Why sentences?
A student asks, “Do you think I could be a writer?” The writer responds, “Well, do you like sentences?”
A student asks, “Do you think I could be a writer?” The writer responds, “Well, do you like sentences?”
Writer, editor, writing coach, France aficionado, and family friend Janet Hulstrand produced a delightful little book earlier this year entitled Demystifying the French: How to Love Them and Make Them Love You. Having just finished this advice manual for travelers and others interested in living more successfully with the French, I found Janet’s take on how to understand these sometimes curious, somewhat frustrating, occasionally mystifying, but always interesting people to be delightful, informative, and useful all at once. I also found that Janet had—either on purpose or unwittingly, I’m not sure which—captured some wonderful life lessons from her observations about the country she’s now observed and come to love as a visitor and resident for some 40 years. The book is written as if you are sitting by the fireplace with a wonderful French wine and a good friend who is giving you a crash course before you venture out on your first trip to France. Janet’s writing is clear and, as one reviewer put it, “breezy and digestible.” She begins with five essential tips for “even …
‘Tis the season to begin thinking about finding and supporting some excellent holiday music, which we’ll do in this edition of the Saturday Soundtrack. When you tire of the endless, dreary Christmas muzak, I suggest you set up a winter solstice playlist or take in a concert by Robin Bullock to alleviate your pain. For years I’ve been a regular at Bullock’s Celtic Holiday Concert sponsored by the Institute of Musical Traditions, and I’ll be there again next week for the 2019 performance. Set for Monday, December 9th at St. Mark’s in Rockville, the concert also includes, besides Bullock, the world-class folk instrumentalist Ken Kolodner on fiddle and hammered dulcimer, along with U.S. National Scottish Fiddle Champion Elke Baker. Bullock is a master of the acoustic guitar, cittern, and mandolin, where he blends “…the ancient melodies of the Celtic lands, their vigorous American descendants, and the masterworks of the Baroque and Renaissance eras into one powerful musical vision. The 17th-century harp tunes of legendary Irish bard Turlough O’Carolan, the spirited jigs and reels of rural …
Last evening a sold-out Georgetown crowd was treated to a sumptuous musical feast of the season by the English-based VOCES8 ensemble. The “impeccable quality of tone and balance” that has been recognized by Gramophone and many others was on full display in the splendid acoustics of historic St. John’s Episcopal Church. The program was varied, reaching back to the music of Tómas Luis de Victoria, Michael Praetorius, Giovanni Pierluigi da Palestrina, and Benjamin Britten, while also reaching forward to contemporary composers Jonathan Rathbone, Jonathan Dove, and David Pickthall, among others. For me, the evening’s highlight was the moving Philip Stopford setting of the Coventry Carol, the traditional English carol dating from the 16th century. Stopford’s Lully, Lulla, Lullay—filmed by VOCES8 earlier this year in St. Stephen’s Walbrook Church, London—is as haunting and beautiful on film as it was in the live performance last evening. Soprano Eleonore Cockerham‘s soft, clear, yet ethereal voice is a treasure. The subject of the carol—the massacre of the innocent male children of Bethlehem by King Herod’s army following the birth …
Here in 2019 we’re already seeing a “100 Best Books of the 21st Century” list.
We all have our phobias and fears. For much of my life, that personal horror was stage fright. I’m surprised when people tell me they have never experienced the sensation of walking to a podium or settling in with their musical instrument and, suddenly, being gripped by a paralyzing fear. That dread just came naturally to me. Stage fright—or performance anxiety, as it is also known—is a condition that affects many people who have to talk for a living or want to perform for others. I’ve experienced it in both speaking publicly—say, for television interviews—and in playing music in any space other than my living room. If you don’t address your fears, the feeling saps your confidence and energy in ways that seem to make poor performance a self-fulfilling prophecy. With work and experience, I overcame at least a part of my anxiety through the years and came to enjoy public speaking and conversation. A little bit of online research will turn up 21.5 million results (I Googled it) around ways to combat stage fright. …
Calling Donald Trump “God’s Chosen One” shows why religious freedom is so imperative today.
Tuttle is an exceptionally gifted guitarist and musician who pushes the boundaries of roots and acoustic music.
I continue my annual tradition of posting family photographs from the past year on More to Come.
We all saw the same thing. Yet, what we saw differs sharply in our mind’s eye, and in our retelling of the story. Over the past two weeks, all Americans had access to the same impeachment inquiry hearings. We all saw the same witnesses testifying. We all heard the same Members of Congress asking the same questions (or making the same speeches). And yet, taken individually, what we saw and heard during those hearings differed widely. Why is there this contradiction if we all saw and heard the same testimony presented to the same Congressional committee? One answer to that conundrum may lie in the increasingly narrow ways in which we identify ourselves. It just so happened that I was reading Francis Fukuyama’s smart and insightful 2018 book Identity: The Demand for Dignity and the Politics of Resentment during the hearings. A Japanese-American political scientist, Fukuyama’s thoughtful take on how our nation, and how much of the world, came to a place where we are identifying ourselves with a series of smaller and smaller tribes while …