All posts tagged: Acoustic Music

Saturday Music: This Land is Your Land

Happy July 4th! In the spirit of the day, let’s celebrate the Woody Guthrie 1940 classic This Land is Your Land. Many of us believe, for a variety of reasons, that it should be the national anthem. No less an authority than Bruce Springsteen has said, it is “one of the most beautiful songs ever written about America.” Guthrie wrote This Land is Your Land during the Great Depression in response to Irving Berlin’s God Bless America. There’s a wonderful book by John Shaw entitled This Land That I Love: Irving Berlin, Woody Guthrie, and the Story of Two American Anthems. As Shaw describes it, Guthrie was hitchhiking his way to New York City when he became upset over hearing the Kate Smith version of Berlin’s song over and over again during the trip. Guthrie sat down and wrote a song in anger, but his revisions over time turned it into one of the most shared and beloved songs in our nation’s history. Here’s the unvarnished recording from Woody, with the bonus of a picture …

Saturday Music: Muriel Anderson

Composer, fingerstyle guitarist, and harp guitarist extraordinarie Muriel Anderson celebrated a major birthday earlier this month with a live birthday party / concert…and it was a blast! Along with hundreds of other fans listening to the event, I heard wonderful music, had a tour of Muriel and partner Bryan Allen’s Long Island summer home, and watched the guest of honor open presents. Muriel is one of my guitar heroes, and I’ve written about her work several times in the past. Like here. And here, when I tell the world that I’m in love. And here, when I tell the story of sitting in the baggage claim area at BWI airport so I could here her play a brief concert. And one of my posts with the most views — Be Present When Serendipity Strikes — was about finally waking up on a flight home from Nashville one summer evening, only to realize that I was sitting next to Muriel and Bryan. From that point on, it was a magical flight. I had hopes of hearing …

Saturday Music: Sturgill Simpson

Sturgill Simpson is the hard-to-classify, but always intriguing singer and songwriter who sounds like Waylon Jennings or Merle Haggard (take your choice, as both were great singers); writes about topics not often heard on contemporary country radio; has outspoken progressive politics sure to rub many country music fans the wrong way; and who has a gift for surprise…as you’ll find at the end of this post. (Bluegrass fans who can’t wait should just jump there first!) A native of Kentucky, the son of a secretary and a Kentucky State Trooper, Simpson is the first male on his mother’s side of the family to not work in a strip mine or deep mine. Nonetheless, that blue collar, hard working sensibility comes through with every song he writes and every note he sings. He is a Navy veteran who speaks up in his songs and in interviews about the dangers of the military industrial complex. In a famous Facebook Live post outside the 2017 Country Music Association awards show, Simpson said, “Nobody needs a machine gun. Coming …

Saturday Music: The Old Songs

I’ve found myself drawn to several musical performances online this week during our troubled times. Most are covers — where musicians perform works by other musicians — and while the date of the originals range across centuries, most of the versions that have touched me were recently recorded. While some are instrumentals, knowing the lyrics to the songs has given me a context to hear the music in new ways. I want to share with you a few of my favorites from this music for troubled times. “We’re not doing my original songs,” Rhiannon Giddens says in her recent NPR Tiny Desk (Home) Concert, before she and her partner, Francesco Turrisi, launch into an old spiritual, “’cause with these kinds of emotions, the old songs say it best.” The set list for the 20 minute mini-concert, filmed at Turrisi’s home in Ireland in late May, goes back to “the origins” as Giddens says, and includes Black As Crow, Spiritual, and the tune set Carolina Gals / Last Chance. While all are wonderful, the haunting vocals and …

Saturday Music: Brooks Williams

Singer and guitarist Brooks Williams hails from Statesboro, Georgia, the town made famous by country-blues legend Blind Willie McTell. Williams’ backstory provides a bit of context as to why this Cambridge, England resident has a love for country blues — evident throughout his three decades of work — that comes so naturally. “Ranked in the Top 100 Acoustic Guitarists, he’s a mean finger-picker and a stunning slide guitarist. Plus, ‘he has a beautiful voice,’ says Americana UK, ‘that you just melt into.’ Not one easy to pigeon-hole, Brooks’ music is the love-child of country-blues and soulful Americana.” Williams has been playing live and releasing albums since 1990. To celebrate the 30th anniversary of the release of his first record, Williams recently recorded an album of 12 of his favorite songs from his back catalogue. Called Work My Claim, the recording features musicians John McCusker (Mark Knopfler), Christine Collister (Richard Thompson), and Aaron Catlow (Sheelanagig) in addition to Williams. We’ll begin our tour with a soulful and bluesy version of You Don’t Know My Mind from Work …

Saturday Music: Quarantine Essentials

Eleven years ago I posted a short series on More to Come entitled Five Albums for a Desert Island. It was a way to expand on a Facebook challenge at the time to list your five favorite albums. And while the original posts sound slightly dated, they nonetheless stand up pretty well in describing five albums that have shaped my musical interests. I thought about these albums again in this time of global quarantine. If I had to choose only five albums to have on my live-stream for a long period of sheltering-in-place, how would these do? Well, I think I could more than live with these five…I’d still very much enjoy them! Yes, I would miss not having Nickel Creek‘s self-titled 2000 album to enjoy. (Click the link to read the recent NPR article about the album: “How Nickel Creek made Americana the new Indie Rock.”) And I love The Best of John Hiatt. Nonetheless, with the original five I would not only survive, but would thrive. I’ll encourage you to go back and read the …

Saturday Music: Hawktail

Hawktail — composed of fiddler Brittany Haas, bassist Paul Kowert, guitarist Jordan Tice, and mandolinist Dominick Leslie — plays some of the most beautiful, complex yet accessible music from the American contemporary acoustic music scene you’ll ever want to hear. After beginning life as a trio, this band’s first album, Unless, was released in 2018, and earlier this year their second offering, entitled Formations, hit the streets. Both are excellent, but in Formations the band really hits its stride. Kowert and Haas are probably the two best-known members of Hawktail, although Tice and Leslie more than carry their musical weight. Kowert is the bassist for The Punch Brothers (with mandolinist Chris Thile, guitarist Chris Eldridge, banjoist Noam Pikelny and violinist Gabe Witcher). A graduate of the Curtis Institute of Music, Kowert has also played with David Grisman Quintet (DGQ) alum Mike Marshall and David Rawlings. Haas began touring with DGQ alum Darol Anger’s Republic of Strings at the age of fourteen and at seventeen released her debut, self-titled solo album. Haas continued to tour and record while simultaneously earning …

Saturday Music: Eric Skye

Making my way through the most recent issue of the Fretboard Journal (FJ #45*), I came across sixteen splendid pages on fingerstyle guitarist Eric Skye. The photos of a beautiful twelve-fret 00-sized Santa Cruz guitar were sumptuous, and I was soon to learn that this was the company’s signature 00-Skye guitar. Likewise, the writing catches you right from the beginning, with a story — and quip — about using a wedding band as a slide. (“It’s why I got married, man!”) Skye was new to me, but the Portland, Oregon-based acoustic guitarist certainly has a devoted following, and not just from Richard Hoover and the folks at Santa Cruz Guitars. He has a very broad minded approach to music, which he explains came in part from a classical guitar teacher who turned him on to blues and jazz as well. As his website notes, while often billed as an acoustic jazz guitarist, “Skye actually occupies a unique niche between traditional acoustic music, modal jazz, folk, and blues. With a technical approach that is somewhat informed by …

Saturday Music: John Hiatt

One of my all-time favorite rock singer-songwriters is John Hiatt. Described as “a master lyricist and satirical storyteller,” Hiatt “weaves hidden plot twists into fictional tales ranging in topics including redemption, relationships, growing older and surrendering, on his terms.” Hiatt has been at this for a long-time, with 23 albums to his credit. His songs have been recorded by artists as diverse as Bob Dylan, Bonnie Raitt (Thing Called Love), Emmylou Harris, Iggy Pop, I’m With Her, Rosanne Cash (The Way We Make A Broken Heart), and New Grass Revival and the Jeff Healey Band (both for Angel Eyes). The acoustic Crossing Muddy Water shows how Hiatt can tell a sad tale of loss with beauty and depth. Perfectly Good Guitar about rock stars who smash their very expensive guitars onstage as part of their act is typical of Hiatt’s clever writing. This version from Austin City Limits has great leads with Mike Ward of The Guilty Dogs doing some awesome guitar shredding. My all-time favorite Hiatt song is Tennessee Plates, described by one of my favorite music bloggers …

Saturday Music: Sara Watkins

This Saturday I’m wrapping up my feature on the three members of the roots music trio I’m With Her, with this look at the gifted fiddler, singer, and songwriter Sara Watkins. Watkins is probably the best known of the trio’s members, due to her status as a founder and fiddler with the Grammy-award-winning and highly influential progressive bluegrass group Nickel Creek, where she debuted in 1989 along with her brother Sean and mandolinist Chris Thile. Since 2007, when the band took an indefinite hiatus (broken by 2014’s 25th reunion tour), Watkins has played both solo gigs and in a variety of groups including, of course, I’m With Her. In addition to singing and playing fiddle, she also plays ukulele and guitar, and played percussion while touring with The Decemberists. With her brother Sean, Sara has also hosted the Watkins Family Hour, which has been described as an “oasis from the rigors of the road, a laboratory where they can try out new material, or master beloved cover songs.” The monthly show is held at the Largo …