All posts filed under: What’s Next…

Thoughts on my Gap Year, Encore Career, and Whatever Comes Next

Remembrance, not regret

Birthdays that end in 0 are much easier for me to handle than the ones that end in 5. I came to that rather trivial realization sometime over the past year. Approaching 30, 40, 50, or 60? No big deal. In fact, for that last one I used the occasion to gather 60 lessons I’ve learned over six decades. It was great fun. The ones that end in 5, however? Umm…they seem to be more problematic. Perhaps it is because I’m suddenly closer to the next 0 and the next decade than to the one in my rear view mirror. At 35 most of us finally realize, if we haven’t already, that we are no longer a kid. At 45 you can claim with some degree of persuasiveness to fall in the middle age bracket, but that has its own set of challenges. (Mortgages, anyone?) By the time you hit 55 you are conscious of the fact that few people live to be 110, and you are face-to-face with all that implies. And at 65? …

Eleven ways of smelling a tree

The February 10th newsletter of Chapter 16, a website celebrating Tennessee literature, was titled Paying Attention. Editor Maria Browning writes that, to her mind, February is “the most fickle month of the year in Tennessee,” with shifts between the stirrings of spring and days of snow (or, worse, ice). She continues, “Wardrobe challenges notwithstanding, this is a wonderful time to pay attention to the ever-dynamic natural world.” Her suggestion for some inspiration led me to read “Eleven Ways of Smelling a Tree” by Sewanee writer David George Haskell. As Browning notes, the piece at Emergence Magazine is a collaborative effort, with musician Katherine Lehman and art by Studio Airport. I’ve recommended Haskell’s The Forest Unseen in the past as a delightful book written by a scientist with the soul of a poet. “Eleven Ways of Smelling a Tree” has the same observational mix and magic. Haskell opens his piece with an ode to the American Basswood. “Harlem, New York CityVintage: 1908 We crack the windows on summer’s first warm days. I taste diesel smoke, acid and oily. The fumes rise …

W.A.I.T.

On New Year’s Day, I finally saw the delightful movie, A Beautiful Day in the Neighborhood, starring Tom Hanks as the beloved children’s television star Fred Rogers. I waited until the last day this critically acclaimed film was showing at our local theatre because we wanted to go as an entire family and needed to align multiple schedules in our short window of opportunity over the holidays. Like millions of Americans, Mister Rogers’ Neighborhood was a part of our children’s childhood, and it just seemed right to sit down together to take it in as if watching around the television set. There is much to like about this film, from the cast to the skillful direction of Marielle Heller, from the smart screenplay to the transitional shifts taking place between the toy set and the real life scenes of Rogers and journalist Lloyd Vogel (played expertly by Matthew Rhys). Vogel is, as one reviewer notes, “a magazine writer who actually may be the one person on the planet who doesn’t love Mr. Rogers.” Rhys’ character is based …

The Browns, December 2019

Farewell 2019, Hello 2020

It is time, once again, when I first look back over the past twelve months and then think ahead to where I want to go in the year to come. This annual review is one small part of a larger practice to have an honest conversation with myself in the hopes that I’ll then be able to have real conversations with the larger world. During 2019, I’ve thought a great deal about place, privilege, and—given the tenor of the times—paths forward individually as well as collectively. Why place? My career has been focused on older and historic places, what those places can tell us, and how they can nurture us (or not) into the future. Although I took a gap year from full-time work in 2019, I didn’t stop thinking about my life’s work. Knowing that emotions flow through place, in my writing over this year I’ve focused more on the buildings and landscapes in our cities and towns that, while coming from my professional life, also have deep personal meaning for me. Why privilege? …