All posts filed under: The Times We Live In

Connect and care

Have you ever noticed how easy it is to break into a rant? Come to think of it, that could be an opening line from an Andy Rooney parody. I’ve been thinking of that cranky curmudgeon from CBS’s 60 Minutes recently as I’ve listened to some of our political discussions. Rooney would fit right in as a television pundit in our age of grievance. I am afraid I understand the allure of grievances all too well. The temptation to rant is very enticing at times, and on very serious subjects, no less. For example… In recent weeks I’ve had the thought that what the world needs to hear is my take on the grating personality of Clemson football coach Dabo Swinney. Most recently he claimed his team was “favored by God” after they beat Ohio State in the college football semifinal. I usually quote the late Lewis Grizzard on God and sports:  “As best as I can tell, God was undefeated in all sports last year. Anybody who won thanked Him, and I never heard a …

The work still before us

As we celebrate the life and work of The Rev. Dr. Martin Luther King, Jr. this weekend, we are reminded of how far we’ve come in terms of racial justice and equality in America. And—this year more than most—we are also reminded of how so very far we’ve yet to go. In honor of the work of Dr. King, I quoted author Michael Eric Dyson in 2019 from his book Tears We Cannot Stop: A Sermon to White America, where Dyson argues of Martin Luther King, Jr. that America has “washed the grit from his rhetoric” in order to get to a place where he can be seen and admired by the country at large. Yet it was King who said that the country’s race problem “grows out of the…need that some people have to feel superior. A need that some people have to feel…that their white skin ordained them to be first.” Difficult words for many to hear, yet, “This is why King is so important to this generation, to this time, to this …

Mavis Staples

Saturday Soundtrack: Mavis Staples

There is no better musical artist to celebrate during The Rev. Dr. Martin Luther King, Jr. weekend than American icon and national treasure Mavis Staples. Her reach and impact as a once-in-a-generation artist has been astounding. Staples is a member of both the Blues Hall of Fame and the Rock and Roll Hall of Fame, a Grammy Award winner, a Kennedy Center honoree, and a recipient of the National Arts Lifetime Achievement Award. As someone who began singing during the civil rights movement and marched with Dr. King, her longevity in the spotlight is a testament to her magnificent talent. Mavis Staples performed at John F. Kennedy’s inauguration and sang at President Barack Obama’s White House. And she’s still going strong. “At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that ‘her voice has only gained texture and power over the years’ and People to proclaim that she ‘provides the comfort …

Uplifting Preservation

There are times when the personal takes on global implications. Last week was one of those times. It began when I discovered that a former National Trust colleague, Raina Regan, has begun a fascinating self-help project for preservationists. Here is Raina’s description of this work: “One of my goals for 2019 was to be more intentional with my free time, which resulted in a rekindled love of reading. I was really drawn to self-help books, and according to my count, I’ve read two dozen of them in 2019. As I read each one, I considered how they would apply to me and my work in historic preservation. At some point, I decided I wanted to take what I’ve learned and share it more broadly with the world—and Uplifting Preservation was born.“ Uplifting Preservation is a once-a-month newsletter on the Tiny Letter platform where Raina shares her perspective on a specific book, such as Brené Brown’s Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead, and its relevant concepts …

VOCES8

Remembering the innocents

Last evening a sold-out Georgetown crowd was treated to a sumptuous musical feast of the season by the English-based VOCES8 ensemble. The “impeccable quality of tone and balance” that has been recognized by Gramophone and many others was on full display in the splendid acoustics of historic St. John’s Episcopal Church. The program was varied, reaching back to the music of Tómas Luis de Victoria, Michael Praetorius, Giovanni Pierluigi da Palestrina, and Benjamin Britten, while also reaching forward to contemporary composers Jonathan Rathbone, Jonathan Dove, and David Pickthall, among others. For me, the evening’s highlight was the moving Philip Stopford setting of the Coventry Carol, the traditional English carol dating from the 16th century. Stopford’s Lully, Lulla, Lullay—filmed by VOCES8 earlier this year in St. Stephen’s Walbrook Church, London—is as haunting and beautiful on film as it was in the live performance last evening. Soprano Eleonore Cockerham‘s soft, clear, yet ethereal voice is a treasure. The subject of the carol—the massacre of the innocent male children of Bethlehem by King Herod’s army following the birth …