All posts tagged: Random DJB Thoughts

This is where I put anything that is not easily categorized…

An Act of Human Failing Followed by Colossal Grace

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The June 4, 2010 posting from Baseball Musings entitled An Umpire’s Perspective led to an article on umpire-turned-poet Herm Card. The full article is worth reading, but the ending is simply sublime: We live in a time, Card said, in which people want instant replays, “do-agains,” the quick fix. But baseball has never lent itself to painless answers. “You’ve got to step back,” Card said, “and appreciate the larger sense of what this was.” It was an act of human failing followed by colossal grace, which Card sees as proof enough of a perfect game. Perfect indeed. More to come… DJB

Economic meltdown, transitions, and roots music: Recent books on the nightstand

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My last post said More to Come… was going on sabbatical, but in cleaning up the  nightstand today I realized I’d been holding four recent books that I planned to review on the blog.  These represent my eclectic interests (which is what More to Come… is all about) as well as priorities in my life at the moment.  So in the hope that I can now hold to my promise to take the blog on sabbatical,  I’ll pass along thumbnail reviews of the four and put them in my mental “checked off” category. The first is Michael Lewis’ terrific (as in well-written) and sobering (as in scary) The Big Short:  Inside the Doomsday Machine. This is, by far, the best known of the four and much has been written about the story of three small hedge fund managers and a bond salesman who knew what was coming before the economic meltdown of 2008. I don’t need to elaborate because Steven Pearlstein said it all in a Washington Post review I highly recommend.  As Pearlstein  writes, …

Twenty Dollars Per Gallon

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The pace has picked up with my day job, so More to Come…the DJB Blog will go on sabbatical while I focus on other priorities.  But before that happens, I want to share with you the work of Chris Steiner, an engineer-turned-journalist who has been writing about society’s relationship to energy. I had the opportunity to spend time with Chris recently while he was  speaking at the National Main Streets Conference.   A writer for Forbes and The Steiner Post, Chris is the author of a thoughtful book entitled $20 Per Gallon:  How the Inevitable Rise in the Price of Gasoline Will Change Our Lives for the Better. This 2009 work takes the “inevitable rise” in oil prices over time and imagines how each $2 increase in the price of a gallon of gasoline will change our lives. Perhaps counter-intuitively, he sees the change as largely positive.  The rise is inevitable because oil is a finite resource and demand worldwide is escalating at an unsustainable pace.  For instance if China – which now has 4 …

Lena Horne, RIP

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One of my father’s favorite singers, Lena Horne, passed away yesterday at age 92.  My father can’t carry a tune in a bucket and he can play only two songs on the piano – St. Louis Blues and Teddy Wilson’s Body and Soul – but my father had a great collection of 78s from the pre-war era and he knows his jazz singers.  TB was so right about Lena Horne. As the web site The Music’s Over but the Songs Live On noted, Lena Horne was a popular and influential jazz vocalist and actress who broke many color barriers over a career that spanned nearly seven decades, and her 1943 recording of “Stormy Weather” is arguably the most recognized song of its era.  Horne was not only a multi-Grammy award-winning singer, she was also an award-winning star of stage, screen and television. She was also an activist during the Civil Rights era, which is where I encountered her after the introduction by my father.  The New York Times obituary recalled the difficulties she faced as …

Oklahoma City National Memorial: The power of remembrance

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When in Oklahoma City last week, I made the time to visit the national memorial dedicated to the memory of those killed, wounded, or changed forever by the bombing of the Murrah Federal Building on April 19, 1995. It was a powerful experience that would  be moving at any time.  In these days of bombing attempts in Times Square and daily cable television rants against government, the power of remembrance seemed all the more important.  This place – forever altered in horrific ways 15 years ago by the act of an individual angry at the federal government’s actions at Waco and Ruby Ridge – is a somber counterpoint to the hysteria that counts as civic discourse in parts of America today. One enters the outdoor symbolic memorial through a gate marked 9:01 – the minute before the bombing – to represent the innocence of the city.  At the other end of a reflecting pool, the west gate is marked 9:03, after everything changed.  The best known feature of the memorial is the field of empty …

Harp Guitar

More harp guitar

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After writing the post last evening on the harp guitar article in the Spring 2010 issue of  The Fretboard Journal, I kept looking around on YouTube for other players mentioned in the article…and I came across this wonderful video of Muriel Anderson that I had to share. Anderson’s harp guitar is a classical-style model which has a beautiful sound.  I hope you’re able to listen to these videos on a computer that has a good bass speaker, because the sound of those ringing bass strings turns a beautiful tune into a magical tune. (As an aside, check out all those beautiful harp guitars on the stage behind Muriel at the opening of the video.  Guitar eye candy indeed!) Here’s “Lady Pamela” by Muriel Anderson.  Enjoy. More to come… DJB

55 is the New 25…Or How Facebook has Reconnected Me to People I Haven’t Seen in 30 Years

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I didn’t think turning 55 last month would be such a big deal, having already dealt with those milestone birthdays of 40 and 50. Everyone knows (and pollsters bear this out) that Boomers always undercount their age by 7-10 years in any event.  I may be 55, but I believe I’m really only 45.  Don’t believe me?  Just ask any Baby Boomer how old he/she feels and you’ll soon get the sense that we’re all this way (i.e., delusional). But this year has been very different and a little – well – just different.  And it is all because of Facebook. First, a little back story.  I was not an early adopter for Social Media, as I had a wife, two teenagers, a demanding job, a guitar and mandolin sitting in the corner and other interests to fill my days.  But part of my job was to provide vision and direction to all parts of our online communications efforts at work.  It soon became clear that it was going to be difficult to do that …

Iron Work for a Tennessee Farm

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My younger brother Joe recently posted photos on his blog of the iron work on a barn project he just completed in Middle Tennessee. This horse barn and the accompanying 19th century farmhouse near Pulaski were graced with Joe’s simple yet beautiful ironwork on the gates and in the tack room.  The owner and Joe agreed to an Iris theme that adds a little unexpected touch to the utility of the gates. Check out the Joe Brown, Artist Blacksmith blog to see all the pictures and some of the other projects Joe has in the works.  And for those in Middle Tennessee, note that Joe usually participates in the Art Studio Tour as well as a few major shows throughout the year. More to come… DJB

Good Friday 2010

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One of the treasures of Washington is the National Cathedral.  Earlier this evening Candice, Andrew, Claire and I gathered together in the Cathedral’s St. Joseph of Arimathea Chapel for the moving and beautiful Good Friday meditation. There is no more appropriate place to spend Good Friday than the vault-like chapel deep in the heart of the Cathedral named for Joseph of Arimathea, the rich man who went to Pilate and asked for the body of Jesus in order to provide a proper burial in his own new tomb.  The stone and wood space is made for the chants, solo cello, and Taize music of this service.  The sounds have a special resonance that envelops the soul. Cathedral Musical Director Michael McCarthy has structured a beautifully meditative service for this evening, beginning with Gita Ladd playing the groaning Sonata for Cello solo, Op. 28 by Eugene Ysaye.   The plainsong chant of Psalm 40 by the gentlemen of the Cathedral Singers begins in the traditional fashion, yet two-thirds of the way through McCarthy underpins the plainsong with …