All posts filed under: Acoustic Music

Few things are better than the sound of acoustic instruments

Steel Wheels 2015

The Steel Wheels

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I first became aware of The Steel Wheels somewhere around 2008. I had picked up a CD of the Shenandoah Valley-based band on one of our Thanksgiving trips to Staunton and was introduced to and intrigued by the unique voice and careful songcraft of lead singer and songwriter Trent Wagler. But it was at Merlefest in 2012 that the band pushed their way into the front part of my brain, and, I suspect, the brains of thousands of other music fans as well. After one of the main acts wrapped up their show, as I wrote at the time, a number of attendees were exiting the main stage area on the first night of the festival. Suddenly, The Steel Wheels began singing their powerful Rain in the Valley on a small side stage. And like bees flowing to honey, those leaving stopped, turned around, and were glued to their seats through a spirited 30-minute set. As expected, later TSW shows throughout the weekend were packed, as word spread fast. And just like that, they quickly …

Recovered songs, recovered stories

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Folk songs often bring us to the intersection of place, history, and memory. In certain cases, digging into those songs gives us a chance to recover the true stories, long-hidden, from our past, bringing a reckoning with the history that did happen and a reimagining for our collective future. Recently, The Bitter Southerner posted a thoughtful article which examines how the popular folk tune Swannanoa Tunnel was taken from the wrongfully convicted black community in Western North Carolina. Forced to build the railroad tunnel as convict labor during the Jim Crow era, those convicts originally wrote the tune in the “hammer song” tradition of John Henry. Somebody Died, Babe: A Musical Cover-up of Racism, Violence, and Greed shows how the song was reshaped and romanticized into an English-based folk tune in the 1920s – 1960s to appeal to white audiences. As the site notes, “Beneath the popular folk song…and beneath the railroad tracks that run through Western North Carolina, is a story of blood, greed, and obfuscation. As our nation reckons with systematic racial violence, …

Saturday Soundtrack: Matt Flinner

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Matt Flinner is the top-shelf mandolinist and composer not enough people know. At least not in the way that music fans know that force of nature Chris Thile, or the Energizer Bunny clone Sam Bush, or the genre-bending trail-blazer David Grisman. But musicians have long been aware of this quiet master, who, in the words of the Associated Press, “blurs the lines between jazz and bluegrass, traditional and avant-garde” with the best of them. Flinner’s website bio showcases just how in-demand he is as a musician. “Multi-instrumentalist Matt Flinner has made a career out of playing acoustic music in new ways. Starting out as a banjo prodigy who was playing bluegrass festivals before he entered his teens, Flinner later took up the mandolin, won the National Banjo Contest at Winfield Kansas in 1990, and took the mandolin award there the following year. Since then, he has become recognized as one of the premiere mandolinists as well as one of the finest new acoustic/roots music composers today. He has toured and recorded with a wide variety …

Saturday Soundtrack: Songs for social distancing

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I was listening to Oscar Peterson recently when he began the familiar Duke Ellington tune Don’t Get Around Much Anymore. I quipped, “Well, that could be my theme song for sheltering-in-place.” Here we are, still pretty much stuck in our own bubbles for the foreseeable future, and not getting around much at all. While musing on our situation, the thought came to me that it could be fun — or at least distracting — to have a look here on Saturday Music at this testimonial to social distancing. We’ll begin our exploration of this beautiful “I miss you” song with the version that put me on this quest — the Oscar Peterson arrangement, which I believe features Peterson on piano, the incomparable Ray Brown on bass, and Ed Thigpen on drums.* Then we’ll turn to Duke Ellington and Ella Fitzgerald — jazz royalty — for their take on the standard. This out-of-focus clip is from the NBC telecast the Ella Fitzgerald Show, from April 1968. According to some online commentators, in the same show they …