All posts tagged: Doc Watson

My Turn on Music Row

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I’ve often said I have one of the best jobs on earth.  I work with amazing people to save some of the best places in the country. I get to see some amazing sites. I have the chance to explain why these places matter. Last Monday was one of those days. The National Trust designated Nashville’s Music Row as a National Treasure. Nashville is undergoing an amazing transformation, where growth is putting pressure on some of the most important places in the history of country music. When a threat arose last summer, Musician Ben Folds and several other Nashville insiders worked hard to save historic Studio A from demolition. We joined them in this fight and – in the process – expanded our reach to all of Music Row. Knowing of my Tennessee roots and my love for roots and country music, our team asked if I would help launch our campaign.  It took me about 3 seconds to say yes. As you can see above, we had a great turnout from the media and …

Remembering Doc Watson

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I know when I’ve been inspired by a performer or a piece of music…I change the strings on my guitars. Since hearing a wonderful Tim O’Brien remembrance of the late Doc Watson, I’ve got brand new strings on two of my guitars.  It’s that good. Friday evenings I’ll often ramble through YouTube videos, starting with a musician I enjoy and seeing where the recommendations take me.  More times than not, I will find a video or two that opens up a new perspective on a well-known performer.  Such was the case last evening. I’ve always enjoyed Tim O’Brien, seeing him live most recently at this summer’s Red Wing Roots Festival.  But until I heard this video from a 2012 Kennedy Center performance, I didn’t know that Doc was his musical hero — although the news wasn’t much of a shock.  I believe it was Bill Clinton who said — when giving Doc the National Medal of Arts award — that every baby boomer who picked up an acoustic guitar tried, at some point, to emulate …

Doc Watson, R.I.P.

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Doc Watson, who passed away today at age 89, was among the most authentic, talented, and influential musicians to emerge from the 60s folk music revival. He was also the reason I play guitar, attempting to flatpick fiddle tunes or pick out a lead note or two on traditional bluegrass and country songs. Of course, I have to get in line behind tens of thousands — if not more — guitarists who would make the same claim. So read the New York Times story I’ve linked at the top of the post if you are looking for Doc’s history, background, and influence.  This is a personal post. I was in high school in the early 70s, learning to play guitar and noodling around with music by singer songwriters and their ilk.  Then one day I brought home this funny looking album — Will the Circle Be Unbroken — and my life was changed forever. Here’s how I described that moment in a More to Come… post in 2009: “In fact, I suspect that the first …

Remembering Merlefest 2012

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A week ago I was sitting under the North Carolina moon listening to Sam Bush, Derek Trucks, and a host of talented musicians at the 25th anniversary of the Americana music festival Merlefest. Today was back to reality.  At 6:30 this morning I posted the following status on my Facebook page: “What kind of airline doesn’t know where their planes are? Waiting at a United gate for a flight to Chicago that was to leave 10 minutes ago. The gate agents say a plane is being towed from the hangar. I just heard the pilot calling someone asking, “Can you tell me where our plane is? The gate agents don’t seem to know.” Welcome to the Third World.“ I made my meetings in Chicago (in spite of the plane in hiding) and came back to DC without incident, but tonight seemed to be a very good time to breathe deeply, take it easy, and reflect on Merlefest 2012. This year was my fifth Merlefest, and it was – by a good measure – the best …

In praise of Gallagher Guitars

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Gallagher Guitars have been in my consciousness – if not my life – since first putting the landmark Will the Circle Be Unbroken album on the turntable in 1972 and hearing the most famous words ever uttered about a Gallagher: Merle Travis:  That guitar, by the way, rings like a bell. Doc Watson:  It’s a pretty good little box — a Mr. Gallagher down in Wartrace, Tennessee made it. So I was thrilled to open the most recent issue of The Fretboard Journal and see a story and photo essay on Gallagher Guitars.  Regular readers know that I eagerly await the sight of The Fretboard Journal in my mailbox. The Circle album gave me the flat-picking/bluegrass bug, and I began thinking about a new guitar.  The first Gallagher I played for any length of time belonged to my long-time friend and clawhammer banjo player John Balch, who still plays his 1975 G-50 on a regular basis.  It was a beautiful sounding guitar which whetted my appetite for one of my own.  The first picture below …

New wave and old standards shine at Merlefest 2009

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Merlefest Day 2 began bright and early for me this morning, with a rousing performance at the Americana Stage by the DC-based band Scythian. I caught the irony of having a band fronted by two Ukrainian brothers opening up the Americana stage, but that’s the joy of Merlefest and hey, it is a post-Obama election world. Then came the first great surprise of the morning. I went to the Traditional Stage to hear the New North Carolina Ramblers, but walked in to a packed tent listening in rapt attention to 86-year-old festival patriarch Doc Watson playing a set with old time banjo wizard David Holt.  (It turns out the Ramblers were double-booked and so Doc and Holt were on-call.  And when I say packed, I mean packed.  The picture below was taken from the side because the front was crammed with kids and grandparents alike.)  Doc was in fine form, playing guitar and singing with lots of strength and emotion. Fiddle tunes (Whiskey Before Breakfast paired with Ragtime Annie) were interspersed with Travis-style picking (Deep River Blues) and even …

Getting Ready for Merlefest

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Later this week I’ll head to North Carolina for four days of bluegrass, blues, and Americana music at Merlefest.  I was reviewing the lineup tonight to begin to get a sense of how to schedule my time among the 14 stages.  In the process, I was reminded of recent stories about some of these musicians on More to Come…: Tony Rice Missy Raines and the New Hip Wayne Henderson and Doc Watson Jerry Douglas (with two posts) and the Lovell Sisters. I’ll be adding reviews and updates from Merlefest later this week, so return to find out what’s caught my fancy. More to come… DJB

Five albums for a desert island: The Circle Album

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I still remember coming home sometime in 1972 — I was a junior or senior in high school — and putting Will the Circle be Unbroken on my stereo. I had started focusing on acoustic music (such as James Taylor) a year or two before, but I was soon exploring more of the roots of folk, which led me to the record bin on that fateful day when I found this record with the funny looking cover by the Nitty Gritty Dirt Band — a country-rock ensemble I had recently seen in concert. There was a little patter to start the record, which was unusual in and of itself in that era of over-produced rock albums, with Jimmy Martin commenting on John McEuen’s banjo kick-off by saying, “Earl never did do that….”  But then Martin, the Dirt Band, and their musical guests were off with a rollicking version of The Grand Ole Opry Song. Decades before O Brother Where Art Thou?, there was Will the Circle Be Unbroken when some long-haired hippies and rockers took country, bluegrass, and mountain …