Rhiannon Giddens: Reclaiming the racially heterogeneous lineages of American roots music
Rhiannon Giddens is at the forefront of the work to reclaim African American contributions to American roots music.
All posts tagged: Roots Music
Saturday Soundtrack: Amythyst Kiah
Amythyst Kiah has burst on the roots music scene in recent years with her powerful vocals and insightful songwriting. The native Tennessean is a self-described “Southern Gothic” singer of “alt-country blues” who has been receiving rave reviews and is nominated for a 2020 Grammy in the Best American Roots Song category for her spell-binding “Black Myself.” Our Native Daughters is the name of Kiah’s recent collaboration with 2017 MacArthur Fellow Rhiannon Giddens, Leyla McCalla, and Allison Russell (from Birds of Chicago). Early last year the supergroup delivered a full-length album, Songs of Our Native Daughters, produced by Giddens and Dirk Powell. “Polly Ann’s Hammer” is a Kiah/Allison Russell song that reimagines the old John Henry tune from the point of view of his wife, and it certainly is one of the album’s standouts. “Black Myself,” the opening track, grabs the listener right from the beginning and is described by NPR as “the simmering defiance of self-respect in the face of racism.” In the liner notes to the album, Kiah writes about “Black Myself” in saying, …
Saturday Soundtrack: Alasdair Fraser & Natalie Haas
Last Monday evening, Scottish fiddler Alasdair Fraser and cellist Natalie Haas brought their extraordinary musical partnership to Washington for a large and appreciative crowd at the Institute of Musical Traditions. This is the 20th year Fraser and Haas have played together, and the anniversary gave the duo the excuse to return to their back catalog. And it is a masterful body of work, beginning with the album where I first heard them—their inaugural CD Fire & Grace, a project that turned heads worldwide with its exquisite musicianship and clear sense of joy. Steeped in different backgrounds— Alasdair from the roots world of Scottish fiddle and Natalie from the classical halls of Julliard—these amazing musicians responded to each other and to each intricate twist and turn of the music for a delightful two hours. It was art as a life-giving force. And they clearly had fun, recognizing the unique nature of the evening’s setting when they played the “appropriate for Washington” reel Little Donald in the Pigpen. Haas’s percussive use of the cello underpinned the magnificent …
Not my average radio interview
Folks in Macon, Georgia, take their musical roots seriously. (Think Otis Redding, the Allman Brothers, Little Richard.) So on Friday morning when I was booked for an interview on WNEX, The Creek — a new Macon radio station featuring Southern roots music and local issues — I assumed it would be different from the local NPR stations where I normally find myself talking about preservation. I was right. And (with the possible exception of my time on the Honolulu public radio station), it turned out to be much more fun than my average NPR radio interview! We were in town to launch our National Treasures campaign for the Ocmulgee National Monument. Lands affiliated with the Ocmulgee National Monument have been home to Native Americans for more than 17,000 years. However, over recent decades the places with ties to the site have been threatened by urban sprawl, the subdivision of forested tracts, and ownership fragmentation. The National Trust and our partners are seeking to re-designate the monument as a historical park, expand the current boundaries, and …
Favorite roots music albums of 2015
I’m not going to pretend that this is a “best of” list for roots music in 2015. With so many things thrown on my plate this year, I haven’t had the time to sample as widely as I would like. (Come to think of it, the last time I felt comfortable enough to publish a “best of list” was 2013!) But I’m very comfortable with a favorites list that just says, “Hey, I like these and I hope you will too.” So with that caveat, let’s see what’s made the cut. The Steeldrivers: The Muscle Shoals Recordings – I’ve loved this Nashville-based bluegrass band for years, even as they have moved through personnel changes that included their lead singer and main songwriter. (More on that later.) The Muscle Shoals Recordings is really the first album where Gary Nichols stepped out on his own as the lead voice for The Steeldrivers – no longer in Chris Stapelton’s shadow. Singer-songwriter Peter Cooper describes it this way: “Right there, at two minutes and ten seconds into the first …
Follow your passions
The Getty Center and McCabe’s Guitar Shop allowed us to follow our passions in Southern California.
Mike Seeger Passes Away
I was saddened to read in today’s Bluegrass Blog of the passing of roots musician extraordinaire Mike Seeger. Half-brother to the more famous Pete Seeger, Mike was one of those people who loved old-time music and the people who played it. He was a great musical scholar who worked to expand the audience for American roots music. I had the chance to hear him play live on a couple of occasions after he moved to Virginia’s Shenandoah Valley, and he was just one of the giants in the field. I found this wonderful clip on You Tube of Seeger talking about – and then playing – Elizabeth Cotten’s classic Freight Train. Rest in peace. More to come… DJB P.S. – An update: Here’s the posting on Seeger from the always informative, The Music’s Over But the Songs Live On blog.
MORE TO COME... 