All posts filed under: Bluegrass Music

I grew up with Flatt & Scruggs and WSM’s Martha White show on the radio every morning, but truly went down the rabbit hole the first time I placed the needle on side 1 / track 1 of the “Circle” album

A Jerry Christmas: Some coal mixed in with the goodies

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Last evening several friends (old and new)  joined me as we caught the last show on the short “Jerry Christmas” tour featuring Dobro master Jerry Douglas along with John Oates and Irish singer Maura O’Connell.  This was my first trip to the Rams Head Tavern in Annapolis, and while the room has much to recommend it (especially an intimacy that connects performer and audience), the sound mix wasn’t great and O’Connell’s mic was especially bad, with a buzzing and poor sound quality that should have been fixed after the first song. That sound mix was a bother, but it didn’t stop the musicianship of Douglas and his band from coming through.  The music alternated between seasonal music and “palate cleansers” as Douglas described his regular tunes.  The best of the former was a beautiful In the Bleak Midwinter.  There was a tie for weirdest of the former – between a “spooky” Santa Claus is Coming to Town and a well-named Do You Hear What I Hear where Douglas, after announcing that Christmas melodies were sacrosanct, …

Bush and Skaggs: Coming home, coming full circle

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Two recent releases by Sam Bush and Ricky Skaggs — two superstars of Americana, roots, and bluegrass music — show both artists coming home in ways that bring them full circle with their own artistic travels. Bush’s Circles Around Me is a return to the bluegrass and early progressive newgrass of his youth in Bowling Green, Kentucky.  The album opens with the title track, a tune that celebrates “being thankful that you’re here” according to Bush.  His terrific road band — Byron House on bass, Chris Brown on drums, the amazing Scott Vestal on banjo and Stephen Mougin on guitar — plays on the majority of the 14 tracks, stretching out their musical chops on tunes such as the instrumental Blue Mountain and the old New Grass Revival song Souvenir Bottles. This latter tune, along with Whisper My Name written by original NGR bassist Ebo Walker and featured on their very first album, brings Bush back to the band where he made his name and helped shape a whole new genre of music — Newgrass. …

Ralph Stanley Memoir: The Man of Constant Sorrow

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An American treasure – Dr. Ralph Stanley – has just released a memoir entitled Man of Constant Sorrow:  My Life and Times. Many people came to know Stanley through his haunting rendition of O Death in the movie O Brother, Where Art Thou?.  But longtime bluegrass and old-time music fans know of Stanley from his days with his late brother Carter when they performed some of the most moving music ever heard from the mountains of Virginia. Mother Jones online has a good review of the book.  Here’s an excerpt of Stanley talking about his childhood: “There were no books I can recall, save for the family Bible,” he says of the home place. “There wasn’t much in the way of toys and playthings like children have today. My parents wouldn’t allow even a deck of playing cards in the house, because it could lead to gambling and all kinds of trouble. For Christmas, we’d get an orange, one for Carter and one for me, and a handful of rock candy. Maybe a cap-gun, too. …

Terrific roots music coming to Washington this fall

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We’re into fall here in the Washington region and that means that the acoustic music scene is busy pointing toward those holiday concerts.  But before December arrives, there are a few highlights for lovers of bluegrass, Americana, and roots music in the District of Columbia. This Monday, the Blue Moon Cowgirls and flatpicking champion Orrin Star are featured at the Institute of Musical Traditions concert in Rockville.  I’ve heard Star before, and he’s a treat for those who like the old flat top. Country singer extraordinaire Patty Loveless will be at the Birchmere on November 1st.  She’ll no doubt be featuring tunes from  her new album, Mountain Soul II. The original Mountain Soul was a terrific album, and the follow-up begins with a great version of that old country classic, Busted. (Well the bills are all due and the babies need shoes, we’re busted…) Sure to be a great show. For those who don’t mind a bit of a drive, folksinger John Gorka is playing on November 20th at the historic Avalon Theatre in beautiful …

Don’t Give Up Your Day Job

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We’re back to reality following the National Preservation Conference last week in Nashville. As you saw in earlier posts, I spent some time playing a little old-time and bluegrass music with friends and colleagues.  At one venue,  the playing was captured on video. So click below to see yours truly playing a couple of fiddle tunes.  We picked the key for ease of playing, so the singing’s a little low.  These tunes were performed at the Patrons’ Dinner for the conference sponsors and all seemed to have a good time. Enjoy. More to come… DJB

Sitting In With Off the Wagon

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Earlier this week, fellow preservationist and bluegrass lover David Price came up at the National Preservation Conference and invited me to sit in with his band, Off the Wagon, when they played the Southern Regional Reception on Thursday evening. I jumped on the wagon! Off the Wagon is a good young bluegrass band in Nashville (the next night they were playing at the world-famous Station Inn).  So as you can see from the photos, I enjoyed the chance to sing and play Sitting On Top of the World. Twas in the spring, one sunny day, My good gal left me, Lord, she went away, And now she’s gone, but I don’t worry, “Cause I’m sitting on top of the world. The band helped cover my mistakes (and my lapses in memory) and I had a great time.  Lots of friends and colleagues from our Southern Regional Office and beyond had a chance to enjoy it as well. I’ve inserted a video of Off the Wagon – without the interloper – playing New Camptown Races. Enjoy. …

From the Stage of the Ryman Auditorium…

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Even for a guy who gets to work with some amazing people and visit some of the country’s most wonderful historic places, yesterday was an extraordinary day.  (And not just because I passed 10,000 visitors to More to Come…the DJB Blog – thank you readers.) Nope, the picture says it all.  I was privileged to open the National Preservation Conference from the stage of the historic Ryman Auditorium. For a bluegrass loving preservationist to have a chance to speak from the place where Earl Scruggs came onstage some 60 years ago with Bill Monroe to play White House Blues and give birth to bluegrass music was an honor.  To be able to tell 2,000 conference attendees why this place matters was a thrill.  To be able to hear the bluegrass I’d chosen over the Ryman’s speakers for the 30 minutes before we kicked off the conference was just a rush.  I knew it was going to be a great evening when the Laurie Lewis tune Who Will Watch the Home Place? – with its haunting …

Sleep is Overrated When You’ve Got Music to Fuel the Soul

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At the end of a busy first day at the National Preservation Conference in Nashville, I took off to the Grand Ole Opry House with about 20 close friends for the taping of a PBS special celebrating 40 Years of Rounder Records.  (Look for the show on March 10, 2010.)  While it started late and ended even later, it was an amazing evening of music. Here’s just a few highlights: Nathan and the Zydeco Cha Chas playing that great accordion-driven dance music from Louisiana, where the “crawfish got soul and the alligators got the blues.”  My accordion-playing friend Jim Harrington would have loved it.  As my colleague and seatmate  Caroline Barker said, “If I could move my feet like Nathan and the Zydeco Cha Chas I’d be a dancer instead of a preservationist (perhaps).” Bela Fleck and Abigail Washburn singing and playing Keys to the Kingdom.  I heard them do the tune at Merlefest, but it was even better in the controlled setting of the Opry House.  Then Bela and Jerry Douglas played a duet …

Preservation Roots Music

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I’m headed to Nashville this week for the National Preservation Conference where we’re sure to hear great preservation stories and good music.  Putting the two together, I have collected some Americana and roots music for the conference staff to use prior to the Opening Plenary. I kick off the set with the Martha White Theme (just seemed appropriate given the setting).  However, finding preservation-based roots music can be tough.  Most country songs that mention “home” generally deal with the loss of mother and dad or a true love – but not too much about the loss of the actual building.  So most are instrumentals.  The set does include that preservation bluegrass classic The Old Home Place by J.D. Crowe and the New South.  However, my favorite is the Jim Lauderdale/Ralph Stanley Highway Through My Home. In honor of the Overton Park (Memphis) and 710 Freeway (California) battles…and so many more…click on the video below and enjoy. More to come… DJB

Serendipity and The Fretboard Journal

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Last Friday as I boarded my plane in Dublin, I opened the overhead bin and came across a banjo case.  A nearby passenger asked if it was mine, and I said, “No, but I was going to ask the same question.”  A slight man with a female companion sitting across the aisle identified himself as the owner of the case, which he said held a bouzouki. Well, my antennae went up and I recalled an article I read on the flight over in the new issue of my favorite magazine, The Fretboard Journal. I dug in my bag, quickly found the article about bouzouki maker Edward Victor Dick and passed it along.  It came back as the bouzouki owner pointed to a picture of Tony McManus in another part of the magazine and said, “I know this guy.  He’s played on some of my recordings.” At that my new acquaintances were asked to change seats so I could enjoy having a family with two children under the age of 4 across the aisle for a …