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Good Friday 2011

It is no surprise to regular readers that one of my favorite services of the year is the Good Friday meditation at the Washington National Cathedral.  I wrote about it in 2009 and again in 2010.

Candice, Claire, and I were back this year with two friends joining us for the service.  My blog must be reaching huge numbers as the St. Joseph’s chapel was packed!

The music was as contemplative and haunting as ever.  Cathedral Music Director Mike McCarthy was the soloist on his arrangement of the Troparian.  Andrew’s voice teacher, Soprano Diane Atherton, sang the lovely solos that soared above the Taize chants in the vault-like setting of the chapel.

We missed having Andrew with us this year, as he’d already attended two Good Friday services and we gave him the night off.  At his school’s chapel he sang a solo on the opening verse of that wonderful spiritual Were You There, and then he was off to his singing gig with St. John’s Lafayette Square for their noon day service.

I don’t have Andrew singing his solo, but I have something that’s mighty fine.  Here’s a video of American Treasure (and MacArthur Genius Grant winner) Marion Williams with an amazing version of Were You There.  I love it when she says, “I can’t stand too much of this song.”  That says it all.

More to come…

DJB

Live at BWI

Every now and then there are advantages to getting on a plane once a week.  Tonight I experienced one of them.

I am a fan of guitarist Muriel Anderson.  You’ve got to love a classical guitarist whose first influence was Doc Watson!  She can play anything…from classical to jazz to bluegrass.

So I was pleased and surprised when I saw on her Facebook page earlier this week that she would be playing something called BWI Live. At BWI Airport.   In Baltimore.  Among the baggage carousels and Hudson Books.  On April 7th.  The night I was returning from a day trip to Cleveland.  Through BWI!

So in the midst of a very busy day, week, month, season – you name it – I had a sublime evening sitting in the aforementioned baggage claim area listening to beautiful music with ten or fifteen other guitar aficionados.  Muriel Anderson shut out the noise of passing travelers, the cleaning staff, and God knows what else to showcase music from her most recent CD New World Flamenco and other examples of her recorded work.  She played a beautiful Vincent (from her collection of Harp Guitar duets with John Doan), charmed us all with a love song entitled Arioso, whipped through a fingerstyle version of Angeline the Baker (which I’ve never heard played with so many chords) coupled with Foggy Mountain Breakdown, and even indulged my request with the spirited Day Tripper (watch the wonderful video here.)  God, I love the bass figures she plays in that tune!

So I’ve gone to the YouTube archive and came up with Anderson playing a duet with Tommy Emmanuel on the Don McLean tune Vincent. As a duet, on harp guitar, or solo on the six string – as she played it tonight – this is a lovely, lovely tune by a world-class musician.  And I got to see her live at BWI!

Sublime indeed.  Enjoy.

More to come…

DJB

Play Ball!

My iPod is a genius.  It always knows my moods.

Today, as I was unlocking my office door and finishing up the commute to work, what do you think came on the iPod (in shuffle mode, of course)?  Why, none other than Wayne Henderson playing Take Me Out to the Ballgame.

Opening Day!  What could be more perfect!!

Wayne is a die-hard Red Sox fan, and I’ve included a photo I took of him at Merlefest a couple of years ago to prove it.  If you don’t know about Wayne, check out the book Clapton’s Guitar.

I’ve also attached the video of Wayne playing Take Me Out to the Ballgame for all those fans supporting teams today where hope springs eternal.  Go Nats!

Enjoy.

More to come…

DJB

NYC: Continuing a Spring Break Tradition

This is a tradition that begins with an oft-told story.

When Claire was in fourth grade, she returned home from school one day to announce that the teacher had asked everyone to tell the class what their parents did for a living.  So I asked Claire, “What did you say?”  She replied, “I said my father signs papers and goes to meetings.” In her own straight-forward, fourth grade sense of the world, she was correct, and I told her so.  But I also said that meetings and papers were not why I worked.  And from that conversation, the annual Spring Break trip to get to know Daddy’s world was born.

A few weeks later I spoke to my then-boss and said I’d like to take one child with me on a trip during Spring Break to see the work of the National Trust.  Dick blessed the idea, saying he had done something similar when he worked in the White House.

My rules:  it had to be a legitimate work trip where they could see some on-the-ground preservation work, it had to be to some place the children were keen to visit, we had to be able to use frequent flyer miles for the children’s plane tickets, and we would take an extra day to visit things the children really wanted to see in the city or region.

Claire was up first in fifth grade (since she was the inspiration), and as luck would have it I was attending the National Main Streets Conference in Albuquerque that year.  Claire had never been to the Southwest, so off we went.  It was the perfect first Spring Break trip.  Claire wanted to visit Santa Fe, so we took the Turquoise Trail up from Albuquerque and spent the day in that wonderful city.  She learned a lot about Main Street.  We had a magical tour of Acoma Pueblo, our National Trust Historic Site.  And she even got to skip out of the plenary session where I was speaking to go with a friend to see the Albuquerque Isotopes (best minor-league name ever) play on “Homers for Heritage” day.

Next year it was Andrew’s turn.  I had a trip to Seattle planned to introduce Anthea Hartig, our then-new director of the Western Regional Office, to our partners, so to the Pacific Northwest we flew.  The reception for the event was at the renovated Sears Building in Seattle that is world headquarters for Starbucks (the first time they’d opened their doors to an outside party), and Andrew hit the jackpot.  While I was shaking hands and chatting up partners and supporters, our host took him on a basement-to-tower tour of the building.  I also discovered that he was a natural at cocktail parties, charming the ladies and talking like an adult.  And when he got tired, he went over to one of the many big chairs Starbucks has scattered all around the building, curled up, and fell asleep.  Later that trip we took a one day drive down to Mount St. Helens National Volcanic Monument – something I’d never have done on my own but it was fascinating for both of us.

Andrew has a two-week spring break, so that same year we went down to James Madison’s Montpelier, our National Trust Historic Site in Orange, Virginia, for a day trip and a hard hat tour of the restoration of the mansion.  Mike Quinn and his staff were incredibly generous in answering a sixth-grader’s questions, and I often wonder if that was the impetus for Andrew’s love of architecture.

Claire was up again for seventh-grade and had always wanted to see San Francisco.  I scheduled my first-ever visit to Cooper-Molera Adobe in Monterey to see first-hand a proposed project at this National Trust Historic Site.  We also met with the director at our other California site, Filoli, and had an all-around marvelous visit to the west coast.  (I have wondered if this was the trip that eventually led to Claire’s pull to California and her acceptance at Pomona College.)  We stayed at the Fairmont Hotel (getting a staff rate at our Historic Hotels of America was another key part of the trip) on historic Nob Hill.  We toured preservation projects in the city and Claire got her first taste of gourmet vegetarian life with a dinner at Greens.  (As I’m recognizing trends, perhaps this was influential in Claire’s later decision to become a vegetarian.)  A real treat of this trip was an invitation to a lunch at Random Ridge Winery, owned by good friend and award-winning preservation lawyer Susan Brandt-Hawley and her husband Bill.  They invited us and the National Trust Western Regional staff and their families out for a great day of food and wine.

For eighth grade, I needed to go to Denver for a series of meetings with the regional staff in our Mountains/Plains office and then on to Seattle for the National Main Streets Conference.  Andrew (he of the two-week spring break) was up, so we went to Denver.  Andrew toured the city on his own during my meetings (boasting later that he’d taken every form of transportation available to visit the sites – from light rail, to bus, to taxi, to walking).  The next day we drove to Georgetown, Colorado, to tour the Hotel de Paris, our most recent addition to the portfolio of National Trust Historic Sites.  In Seattle, Andrew went on neighborhood tours with the Main Street conference attendees before we headed home.

When they entered high school, I worried the tradition would end.  However, in their freshman year the twins came up with a scheme so both could go!  I had work in Boston that year and Andrew and Claire were both eager to go to the Northeast.  Claire agreed Andrew could join us so we could “see a few colleges along the way.”  I did my work in Boston (while Andrew and Claire explored the city on their own…things were changing), and then we headed west, stopping at Concord for a tourist visit (see the shot at left) and then out to Chesterwood for meetings with the head of our site advisory board.  And yes, we stopped to make our first visits to potential colleges.

The “Daddy’s world” tradition really ended with the sophomore and junior trips, and we dropped the work-related aspects of our spring break tradition.  All three of us went to Tennessee during the sophomore year to visit with family, and last year we became serious with the college visits.  Claire and I went to Southern California where Claire first visited Pomona College.  She heads back this fall as an incoming freshman.  When we returned to the east coast, Candice and Andrew joined us and we made Andrew’s first visit to Brown University, where he’ll enroll this fall.  So even with the changes, spring break trips continued to have a special resonance for us.

All of this is a VERY long preamble.  As Andrew and Claire approach the end of their senior years in high school, we decided on a trip to New York City for spring break – a place we’d never visited as a family.  We’ve been in the city the past three days on a wonderful visit that, while personal, still resonates with trips from the past.

Traveling with family takes you to places you wouldn’t normally visit.  Dylan’s Candy Bar, for instance, or the 8th floor of Saks (where the express elevator takes you to the women’s shoe section – a party place complete with thumping music and champagne that has its own zip code!)  But traveling with adult children also let’s you enjoy fine dining (a fabulous meal at Blue Hill) and the theatre (where we saw the New York production of War Horse, a show I was lucky enough to see last year in London).

And while this wasn’t a work-oriented trip, we still saw some great preservation work.  On a terrific tour of the Empire State Building, the project manager told us of the restoration of the lobby (a 2010 National Trust Honor Award winner) and the building’s incredible sustainability effort (which captured the attention of Claire the environmentalist and Andrew the preservationist).  We saw the work of some old friends from little ole’ Staunton, Virginia, when we visited the beautiful Taylor and Boody organ at St. Thomas on Fifth Avenue. It is also great to see the family live out their passions in the city.  Andrew went to an Evensong at St. Thomas.  Claire has worked hard not to take “tourist” photographs as she’s captured the city on film.  (Yes, she is old school.)  Andrew and I went for a walk on the High Line this afternoon, to scratch his urban planning itch, and we all made a pilgrimage to Greenwich Village to pay homage to Jane Jacobs.  Candice has found great food offerings for every occasion (including a neighborhood bistro, Serafina, this evening).  In my love for history, I heard that the 100th anniversary of the tragic Triangle Shirtwaist Factory fire was being honored on Friday.  Later in the day we walked by the demonstration/remembrance as we visited Greenwich Village.

We are living in the moment…trying not to think about future Spring Breaks when the children are in college (and may not want to learn more about Daddy’s world).   Thank God for traditions that live on. Here are pictures from this year’s trip to New York City.  Enjoy.

More to come…

DJB

Nashville Skyline Rag

The third installment of my “Music Fit to a T” series of songs honoring Tennessee doesn’t technically have the state’s name in its title.

But it is my series, so who’s quibbling.

Since my daughter Claire and I are heading to Nashville this week, I thought I’d include Nashville Skyline Rag as the third song in my tribute. The original came from Bob Dylan’s Nashville Skyline, but I primarily remember the song as the opening tune to every Earl Scruggs Revue show I saw in the 1970s (and I saw several).  I liked it so much that my high school and college bluegrass band also played a version of Nashville Skyline Rag.

Given that this has become known as a banjo tune, it is fitting that I’m featuring a video with banjo pioneer Tony Trischka and the Czech bluegrass band (yes, you read that right) Druhá Tráva.

So here’s a little Nashville Skyline Rag to celebrate Tennessee.  Enjoy.

More to come…

DJB

The Brand New Tennessee Waltz

Jesse Winchester wrote The Brand New Tennessee Waltz for his first album, released in 1970 while still living in exile in Canada where he had moved to avoid the draft.  He wasn’t able to tour in the US until much later in the decade and isn’t as well-known as some other singer-songwriters.

The Brand New Tennessee Waltz — the next edition of my “Music fit to a T” series — is a sad yet lovely song.

Oh my, but you have a pretty face
You favor I girl that I knew
I imagine that she’s back in Tennessee And by God, I should be there too
I’ve a sadness too sad to be true

But I left Tennessee in a hurry dear
In same way that I’m leaving you Because love is mainly just memories
And everyone’s got him a few
So when I’m gone I’ll be glad to love you

Chorus: At the Brand New Tennessee Waltz
You’re literally waltzing on air
At the Brand New Tennessee Waltz
There’s no telling who will be there

When I leave it will be like I found you love
Descending Victorian stairs
And I’m feeling like one of your photographs, girl
Trapped while I’m putting on airs
Getting even by saying Who cares

(repeat chorus)

So have all your passionate violins
Play a tune for a Tennessee kid
Who’s feeling like leaving another town
But with no place to go if he did
Cause they’ll catch you wherever you’re hid

(repeat chorus)

So here’s Jesse Winchester, many years later, singing a song for a Tennessee kid.  Enjoy.

More to come…

DJB

Tennessee Plates – Music Fit to a T

Tennessee PlatesI’ve been thinking about Tennessee recently, as both Claire and I head there next week.  Claire’s high school choir is in Nashville for a series of concerts, and I’m heading to town later in the week for work and then to connect with Claire.  We’ll end the week with a short visit with family.

With all that on my mind, it was appropriate that John Hiatt’s Tennessee Plates came on the iPod as I was heading over to school to pick up Andrew tonight.  I get a big kick out of John Hiatt, and I love this song.

The original video I posted was a terrific acoustic version, but it has since been removed, so I encourage you to check out the version from the album.  To keep the good feelings going, I’ll make this the first in a series of “Tennessee” songs over the next few days.  I have a Facebook friend who is posting a series of videos entitled “Music in the Key of Joe” (as all the artists are named Joe).  So call this series, “Music fit to a T.”

Enjoy Tennessee Plates.

More to come…

DJB

We’re not dead yet!

Cynics (or my children) looking at last evening’s twin bill at the beautiful Strathmore Music Hall would be tempted to title the show, “We’re Not Dead Yet!”  In response, the current edition of the Seldom Scene (one original member) and the Nitty Gritty Dirt Band (with a whopping three of the five original members) could respond with the same motto:  We may be older than dirt, but we can still fill a concert hall!

The Scene (photo at the top of the post) played first, with mandolinist extraordinaire Jimmy Goodreau sitting in on a half-day’s notice for the ailing Lou Reed.  This isn’t your father’s Seldom Scene…the vocals don’t match those of Starling and Duffey, and no one can play those Dobro licks like Mike Auldridge…but this is still a good bluegrass band.  Dudley Connell is an expressive lead singer, Ronnie Simpkins — who along with Goodreau was a long-time member of the Tony Rice Unit — can play bass with the best of them, and 70-year-old Ben Eldridge provides the link to the original Scene.  I was only sorry that Eldridge’s son Chris — of The Infamous Stringdusters and Punch Brothers fame — didn’t sit in as he will occasionally do. It was a fun 45-minute set that delighted the crowd in Bethesda.

The Dirt Band is still doing what they do best — playing a mix of anything that pops into their head.  I’m dating myself now, but I saw NGDB when Jeff Hanna (motto: my hair is ALWAYS going to look better than  yours) was playing washboard and they still had the sense of a jug band about them.  Last night’s show was filled with old favorites and thankfully some new material as well.  John McEuen still hams it up on the stage (when you’re a six-foot plus, very hairy banjo and fiddle player, it probably comes with the territory).  Jimmie Fadden remains a terrific harmonica player.  With Jim Ibbotson’s departure, Hanna handles most of the lead singing. A riff on what would have happened if the Beatles had been a bluegrass band (answer: Paul McCartney’s divorce would have been a lot less expensive) led to Hanna’s bluegrass cover of Get Back.

The title song on their new CD was written by Gary Scruggs, and when Hanna mentioned this I got to thinking about another Scruggs song, The Lowlands. When searching through YouTube for some appropriate video to add to this post, I came across the Dirt Band — along with Jamie Hanna and Jonathan McEuen — playing (you guessed it!) The Lowlands. Jamie and Jonathan are cousins (their moms are identical twins) and their dads are NGDB members Jeff and John.  I’ve always enjoyed the family nature of bluegrass and roots music (think Carter Family, Del McCoury, Nickel Creek) so I love to see these guys singing and playing with their dads.

The Hanna-McEuen duo sings beautifully.  I’m sure their old men are proud.  Enjoy.

More to come…

DJB

Theatre Rebirth

I knew that I had become my father when I found myself telling a friend a few years ago that “I paid more for my last car than I did for my first house.”  It was one of those lines that my father used when I was young – and here I was repeating it!  (Just to set the record straight, our now 10-year-old car wasn’t that expensive; it just happened that as newlyweds, we got a great deal on a 1910 townhouse that needed a lot of work.)

Another story that I heard from my father when I was young was how he spent nights and weekends taking up tickets and serving as the back-up projectionist at the Franklin Theatre in his hometown of Franklin, Tennessee.  Daddy knew all about the movies and stars from that era, because he had a free seat.

So it was no surprise to me that Tom Brown would be in Franklin last Saturday evening when the lights in the marquee of the historic Franklin Theatre were turned on for the first time in 40 years.

The Heritage Foundation of Franklin – one of the great local preservation groups in the country – now owns the theatre, which last operated as a movie house in 2007.   Here’s how their “Save the Franklin Theatre” website describes the connection between the theatre and the community:

The enduring romance with the Franklin Theatre began in the summer of 1937. The marquee spilled brilliantly onto Main Street inviting citizens countywide to see “Night Must Fall,” starring Robert Montgomery and Rosalind Russell.

And they came — young and old, black and white, rich and poor. They laughed, they cried, they dreamed. And, together, within the illuminated walls of the Franklin Theatre, unforgettable moments occurred and memories were made.

In the 70 years that followed, until rising rents forced the theater to close in 2007, life changed dramatically. But for the most part, the Franklin Theatre stood timeless, becoming one of the most beloved small-town movie houses in the South. Fresh-popped corn, first kisses and saving pennies for the Saturday matinee became pastimes shared from one generation to the next.

I talked with Daddy after the lighting ceremony, and he was thrilled.  He sent photos – including one where he’s holding a promotional sign – and said that the local Main Street manager had given a shout out to the National Trust.  (Daddy’s always pleased to hear people speak kindly of his son’s employer!)  The theatre is to reopen in June of this year, and he’s planning on returning when his high school class holds their reunion in his old movie house haunt.  But this isn’t just a place for those soaked in nostalgia.  The marquee restoration was underwritten by the “Next Generation of the Heritage Foundation” – a membership group composed of supporters age 21 to 40.

That’s what preservation is all about: taking places that help define a community and using those places to link generations together.  By celebrating and protecting these places, we build livable cities and towns for today and for the future.

Thanks for the memories, Daddy, and thanks for the stories.  Now that your grandson is getting ready to head off to college in urban studies (after writing his college application essay on Jane Jacobs), it appears that your love of community has been passed along to yet another generation.

More to come…

DJB

The Steeldrivers: Rockin’ the Rams Head

Last Thursday evening, Candice and I made the trek to the Rams Head Tavern in Annapolis to catch The Steeldrivers – one of the more innovative and energetic bands in bluegrass today.  It was my introduction to their live music and we weren’t disappointed.

First of all, this is not your father’s bluegrass.  There are equal parts Nashville, soul, bluegrass, great songwriting, and strong instrumental chops.  I’ve seen Tammy Rogers when she played with Patty Loveless, but her work with the Steeldrivers goes to another level.  On Thursday, she gave the band the energy that had the crowd roaring from the opening notes.  Banjo player Richard Bailey was understated but beyond solid, Gary Nichols has a terrific voice out of the Muscle Shoals tradition and bassist Mike Flemming provided the band’s foundation  both instrumentally and vocally.  I especially liked the addition of Mike Henderson’s metal body National guitar, with the slide taking the place of the more traditional bluegrass Dobro.  A great sound.

The real surprise for me was that the songwriting of this band is especially strong.  Over the course of their almost two-hour show, they come up with some of the best country phrases around:

  • “Drinking dark whiskey, tellin’ white lies”
  • “If you can’t be good, be gone”
  • “You put the hurt on me like I never felt before”
  • And the classic, “Guitars, whiskey, guns, and knives…three’s a crowd and four’s a fight.”

This is a terrific band, and they rocked the Rams Head Tavern on Thursday night.  The crowd was knowledgeable and appreciative, and the Steeldrivers responded.

Catch them the next time they are in your town.  But until then, enjoy a little corn liquor (although the studio version doesn’t do justice to the energy in the live show).

More to come…

DJB