Celebrating Doc
Remembering American Treasure Doc Watson this month on what would have been his 100th birthday.
Remembering American Treasure Doc Watson this month on what would have been his 100th birthday.
When musicians gather onstage for jams, there’s often unexpected fun and sometimes a bit of magic.
Wayfaring Stranger – plaintive yet hopeful – speaks to many on a variety of emotional levels.
Bela Fleck’s first bluegrass album in more than 20 years came out this week. Progressive bluegrass at its best.
The sun broke through on Day 2 of the inaugural Red Wing Roots Music Festival just as John Jorgenson hit the stage. Somewhere, Django Reinhardt was smiling. Jorgenson’s quintet – channeling the Hot Club of France – displayed an amazing level of musicianship while having a great time in the process as one of the headliners at the Shenandoah Valley’s first Red Wing Roots Music Festival. Now some may ask how jazz fits into the Americana roots music pantheon, but the European string jazz of Reinhardt and Stephane Grappelli from the 1930s had a direct and transformative impact on roots musicians from David Grisman, to Saturday evening’s headliner Sam Bush, to fiddler extraordinaire Mark O’Connor, to mandolin phenom Chris Thile. Jorgenson’s quintet got to show their chops on Mediterranean Blues, a song written by a Vietnamese-born composer who grew up in England and now lives in Amsterdam. Every solo was inventive and exhilarating – which is just as true about the songs in Jorgenson’s entire set. Saturday’s music began for us with Staunton native Nathan …
Congratulations to Chris Thile, a 2012 recipient of the MacArthur Foundation Fellowship grant.
Merlefest has a multi-generational flavor built into its DNA. We saw that at Saturday’s festival, from patriarch Doc Watson to the teenage phenom Sierra Hull. Great music all around.
At 12:30 on Friday afternoon, I thought I had seen the best show I was likely to catch on Day Two of Merlefest. Well, when I’m wrong, I’m really wrong! And I’m here to be the first to admit it. The day started strong. As I expected, The Steel Wheels had a huge crowd on hand at the Americana stage for their morning set, and they didn’t disappoint. The Shenandoah Valley band – at both this set and a later gig at the Creekside Stage – played to large and enthusiastic crowds. I heard more than one person turn to their friend/partner/spouse and say, “These guys were incredible last night.” Spider Wings (“When you got too much, you don’t got anything”…or something like that) was my favorite, but they had so many good tunes coming out of them all day long it was hard to pick out just one. Lead singer Trent Wagler’s piece about his grandfather’s response to Alzheimer’s – entitled Can’t Take That Music From Me – was lovely. The juggling of schedules …
Two of my favorite musicians – plus one of this era’s best guitar builders – are all featured in the Fall 2010 issue of The Fretboard Journal which landed in my mailbox last week. Let’s begin with those musicians. I’ve been listening to New Grass Revival founder Sam Bush (on the right in the picture by Thomas Petillo at the top) since about 1973. A few years later I began to hear Hot Rize member Tim O’Brien in a number of venues. Both are multi-instrumentalists who have stretched the boundaries of bluegrass since coming on the scene. The Fretboard Journal has a laid back yet informative “conversation” between Bush and O’Brien as the cover story of the most recent issue. The topics are wide-ranging, from playing with jazz pianist Bill Evans at the Blue Note to the night when Bush and Mark O’Connor joined the Hot Rize alter ego band Red Knuckles and the Trailblazers for a set. When the conversation turned to hearing someone for the first time, my mind went back to the …
Two recent releases by Sam Bush and Ricky Skaggs — two superstars of Americana, roots, and bluegrass music — show both artists coming home in ways that bring them full circle with their own artistic travels. Bush’s Circles Around Me is a return to the bluegrass and early progressive newgrass of his youth in Bowling Green, Kentucky. The album opens with the title track, a tune that celebrates “being thankful that you’re here” according to Bush. His terrific road band — Byron House on bass, Chris Brown on drums, the amazing Scott Vestal on banjo and Stephen Mougin on guitar — plays on the majority of the 14 tracks, stretching out their musical chops on tunes such as the instrumental Blue Mountain and the old New Grass Revival song Souvenir Bottles. This latter tune, along with Whisper My Name written by original NGR bassist Ebo Walker and featured on their very first album, brings Bush back to the band where he made his name and helped shape a whole new genre of music — Newgrass. …