All posts tagged: Acoustic Music

Blowing the Doors Off the Joint

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“You Can’t Make This Stuff Up” is the theme of this week’s AFI Docs Film Festival in Washington, where some 70 documentaries will be shown in theatres across the city over five days.  To get myself in shape, I spent Sunday and Monday watching two documentaries that are not part of the festival but are currently playing in the area. One tried — and only partially succeeded — in reaching the standards suggested by the theme. The other is a masterpiece simply because it captures a treasure at the height of her powers.  As one reviewer phrased it, “She blew the doors off the joint.” But let’s start with the less-satisfying of the two. Echo in the Canyon, currently playing at the E Street Cinema, is a documentary about the legendary Laurel Canyon music scene in Los Angeles from the mid-1960s. The film focuses on the music of The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas, and the hook is a 2015 tribute concert from current-day fans Jakob Dylan (Bob’s …

About “More to Come…The DJB Blog”

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Hi.  I am David J. Brown (hence the DJB) and I originally created this blog more than ten years ago to send random thoughts on a few things I care about to friends, family, and others who may share the same passions.  I began this as a way to capture photos and memories from a family vacation.  After the trip was over, I simply continued writing. Over the years the blog has changed to have a more definite focus, which is reflected in the new menu items and new look.  Several years ago I began writing a Monday email to my staff about things that were on my mind, and this discipline led to a regular feature on the blog which you can find under “Monday Musings.”  Professionally, I am a national nonprofit leader with a four-decade record of growing and strengthening organizations at local, state, and national levels. In this work, I combine deep industry knowledge in historic preservation with proven fundraising experience, national program conceptualization and delivery, effective public engagement, extensive governing board …

Patty Griffin

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Last Wednesday, singer-songwriter Patty Griffin performed to a large and appreciative audience at Washington’s 9:30 Club. Featuring songs from her recent self-titled album, Griffin showcased her significant songwriting chops and wide-ranging musical interests from rock to Latin romanticism to gospel to beautiful acoustic folk. It was my first time to see Griffin live, but not the first time I was smitten with her work. No, that would have been about fifteen years ago while standing in a record shop listlessly flipping through CD bins while fixated on the sound of Griffin’s 1000 Kisses album and the unique, emotional vocals coming out of the store’s sound system. I’m happy to report that the decades haven’t diminished that vulnerable voice. Wednesday evening she performed Long Ride Home, one of my favorites from that 2002 album, as well as the rousing Move Up from the remarkable Downtown Church album, recorded in a historic Nashville house of worship that is an architectural masterpiece and, from a personal interest standpoint, was founded by a great uncle of mine six-or-seven times back. Patty Griffin remains on tour …

I Hate to Say Goodbye, So I’ll Just Say So Long

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NOTE: The following is adapted from a message I wrote to my staff at the National Trust for Historic Preservation on the Monday of my last week as the EVP and Chief Preservation Officer with the organization. In a typical three-point sermon from the Baptist church of my youth, the preachers would:  1) tell you what they were going to say (the introduction); 2) then say it (the sermon); then 3) tell you what they had just said (the conclusion).  To keep up the symmetry, the sermons themselves often had three points.  The last of my Monday morning emails will be my personal three-point sermon. The Introduction  I’m going to expand my audience beyond the Preservation Division and write to the full Trust staff along with a number of friends outside the organization.  In doing so, I’ll use the first part to explain a bit about these Monday emails.  Second, I want to say a few words about what the past twenty-two-plus-years at the National Trust have meant to me, both professionally and personally.  Finally, …

A Great Send-Off

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Last Friday, my colleagues at work hosted a wonderful send-off party.  There was a “B” theme to evening, as we had barbecue (Rocklands, my local favorite); bourbon (with gifts of several very nice bottles of whiskey over the course of the week); and bluegrass (the latter supplied live by the By-and-By Band). The band was even kind enough to let me sit in with them on a spirited rendition of Sitting On Top of the World! Friends, former and current colleagues, and partners came in from as far away as Los Angeles to celebrate. I used the occasion to say a few words (no surprise there), beginning with the observation that I was finding that almost anything that was said in the office brought to mind something that happened 10, 20, or 30 years ago—what I’ve dubbed the Old War Stories part of my transition. I knew everyone would be thankful if I kept it short, so I brought notes.  On the occasion of my 60th birthday, I composed a post entitled 60 Lessons From …

The Deep Rhythms of Life

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If you are a hammer, then everything looks like a nail. I try and remember that old adage when I consider things I read or hear.  Given my career, training and perspective, I often see historical overtones, even—perhaps—when they don’t exist.  So with that grain of salt, I’ll note that over the course of a recent weekend, I took part in three conversations that all struck me as narratives somehow important and related. The first was not really a conversation. But it felt as if I was on the listening end of one as I went on a Friday night to hear Lucinda Williams and the Drive By Truckers in concert.  Both were great, but it was the music and between-songs patter of Lucinda Williams—her stories, if you will—that made me think about the way in which we can break out of our pasts and stand out from what is expected. Williams has been writing and performing emotionally devastating lyrics for four decades. But she also takes courageous stands against racism, sexism, and hate in …

Life is Not a Rehearsal

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Tommy Emmanuel is one of the world’s best guitarists, yet he’s not widely known in a field that often places glitz above skill.  As Emmanuel explains in the opening to a very entertaining TEDx talk, when he told a fellow traveler in business class that he made a living playing the guitar, he had to respond to the question “What band are you in?” with the fact that he played solo guitar. His seatmate looked at him as if Emmanuel had stumbled into the wrong section of the aircraft. But as he thought about it, Emmanuel explained that he does, in fact, play in a band.  A one man band. In his TEDx talk he showcases the amazing skills that have made him so in demand by demonstrating how he plays the bass line, the drummer’s riff, the fills from a rhythm section, and the melody line all at once. If you’re like me, your jaw will drop with the complexity of the music and you’ll laugh at the line “look at how much money …