All posts filed under: Acoustic Music

Five Albums for a Desert Island – Sgt. Peppers

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There’s not a lot you can add to all the words that have been written about Sgt. Pepper’s Lonely Hearts Club Band.  The Wikipedia entry for the album is one of those that drives people who hate crowd sourcing to rants, because it probably runs longer than the Wikipedia entry for World War II . (I haven’t actually checked that out, but it makes a good line so I’m sticking to it.)  If you want to read about the echo effects, the engineering, the late night recording sessions, even how that great, thunderous E chord at the end of A Day in the Life was produced – you’ll find it all there on Wikipedia.  And that’s just one of countless articles and books written about the Beatles and this music. Sgt. Pepper’s Lonely Hearts Club Band has been a source of endless fascination since it was released, and I was certainly smitten as a young teenager.  This is probably on my list as much for what it represents about my youth as for the album …

Time Out – For More Albums for a Desert Island

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This is album #3 that I’d want on my iPod on a desert island (see the earlier two posts below), and it is the only pure jazz album on my list. Growing up, my brother Steve was the jazz fan and my father had always enjoyed Teddy Wilson (one of the two pieces he could play on the piano was “Body and Soul” in the Wilson style.)  I grew up  listening to rock and then gravitated to acoustic folk which led me to bluegrass, Celtic, Americana, blues, and the like.  I wanted to listen to music I could play, and I never stayed with the piano or guitar long enough to be a jazz player.  But I’ve always enjoyed the music and have a healthy sampling on my iPod – everything from a lot of Miles Davis to a lot of Oscar Peterson. Time Out was the first jazz album that really caught my ear, and that’s the reason it is on my top five list.   I was captivated by the changes in time signature and rhythm.  It all …

Five albums for a desert island: The Circle Album

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I still remember coming home sometime in 1972 — I was a junior or senior in high school — and putting Will the Circle be Unbroken on my stereo. I had started focusing on acoustic music (such as James Taylor) a year or two before, but I was soon exploring more of the roots of folk, which led me to the record bin on that fateful day when I found this record with the funny looking cover by the Nitty Gritty Dirt Band — a country-rock ensemble I had recently seen in concert. There was a little patter to start the record, which was unusual in and of itself in that era of over-produced rock albums, with Jimmy Martin commenting on John McEuen’s banjo kick-off by saying, “Earl never did do that….”  But then Martin, the Dirt Band, and their musical guests were off with a rollicking version of The Grand Ole Opry Song. Decades before O Brother Where Art Thou?, there was Will the Circle Be Unbroken when some long-haired hippies and rockers took country, bluegrass, and mountain …

Five albums for a desert island

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Facebook is full of lists – 25 Random Things About Me just being the best known of a recent flurry.  When I was on Facebook tonight, I saw a friend’s posting of Five Favorite Albums and thought, “Now that’s a list I could enjoy compiling. It took me less than 3 minutes to come up with five albums that I’d want on my iPod if I were stuck on a desert island.  But the Facebook application doesn’t let you say much about the choices.  So I’ll turn to More to Come… and over the next few nights will tell you about: The David Grisman Quintet Will the Circle Be Unbroken Time Out Sgt. Peppers Aereo-Plain The David Grisman Quintet’s self-titled debut album blew me away the first time I put needle to vinyl back in the mid-70s and I still love to listen to the amazing musicianship of Grisman, Tony Rice, Darol Anger, Todd Phillips, and Bill Amatneek.  The cover of the album (see above) told you this record was all about the instruments and their players.  …

Searching the Internet and Finding…The Music’s Over

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This is another of those “look what I found on the Internet” postings. The other day I was searching for information on Clarence White and found this cool blog called The Music’s Over…but the Songs Live On.  What a labor of love.  The blogger writes about musical artists who passed away on that day in history, and he’s putting together a great archive of American music in the process.  He’s also covering just about every musical genre imaginable.  So you’ll find your bluegrass guys right up there with the punk rockers. On this date – March 16th – in 1975 the great blues guitarist T-Bone Walker passed away.  As noted in The Music’s Over: Electric Blues starts with T-Bone Walker. No T-Bone Walker? Then possibly no B.B. King, Pee Wee Crayton, Clarence “Gatemouth” Brown or Stevie Ray Vaughan. From his recording debut in 1929, to his passing from an earlier stroke in 1979, T-Bone Walker dazzled his audiences with a guitar style that was, well electrifying. And when he decided to actually “plug in” in the …

Sweet Love

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Candice and I were out at a party on Capitol Hill last evening and had a nice time with friends old and new.  However, when I climbed into bed last evening I knew I’d best set our alarm or we’d miss our obligations at church this morning. My iPod has a playlist I entitled “Quiet Time” which we listen to as we fall asleep and then which is what we hear as our morning alarm.  We may wake to a Gregorian Chant or Anonymous 4, some Miles Davis or Bill Evans jazz, or perhaps a quiet New Age guitar piece from Will Akerman or Al Petteway. This Sunday morning we slept a little later, due to the party.  But the wake-up music set the tone for an introspective day that worked well with the gray and rainy weather. The first thing out of my iPod this morning was John Gorka singing this wonderful Kate Wolf tune entitled Sweet Love. John Gorka has one of the most distinctive voices in folk music.  I can listen to him sing anything.  But several …

Clarence and Roland White featured in spring Fretboard Journal

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My favorite magazine showed up in the mail earlier this week, and I was delighted to see a cover story on flatpicking pioneer – and former Byrd – Clarence White.  The Fretboard Journal is coffee table quality but with writers who have musical smarts.  The Spring 2009 cover article on Clarence White and his mandolin-playing brother Roland is a terrific example.  There are great pictures of White’s Telecaster and superb writing about the unique syncopation that Clarence employed.  (You can hear it in the video below.)  White was one of the most influential guitarists of all time (#41 on the Rolling Stone list of 100 Greatest Guitarists) and The Fretboard Journal connects all the dots of his impact. Clarence White is that unique musician who had influence in multiple musical genres.  As a teenager he introduced the guitar as a lead instrument in bluegrass.  Then he moved to the Byrds where he played a key role in defining the sound of country-rock.  And much too soon – at age 29 – he was hit by a drunk …

Missy Raines Brings New Hip to IMT

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My colleague John and I were among a small but appreciative audience to hear Missy Raines and The New Hip at the weekly Monday night concert of the Institute of Musical Traditions.   The band features Raines’ energetic bass lines as the foundation for jazzgrass and acoustic music, capped with some terrific solo work by a group of young Nashville-based musicians. Instrumentals are the core of this band’s work, and they played most of the selections from Inside Out, their new CD on Alison Brown’s Compass Records.  The title track, Duke of Paducah, and a reworked Angeline the Baker entitled simply Angeline are among the highlights.   All the musicians were top notch, but Michael Witcher on dobro stood out throughout the evening.  Multi-instrumentalist Ethan Ballinger looks to be all of 16, but played beyond his years.  The band also broke in a new guitarist (on his second gig and so new he’s not listed on the web site) who carefully studied the chord charts but didn’t miss a beat.  At the end of a satisfying night …

Willie and the Wheel

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Fresh off their performance at the National Preservation Conference in Tulsa last fall, Western Swing band Asleep at the Wheel has joined with country music legend Willie Nelson for a new CD of Western Swing classics entitled Willie and the Wheel.  The Washington Post’s J. Freedom du Lac wrote a strong review of the album in which he said, For several years, the iconoclastic singer-songwriter Willie Nelson has been surrounding himself with unlikely musical collaborators, from pop ditz Jessica Simpson and jazzman Wynton Marsalis to the rapper Snoop Dogg, with whom Nelson shares an abiding love of lighting up — and seemingly little else. The pairings have produced more misses than hits as Nelson’s musical proffer has become wildly uneven. (Witness Nelson’s dreadful 2005 reggae experiment, “Countryman,” which should be filed in record bins under Jamaica Mistake.) But for Nelson’s new album, “Willie and the Wheel,” he found the perfect partners: Western swing preservationists Asleep at the Wheel, who helped the aging country outlaw get in touch with his inner Bob Wills, to marvelously vibrant effect. …

Watching the Grammy’s Part II

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After closing out last night’s More to Come… post on the Grammy’s, I caught the final award for album of the year, which went to Robert Plant and Alison Krauss for Rising Sand.  There is some justice when a rock icon who never won a Grammy with Led Zeppelin suddenly wins five when he teams up with – as the Washington Post’s J. Freedom du Lac termed her – “bluegrass goddess” Krauss. I loved it when Plant – that Led Zeppelin screamer – thanked old time musicians Mike Seeger and Norman Blake, along with bluegrass fiddler extraordinaire Stuart Duncan and the wonderful independent roots record company Rounder Records in his acceptance speech.  We haven’t heard names like that from the Grammy stage since O Brother swept the awards show.  Woo hoo! More to come… DJB