All posts filed under: Random DJB Thoughts

Twenty Dollars Per Gallon

Published by

The pace has picked up with my day job, so More to Come…the DJB Blog will go on sabbatical while I focus on other priorities.  But before that happens, I want to share with you the work of Chris Steiner, an engineer-turned-journalist who has been writing about society’s relationship to energy. I had the opportunity to spend time with Chris recently while he was  speaking at the National Main Streets Conference.   A writer for Forbes and The Steiner Post, Chris is the author of a thoughtful book entitled $20 Per Gallon:  How the Inevitable Rise in the Price of Gasoline Will Change Our Lives for the Better. This 2009 work takes the “inevitable rise” in oil prices over time and imagines how each $2 increase in the price of a gallon of gasoline will change our lives. Perhaps counter-intuitively, he sees the change as largely positive.  The rise is inevitable because oil is a finite resource and demand worldwide is escalating at an unsustainable pace.  For instance if China – which now has 4 …

Lena Horne, RIP

Published by

One of my father’s favorite singers, Lena Horne, passed away yesterday at age 92.  My father can’t carry a tune in a bucket and he can play only two songs on the piano – St. Louis Blues and Teddy Wilson’s Body and Soul – but my father had a great collection of 78s from the pre-war era and he knows his jazz singers.  TB was so right about Lena Horne. As the web site The Music’s Over but the Songs Live On noted, Lena Horne was a popular and influential jazz vocalist and actress who broke many color barriers over a career that spanned nearly seven decades, and her 1943 recording of “Stormy Weather” is arguably the most recognized song of its era.  Horne was not only a multi-Grammy award-winning singer, she was also an award-winning star of stage, screen and television. She was also an activist during the Civil Rights era, which is where I encountered her after the introduction by my father.  The New York Times obituary recalled the difficulties she faced as …

Oklahoma City National Memorial: The power of remembrance

Published by

When in Oklahoma City last week, I made the time to visit the national memorial dedicated to the memory of those killed, wounded, or changed forever by the bombing of the Murrah Federal Building on April 19, 1995. It was a powerful experience that would  be moving at any time.  In these days of bombing attempts in Times Square and daily cable television rants against government, the power of remembrance seemed all the more important.  This place – forever altered in horrific ways 15 years ago by the act of an individual angry at the federal government’s actions at Waco and Ruby Ridge – is a somber counterpoint to the hysteria that counts as civic discourse in parts of America today. One enters the outdoor symbolic memorial through a gate marked 9:01 – the minute before the bombing – to represent the innocence of the city.  At the other end of a reflecting pool, the west gate is marked 9:03, after everything changed.  The best known feature of the memorial is the field of empty …

Harp Guitar

More harp guitar

Published by

After writing the post last evening on the harp guitar article in the Spring 2010 issue of  The Fretboard Journal, I kept looking around on YouTube for other players mentioned in the article…and I came across this wonderful video of Muriel Anderson that I had to share. Anderson’s harp guitar is a classical-style model which has a beautiful sound.  I hope you’re able to listen to these videos on a computer that has a good bass speaker, because the sound of those ringing bass strings turns a beautiful tune into a magical tune. (As an aside, check out all those beautiful harp guitars on the stage behind Muriel at the opening of the video.  Guitar eye candy indeed!) Here’s “Lady Pamela” by Muriel Anderson.  Enjoy. More to come… DJB

More strings make beautiful music

Published by

Several weeks ago the Spring 2010 issue of The Fretboard Journal showed up in my mailbox.  I was traveling a great deal at the time, so I popped in it my briefcase and caught up on all the news from the world of beautiful instruments in airplanes and hotel rooms. Ricky Skaggs, the young acoustic band Bearfoot (which I caught at last year’s Merlefest), and Bedford County, Virginia luthier James Jones are all featured in this issue.  But my eye was immediately taken to an article on harp guitars. I had never seen a harp guitar until I attended the Shenandoah Valley’s Oak Grove Music Festival one year and Stephen Bennett pulled out the strangest instrument imaginable.  But then he began playing the most beautiful music, and I was transfixed.  I’ve since met Stephen through my friends the Pearsons and Harringtons, and I’m always amazed at how someone can play such lovely music on such an awkward looking guitar. Stephen Bennett and Gregg Miner (whose guitar photo from harpguitars.net leads off this post) are featured …

Dale Chihuly: Works in Seattle and Tacoma

Published by

Recent travels have taken me to both Seattle and Tacoma, Washington – described by writer Margery Aronson in the book Fire as “the new ‘Center of the Universe’ for the medium of glass, a shift in no small part due to (Dale) Chihuly’s decision to return to the Northwest to live, work, and continue his early commitment to education.” Glass artist Dale Chihuly has been back in his home region since 1971, making amazing sculpture, seaforms, chandeliers, towers, and more.  He’s been in my consciousness for about the past 12 years, as I’ve come across more and more of his work in my travels. So it was great to spend time recently in Chihuly’s  hometown of Tacoma and his current city of Seattle, viewing works both very public and more private. We began in Tacoma, where the 2002 Chihuly Bridge of Glass offers much for the eye.  As a welcoming gateway to downtown Tacoma, the Bridge of Glass has two rising crystal towers, a seaform ceiling that is beautiful in any light, and a Venetian …

55 is the New 25…Or How Facebook has Reconnected Me to People I Haven’t Seen in 30 Years

Published by

I didn’t think turning 55 last month would be such a big deal, having already dealt with those milestone birthdays of 40 and 50. Everyone knows (and pollsters bear this out) that Boomers always undercount their age by 7-10 years in any event.  I may be 55, but I believe I’m really only 45.  Don’t believe me?  Just ask any Baby Boomer how old he/she feels and you’ll soon get the sense that we’re all this way (i.e., delusional). But this year has been very different and a little – well – just different.  And it is all because of Facebook. First, a little back story.  I was not an early adopter for Social Media, as I had a wife, two teenagers, a demanding job, a guitar and mandolin sitting in the corner and other interests to fill my days.  But part of my job was to provide vision and direction to all parts of our online communications efforts at work.  It soon became clear that it was going to be difficult to do that …

Iron Work for a Tennessee Farm

Published by

My younger brother Joe recently posted photos on his blog of the iron work on a barn project he just completed in Middle Tennessee. This horse barn and the accompanying 19th century farmhouse near Pulaski were graced with Joe’s simple yet beautiful ironwork on the gates and in the tack room.  The owner and Joe agreed to an Iris theme that adds a little unexpected touch to the utility of the gates. Check out the Joe Brown, Artist Blacksmith blog to see all the pictures and some of the other projects Joe has in the works.  And for those in Middle Tennessee, note that Joe usually participates in the Art Studio Tour as well as a few major shows throughout the year. More to come… DJB

Good Friday 2010

Published by

One of the treasures of Washington is the National Cathedral.  Earlier this evening Candice, Andrew, Claire and I gathered together in the Cathedral’s St. Joseph of Arimathea Chapel for the moving and beautiful Good Friday meditation. There is no more appropriate place to spend Good Friday than the vault-like chapel deep in the heart of the Cathedral named for Joseph of Arimathea, the rich man who went to Pilate and asked for the body of Jesus in order to provide a proper burial in his own new tomb.  The stone and wood space is made for the chants, solo cello, and Taize music of this service.  The sounds have a special resonance that envelops the soul. Cathedral Musical Director Michael McCarthy has structured a beautifully meditative service for this evening, beginning with Gita Ladd playing the groaning Sonata for Cello solo, Op. 28 by Eugene Ysaye.   The plainsong chant of Psalm 40 by the gentlemen of the Cathedral Singers begins in the traditional fashion, yet two-thirds of the way through McCarthy underpins the plainsong with …