All posts filed under: Acoustic Music

For the Love of the Music

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The last time I heard John Jorgenson play, it was this past summer under a beautiful Shenandoah Valley sky, where his quintet awed us all with a dazzling set of gypsy jazz. Tonight, Jorgenson was back – this time at the Institute of Musical Traditions – playing a dazzling set of bluegrass. And all this from one of the great Telecaster masters of his generation, who once spent six years on the road with Elton John.  It boggles the mind to think one man can switch so effortlessly between technically difficult genres and still make great music. Thank God Sir Elton paid him the big bucks so he can now play all the music he loves. Jorgenson was clearly having a good time tonight, singing and playing bluegrass with singer-songwriter-guitarist Jon Randall and bassist Mark Fain – both from Nashville – and his old California buddy – and west coast bluegrass/roots music legend –  Herb Pedersen.  The band definitely had the “west coast bluegrass” sound going – with smooth harmony singing (minus the twang) and …

Remembering Doc Watson

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I know when I’ve been inspired by a performer or a piece of music…I change the strings on my guitars. Since hearing a wonderful Tim O’Brien remembrance of the late Doc Watson, I’ve got brand new strings on two of my guitars.  It’s that good. Friday evenings I’ll often ramble through YouTube videos, starting with a musician I enjoy and seeing where the recommendations take me.  More times than not, I will find a video or two that opens up a new perspective on a well-known performer.  Such was the case last evening. I’ve always enjoyed Tim O’Brien, seeing him live most recently at this summer’s Red Wing Roots Festival.  But until I heard this video from a 2012 Kennedy Center performance, I didn’t know that Doc was his musical hero — although the news wasn’t much of a shock.  I believe it was Bill Clinton who said — when giving Doc the National Medal of Arts award — that every baby boomer who picked up an acoustic guitar tried, at some point, to emulate …

Red Wing Swings

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The sun broke through on Day 2 of the inaugural Red Wing Roots Music Festival just as John Jorgenson hit the stage. Somewhere, Django Reinhardt was smiling. Jorgenson’s quintet – channeling the Hot Club of France – displayed an amazing level of musicianship while having a great time in the process as one of the headliners at the Shenandoah Valley’s first Red Wing Roots Music Festival.  Now some may ask how jazz fits into the Americana roots music pantheon, but the European string jazz of Reinhardt and Stephane Grappelli from the 1930s had a direct and transformative impact on roots musicians from David Grisman, to Saturday evening’s headliner Sam Bush, to fiddler extraordinaire Mark O’Connor, to mandolin phenom Chris Thile. Jorgenson’s quintet got to show their chops on Mediterranean Blues, a song written by a Vietnamese-born composer who grew up in England and now lives in Amsterdam.  Every solo was inventive and exhilarating – which is just as true about the songs in Jorgenson’s entire set. Saturday’s music began for us with Staunton native Nathan …

Red Wing takes flight

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Well, that certainly was a promising start. Day 1 of the 1st Annual Red Wing Roots Music Festival promised a talented and spirited mix of the roots and branches of American music.  And in spite of gloomy skies and the occasional (and thankfully brief) rain shower, this brand new festival — located deep in the heart of the beautiful Shenandoah Valley — pretty much delivered. The festival is the brainchild of an energetic, talented, and amazingly entrepreneurial (for a bunch of roots music players) band The Steel Wheels, fronted by one of the great voices in Americana music, Trent Wagler.  Candice and I arrived back in our old Valley stomping grounds (we lived for 15 years in nearby Staunton, Virginia) after the soggy drive down from Washington just in time to walk in on the 4 p.m. set of the hosts under the tent at the Carolina Old Time Family Stage.  And given the weather, could The Steel Wheels really begin this festival with any song other than their iconic Rain in the Valley? This was …

Nothing Beats Live Music

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Virtually every year I’ve made a New Year’s resolution to “play more music with friends.”  But life (or the procrastination gene) kept getting in the way. Until this year. On the first Friday in January, we had two families over for dinner and the husbands brought their instruments. I had such a good time playing music with these talented friends that I decided to finally act on that resolution…and the First Friday Music Jam was born. I went through my contacts list and found about 15 friends I’ve played with through the years.  Early in January I sent out a recurring invitation to join me in our music room on the first Friday of the month for some handmade acoustic music. Two “first Fridays” later, we’re off to a great start.  Five friends have joined me both evenings for several hours of good music, fueled by adult beverages and snacks.  Among our crew we have old folkies, a young swing guitarist, bluegrass devotees, and multiple rockers. So far we’ve had an abundance of good-sounding guitars, …

Fine fiddling in Southern California

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When I signed up for family weekend at Claire’s college, I didn’t go expecting to have my bluegrass itch scratched.  Yes, Claremont has a wonderful Folk Music Center in the heart of the village*, but I generally have time for one quick stop to play an instrument or two between all the sessions lined up for the parents. So imagine my surprise when I was reading the events for family weekend, and there — on Friday night — was an evening of “Bluegrass and Old-Time Music” with fiddler Richard Greene. Wow!  Richard Greene is a fiddle god – one of those west coast players who paid his bluegrass dues in Bill Monroe’s Blue Grass Boys in the 1960s, yet expanded the genre with the help of David Grisman, Clarence White, and so many others. I’ve been listening to his music since the early 1970s, yet had never seen him live. So with Candice and Ella, one of Claire’s good friends at school who is — who knew — a bluegrass fan (her already high stock …

A December Celtic Tradition

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If it is early December, you can count on “Celtic Guitar God” Robin Bullock heading up a holiday concert for the Institute of Musical Traditions. So tonight, Candice and I joined about 150 other traditional music fans for the 2012 edition of the IMT Celtic holiday concert. Bullock was joined this year by Scottish champion fiddler Elke Baker and hammered dulcimer player Ken Kolodner. The evening was filled with traditional Christmas carols as well as Scottish and Irish old time music, all played with great enthusiasm and musiciaenship. Baker and Kolodner played several beautiful duets, including two of my favorite holiday tunes:  the haunting In the Bleak Midwinter and the French carol Bring a Torch, Jeanette, Isabella.  All three joined together for extended sets of Cape Breton, French Canadian, and Celtic fiddle tunes. However, my favorite parts of this concert each year focus around Bullock’s solo guitar work. Tonight he had beautiful arrangements of The Wexford Carol and a great mash-up of classical carols as played in the style of Mississippi John Hurt. But one …