Trains, tremors, trolls, and turkeys
Snippets . . . and some musical fun . . . from a quick weekend trip to the Bay Area
Snippets . . . and some musical fun . . . from a quick weekend trip to the Bay Area
Celebrating the IBMA 2025 Award nominees.
Alison Brown doesn’t play the banjo. She plays music on the banjo.
When musicians gather onstage for jams, there’s often unexpected fun and sometimes a bit of magic.
Acoustic and roots musicians are hitting the road again, bringing light to the winter months.
John Reischman writes melodic mandolin tunes that have become classics.
The Punch Brothers bring innovation and love to their tribute to the late Tony Rice.
Bela Fleck’s first bluegrass album in more than 20 years came out this week. Progressive bluegrass at its best.
Sturgill Simpson is the hard-to-classify, but always intriguing singer and songwriter who sounds like Waylon Jennings or Merle Haggard (take your choice, as both were great singers); writes about topics not often heard on contemporary country radio; has outspoken progressive politics sure to rub many country music fans the wrong way; and who has a gift for surprise…as you’ll find at the end of this Saturday Soundtrack post. (Bluegrass fans who can’t wait should just jump there first!) A native of Kentucky, the son of a secretary and a Kentucky State Trooper, Simpson is the first male on his mother’s side of the family to not work in a strip mine or deep mine. Nonetheless, that blue collar, hard working sensibility comes through with every song he writes and every note he sings. He is a Navy veteran who speaks up in his songs and in interviews about the dangers of the military industrial complex. In a famous Facebook Live post outside the 2017 Country Music Association awards show, Simpson said, “Nobody needs a machine …
Sierra Hull, who we celebrate on this Saturday Soundtrack, has been playing music professionally since before she reached her teens. Her debut on the Grand Ole Opry came at age 10, she brought her exceptional mandolin skills to Carnegie Hall at age 12, had her first deal with Rounder Records at age 13, and at age 17 became the first bluegrass musician to receive a Presidential Scholarship at the Berklee College of Music. As a 20-year-old, Hull played the White House. The way I best remember how young she was when she burst on the music scene is from her performance at the Merlefest music festival in 2012. When introducing the band, she noted that the bass player was a good musician, but he was also “the only one of us old enough to rent a van.” I’ve heard Hull play over the years at both the Merlefest and Red Wing festivals, and she’s always had the chops to play amazing bluegrass and traditional music. Her first album post-Berklee hinted at new directions, but it …