All posts tagged: Acoustic Music

Saturday Soundtrack: Holy Week

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I was fortunate in my earlier life to sing Baroque and Renaissance music as part of the Shenandoah Valley group Canticum Novum. Custer LaRue, one of the eight-to-twelve singers depending on the gig, was definitely our ringer. I’ve seldom heard such a pure soprano voice. Along with a number of recordings and other highlights in her career, Custer was the “singing voice” of Reese Witherspoon in the movie Vanity Fair. (Custer also sang a solo at our twins’ baptismal service, accompanied by yours truly on guitar. While I doubt it made her musical resume, it was definitely a highlight of my musical career.) The other ringer was Carol Taylor. An award-winning choral director at McGill University, Carol fell in love with the sound of tracker organs and then fell in love with George Taylor, who happens to build world-class tracker organs (with his partner John Boody) in little Staunton, Virginia. I count myself very fortunate to have had the opportunity to sing with Custer, and with Debbie Hunter, Lucy Ivey, Shari Shull, Kay Buchannan, Constance …

John Prine

I’m gonna make you laugh until you cry: R.I.P. John Prine

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And now it claims John Prine. Damn. Anyone who ever cared about “a word, after a word, after a word” is grieving today. America lost one of its greatest songwriters to the coronavirus when John Prine died on April 7th at age 73. When I wrote about Prine and his music just a little over three weeks ago, on March 14th — before the world learned he was suffering from the symptoms of COVID-19 — I said it was a good time to recall the work of the man who wrote the classic line, “To believe in this living is just a hard way to go.” Now that he’s gone, we’ll have to be content with what is an amazing body of work by any definition. The origin story could come from a classic Prine song. He was a postman who wrote during his breaks. On a dare from friends (and under the influence of a few beers) he stepped up to an open mic and sang Sam Stone, Hello in There, and Paradise, three …

Gifted singer and songwriter Aoife O’Donovan

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On this Saturday Soundtrack I’m featuring the second of the three members of the roots music trio I’m With Her, the gifted singer and songwriter Aoife O’Donovan. A native of Newton, Massachusetts, O’Donovan grew up spending her summers in Ireland and singing songs with her extended family. She studied contemporary improvisation at the New England Conservatory of Music, and joined together with another classmate, plus two Berklee College of Music alums, to form the alternative-bluegrass band Crooked Still. That band, and their impressive debut album Hop High, was where I was introduced to O’Donovan.* Fiddler Brittany Haas (sister of Saturday Music musician Natalie Haas) and cellist Tristan Clarridge joined the band in 2008. Their version of When First Unto This Country is a lively tune representative of O’Donovan’s work during this period. The band is now on hiatus as the members pursue other projects. Many people know O’Donovan through her song Lay My Burden Down, which Alison Krauss included on her Paper Airplane album. For several years, the soulful O’Donovan tune Oh Mama, from her debut solo album Fossils and heard in this live …

Lean On Me: R.I.P. Bill Withers

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If you are of a certain age, you know Bill Withers and his soulful Lean On Me. This anthem of love, community, friendship, and support could be heard everywhere in the 1970s. “Sometimes in our lives we all have pain We all have sorrow But if we are wise We know that there’s always tomorrow Lean on me, when you’re not strong And I’ll be your friend I’ll help you carry on For it won’t be long ‘Til I’m gonna need Somebody to lean on” Here in 2020, the song has helped many people get through these first few weeks of the Coronavirus crisis. Just this morning, I received the monthly e-newsletter Culture School from Amira El-Gawly at Manifesta, where she brought the song back into my consciousness when she wrote: “Bill Withers knew what he was talking about… back in 1972. I’ve loved the song “Lean On Me” since I was a little girl — it spoke of something I had a sense for but didn’t fully understand as a child. And today it hit me. This is …

The compelling music of Sarah Jarosz

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Sarah Jarosz is one-third of the trio I’m With Her, which I featured in last week’s edition of Saturday Music. In addition to their work with the band, each of these very talented young women has a robust solo career. Saturday Music will focus on their music as individuals over the next three weeks, beginning with the gifted singer, songwriter, and multi-instrumentalist Sarah Jarosz. I began hearing Jarosz at venues such as the Red Wing Roots Music Festival when she was in her early twenties and already an established artist. The bio from her website captures Jarosz’s amazing rise from her teenage debut: “With her captivating voice and richly detailed songwriting, Sarah Jarosz has emerged as one of the most compelling musicians of her generation. A three-time Grammy Award-winner at the age of 28, the Texas native started singing as a young girl and became an accomplished multi-instrumentalist by her early teens. After releasing her full-length debut Song Up in Her Head at 18-years-old, she went on to deliver such critically lauded albums as Follow Me Down, Build Me …

I’m With Her: Lyrical songwriting, sterling instrumental chops, and ethereal harmonies

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“When you go to heaven and hear singing, it will sound like these three women.” Those were the words of mandolinist Chris Thile at a Kennedy Center concert in 2016. He was describing I’m With Her, the Grammy-award winning roots music trio composed of Sarah Jarosz, Aoife O’Donovan, and Sara Watkins. These three women bring together lyrical songwriting, sterling instrumental chops, and ethereal harmonies to make beautiful — some would say heavenly — music. We’ll take a look at their work in this Saturday Soundtrack. The group of singer-songwriters came together in 2014 and have been steadily building a catalog of mesmerizing songs and a loyal following. Yes, that loyal fan base includes me, as they were also involved in my first and only case of celebrity stalking, but that’s another story. I first saw the group live in 2015. Having seen each of them with earlier bands and in solo appearances, I knew that they could forge a distinct and memorable musical partnership. I was not disappointed. There’s so much to highlight here. Nina Simone’s …

Saturday Soundtrack: Keb’ Mo’

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Keb’ Mo’ has been playing traditional blues and roots music for more than three decades. So he seemed a natural to be included in our Black History Month tribute to musicians at the forefront of the work to reclaim the African American contributions to folk, old-time, country and roots music. I kicked off the series with my January tribute to Amythyst Kiah and then began it in earnest the last three weeks; first with a celebration of the music of Rhiannon Giddens, followed by Dom Flemons and then Otis Taylor. Kevin Roosevelt Moore (rechristened Keb’ Mo’ around 1994) has been at the work of reclaiming disappeared African American musical contributions for his entire career. His inaugural album included two Robert Johnson covers and he has a well-earned reputation for his mastery of multiple blues styles. But it is his ability to combine traditional approaches with a contemporary attitude, while working with a wide variety of artists, that generates such enthusiasm for his work. Keb’ Mo’ is more than just a highly skilled retro act. As Nashville …