the main stage area on the first night of the festival. Suddenly, The Steel Wheels began singing their powerful Rain in the Valley on a small side stage. And like bees flowing to honey, those leaving stopped, turned around, and were glued to their seats through a spirited 30-minute set. As expected, later TSW shows throughout the weekend were packed, as word spread fast. And just like that, they quickly …

Recovered songs, recovered stories

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Folk songs often bring us to the intersection of place, history, and memory. In certain cases, digging into those songs gives us a chance to recover the true stories, long-hidden, from our past, bringing a reckoning with the history that did happen and a reimagining for our collective future. Recently, The Bitter Southerner posted a thoughtful article which examines how the popular folk tune Swannanoa Tunnel was taken from the wrongfully convicted black community in Western North Carolina. Forced to build the railroad tunnel as convict labor during the Jim Crow era, those convicts originally wrote the tune in the “hammer song” tradition of John Henry. Somebody Died, Babe: A Musical Cover-up of Racism, Violence, and Greed shows how the song was reshaped and romanticized into an English-based folk tune in the 1920s – 1960s to appeal to white audiences. As the site notes, “Beneath the popular folk song…and beneath the railroad tracks that run through Western North Carolina, is a story of blood, greed, and obfuscation. As our nation reckons with systematic racial violence, …

Touro Synagogue

Let’s take a road trip to help understand the history behind religious liberty

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In following coverage of the fight over the Supreme Court*, don’t worry if you have become confused about the concept of religious liberty. Those making the most noise either do not understand — or do not want to understand — this fundamental First Amendment right enshrined in the Constitution. People who should know better often sow confusion around the history and meaning of “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.” Before we go all 2020 and take a virtual road trip to visit the places that help us see why the religious persecution faced by earlier generations led to this all-important amendment, let’s begin with a quick summary of why religious liberty is on the radar screen today. Recently two justices on the Supreme Court couldn’t pass up the chance to comment as they joined the court’s unanimous decision not to hear the appeal of Kim Davis, a Kentucky public official who refused to issue marriage licenses because of her personal religious views against same-sex unions. Justices …

Lessons from the death of democracies

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How Democracies Die by Steven Levitsky and Daniel Ziblatt was tapped as my Book of the Year when I first read it in 2018. I bring it up again today, just three short weeks before our election, After yet another major violation of the Hatch Act, where an illegal political event was held on White House grounds on Saturday and labeled — with no sense of irony — a “Law & Order” rally; Soon after a right wing terrorist plot to kidnap the governor of Michigan was thwarted by FBI actions; The day before a rushed nomination of a hard-right judge begins to be pushed through the Senate with the benefit of Republican lies and against the will of the majority of the people; and During the weekend U.S. Senator Lindsey Graham of South Carolina said African Americans and immigrants can “go anywhere” in his home state but they “just need to be conservative.” It took me less than a minute to find these four recent threats to our democracy: flagrant disregard for the law, violent threats against …

Let’s stop celebrating a past that never existed. Instead, let’s understand and honor the one that did.

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I first stood at Jamestown as a history-enthralled 11-year-old. The picture of the 17th century ruin of the church tower, abutted to the 1907 Memorial Church, is seared in my mind. I also remember the water lapping at the nearby shore, serving as a reminder that the people at Jamestown had the most tenuous of toeholds on this continent in those early years. While I didn’t know it at the time, the narratives of life in early 17th century Virginia — told by the guides, the plaques that lined the walls of the 1907 church, and the books I devoured — were incomplete and sometimes egregiously false. White Christian Europeans were the focus. If they were mentioned at all, Native Americans, along with the enslaved African Americans who began arriving against their will at Jamestown in 1619, were small, dependent actors; impediments, if you will, to the greater story of the colonists and settlers and the shaping of what it meant to be an “American.” Those Europeans were not home. They were the outsiders. Yet …

Saturday Soundtrack: Matt Flinner

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Matt Flinner is the top-shelf mandolinist and composer not enough people know. At least not in the way that music fans know that force of nature Chris Thile, or the Energizer Bunny clone Sam Bush, or the genre-bending trail-blazer David Grisman. But musicians have long been aware of this quiet master, who, in the words of the Associated Press, “blurs the lines between jazz and bluegrass, traditional and avant-garde” with the best of them. Flinner’s website bio showcases just how in-demand he is as a musician. “Multi-instrumentalist Matt Flinner has made a career out of playing acoustic music in new ways. Starting out as a banjo prodigy who was playing bluegrass festivals before he entered his teens, Flinner later took up the mandolin, won the National Banjo Contest at Winfield Kansas in 1990, and took the mandolin award there the following year. Since then, he has become recognized as one of the premiere mandolinists as well as one of the finest new acoustic/roots music composers today. He has toured and recorded with a wide variety …