All posts tagged: Bluegrass Music

In praise of Gallagher Guitars

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Gallagher Guitars have been in my consciousness – if not my life – since first putting the landmark Will the Circle Be Unbroken album on the turntable in 1972 and hearing the most famous words ever uttered about a Gallagher: Merle Travis:  That guitar, by the way, rings like a bell. Doc Watson:  It’s a pretty good little box — a Mr. Gallagher down in Wartrace, Tennessee made it. So I was thrilled to open the most recent issue of The Fretboard Journal and see a story and photo essay on Gallagher Guitars.  Regular readers know that I eagerly await the sight of The Fretboard Journal in my mailbox. The Circle album gave me the flat-picking/bluegrass bug, and I began thinking about a new guitar.  The first Gallagher I played for any length of time belonged to my long-time friend and clawhammer banjo player John Balch, who still plays his 1975 G-50 on a regular basis.  It was a beautiful sounding guitar which whetted my appetite for one of my own.  The first picture below …

Claire Lynch: A wonderful songbird keeps singing

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At one point in Monday night’s thoroughly satisfying concert by The Claire Lynch Band at the Institute of Musical Traditions, the band leader mentioned that she started in the music business 33 years ago.  It doesn’t seem that long ago when I heard her play at the Shenandoah Valley’s Oak Grove Music Festival, but in fact it may have been two decades since I saw her with the Front Porch String Band. Thirty-three years is a long time to be on the road, but Lynch and her band of hot young phenoms supported by veteran bass man Mark Schatz, had the energy and sound to more than satisfy the sold-out IMT crowd. Lynch has been an impressive band leader, prolific songwriter (truth-in-advertising: some co-penned in the past with my musical cousin, Hershey Reeves), and all-around pioneer in the acoustic music world…but she’s still most impressive as a singer. She showed us all time and again on Monday evening why she won the 2010 IBMA Female Singer of the Year award. Standouts from a wealth of …

Acoustic Music Old and New

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Airline travel has its occasional benefits. Earlier this week I had a trip to Boston booked on Jet Blue Airlines.  When I sat down in the seat, I glanced at the arm rest and thought, “Hot dog – Jet Blue is the airline with free XM radio!”  I whipped out my ear buds and settled in for 90 minutes of the XM station Bluegrass Junction. I love to listen to my own iPod playlist, but it also great fun to settle in to an airline seat or a rental car to catch XM radio’s bluegrass station.  Every time that happens I always end up hearing some great new music, and my Boston trip was no exception. On one leg of the trip, the station was featuring one of its staples:  a program entitled Track By Track where the DJ plays a full album by a featured artist who provides commentary along the way.  This week’s show featured the new Compass Records album Somewhere South of Crazy by the Southern songbird Dale Ann Bradley. Now I’ve …

The (Musical) Circle Never Ends

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This is a post about music.  But it begins with swimming. Earlier this summer, I wrote that I was going to savor the last swim team season.  And I did just that, up to and including adding an extra meet onto the calendar to watch Andrew and his relay mates set a new team record in the All-Star meet.  We were thrilled he got to compete in that best-of-the-best meet in a hotbed of swimming! But this past Saturday got off to a great start, helped by the fact that I didn’t have to be at the pool at 7 a.m. for the first time this summer! So here are a few remembrances from a nice summer weekend that kept bringing thoughts (and connections) back to music. Candice and I were at the local farmer’s market on Saturday, looking to get some great Evensong Farm eggs from our friend Julie.  (Quick aside:  I didn’t realize how tasteless store-bought eggs are until we missed our Evensong eggs for six straight weeks!)  Julie’s father is bluegrass bass …

Got Plans for the Summer?

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My colleague Sarah has a great blog that – like More to Come… – covers her range of interests outside of work.  So I was thrilled when I saw her recent post on top ten things to do this summer at the top of the “best blogs” on Word Press earlier today. Sarah took the idea from The Daily Post.  Her plans looked like such fun that I decided to try my hand at making a list that had an equal smile-inducing factor.  You can be the judge in determining if the DJB list for the summer of 2011 passes the test. 1.  Play more music with friends.  I’ve found a group of guys that I enjoy playing roots music with, but we tend to let it slide over the summer.  I get such joy out of playing with them that I’m going to work on getting everyone together between songwriting and guitar camps.  (Yes, these guys are good!) 2.  Summer in New England.  I’m cheating on this on as I was just in Portland, …

We’re not dead yet!

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Cynics (or my children) looking at last evening’s twin bill at the beautiful Strathmore Music Hall would be tempted to title the show, “We’re Not Dead Yet!”  In response, the current edition of the Seldom Scene (one original member) and the Nitty Gritty Dirt Band (with a whopping three of the five original members) could respond with the same motto:  We may be older than dirt, but we can still fill a concert hall! The Scene (photo at the top of the post) played first, with mandolinist extraordinaire Jimmy Goodreau sitting in on a half-day’s notice for the ailing Lou Reed.  This isn’t your father’s Seldom Scene…the vocals don’t match those of Starling and Duffey, and no one can play those Dobro licks like Mike Auldridge…but this is still a good bluegrass band.  Dudley Connell is an expressive lead singer, Ronnie Simpkins — who along with Goodreau was a long-time member of the Tony Rice Unit — can play bass with the best of them, and 70-year-old Ben Eldridge provides the link to the original …

The Steeldrivers: Rockin’ the Rams Head

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Last Thursday evening, Candice and I made the trek to the Rams Head Tavern in Annapolis to catch The Steeldrivers – one of the more innovative and energetic bands in bluegrass today.  It was my introduction to their live music and we weren’t disappointed. First of all, this is not your father’s bluegrass.  There are equal parts Nashville, soul, bluegrass, great songwriting, and strong instrumental chops.  I’ve seen Tammy Rogers when she played with Patty Loveless, but her work with the Steeldrivers goes to another level.  On Thursday, she gave the band the energy that had the crowd roaring from the opening notes.  Banjo player Richard Bailey was understated but beyond solid, Gary Nichols has a terrific voice out of the Muscle Shoals tradition and bassist Mike Flemming provided the band’s foundation  both instrumentally and vocally.  I especially liked the addition of Mike Henderson’s metal body National guitar, with the slide taking the place of the more traditional bluegrass Dobro.  A great sound. The real surprise for me was that the songwriting of this band …

Old-Time for the New Year

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The coming of the New Year is always a time to look back and look ahead.  I’ve done both the past couple of days as I’ve enjoyed seeing some new video of the “progressive” old-time banjo work of my buddy John Balch. John and I played together in high school and college under a couple of band names – the best one being The Fiery Gizzard String Band (which we used about 20 years before another band from the area took it up).  The name comes from a beautiful and wild area in the South Cumberland region of Tennessee that I’m pleased to say has recently been saved by my friends at the Land Trust for Tennessee (winners of a 2010 National Trust for Historic Preservation Honor Award). But I digress.  I’m talking about new style old-time music. John is a terrific clawhammer banjo player, with two stellar CDs out under his own name.  Clawhammer is known as an old-time style, but John’s music sounds as fresh and current as anything coming out in the …

Running Dog Guitar Ought-3

Fretboard Journal: The 20th Issue

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The 20th issue of The Fretboard Journal showed up in my mailbox a couple of weeks ago.  Any time a big package shows up in the mailbox these days, the kids get excited as they wait to hear back on their applications to college.  But I’m the one who shouts for  joy when I see the package that turns out to be my favorite magazine. I’m glad to see The Fretboard Journal make it to 20 issues, as I wasn’t sure they could sustain this model.  But the editors keep putting out the best guitar porn on the planet, with stories about both players and builders. Readers who like North Carolina’s Avett Brothers will want to check out this issue.  As always, there are great introductions to builders and players I’ve never heard of (see the Joe Veillette article and his beautiful creations).   I enjoyed a Bobby Long piece about how Dylan’s Gibson J-200 on the front of Nashville Skyline (see photo at the top of the post) inspired a life-long passion.  Paul Mehling, founder …

Bluegrass in the Barn

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There are many great places to hear bluegrass – heck, just about any place will do.  But Candice and I have found a spot that’s become a favorite:  the barn at Evensong Farm. Which is how we came to listen to live bluegrass on 10.10.10. Evensong is a farm we support at the Silver Spring farmers market.  Here’s how owner Julie Stinar  describes their work: Heritage. Health. Harmony. These are the chords of Evensong Farm in historic Sharpsburg, Maryland, growing natural foods that sustain our land, our neighbors and our souls. Healthful, heritage foods cultivated at nature’s pace without synthetic fertilizers, pesticides or genetically modified inputs. Heirloom vegetables and herbs, pasture-fresh eggs, grass-raised poultry, pork and beef – healthful food grown to the rhythms of the seasons, to the patient melody of time. We’re just glad that part of the rhythms of the season includes hearing great bluegrass by Darren Beachley and Legends of the Potomac on the Columbus Day weekend in Evensong’s historic wooden barn. Beachley is a fine tenor singer who has played …