All posts tagged: Bluegrass

From the Stage of the Ryman Auditorium…

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Even for a guy who gets to work with some amazing people and visit some of the country’s most wonderful historic places, yesterday was an extraordinary day.  (And not just because I passed 10,000 visitors to More to Come…the DJB Blog – thank you readers.) Nope, the picture says it all.  I was privileged to open the National Preservation Conference from the stage of the historic Ryman Auditorium. For a bluegrass loving preservationist to have a chance to speak from the place where Earl Scruggs came onstage some 60 years ago with Bill Monroe to play White House Blues and give birth to bluegrass music was an honor.  To be able to tell 2,000 conference attendees why this place matters was a thrill.  To be able to hear the bluegrass I’d chosen over the Ryman’s speakers for the 30 minutes before we kicked off the conference was just a rush.  I knew it was going to be a great evening when the Laurie Lewis tune Who Will Watch the Home Place? – with its haunting …

Five in a Row Too Much to Ask of Nats

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After an amazing streak where the Nats won four in a row from the big bad American League East – including a shutout against the Yankees and two walk-off wins in extra innings against the Blue Jays – they reverted to form today in losing 9-4 in front of a Father’s Day crowd that included the Browns.  Yes, Andrew and Claire sprung for Nat’s tickets for the old man (well, there’s more to the story which I’ll get to in a moment) and we all went for a day of baseball and fried food at Nationals Park. Even the Nats reverting to their old ways of bad starting pitching, bad relief pitching, and untimely disappearances at key moments by the team’s 3-4-5 hitters couldn’t put a damper on a very nice Father’s Day weekend. I saw my “celebration” of Father’s Day actually beginning on Friday, when Andrew did some community service work at the Whitman-Walker AIDS clinic and then met up with Claire for time with friends.   I picked them up on Friday evening and …

Compass Records artists shine at MerleFest

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I know that when I travel to MerleFest, I’d better take along some spending money for CDs.  The MerleFest Mall includes what I’ve heard described as “the world’s best Americana music store” and I wouldn’t disagree. This year’s store was sponsored by Compass Records, which was appropriate since so many of their artists were playing at the festival.  Compass is a label that over the past 10-12 years has grown to be one of the best in Americana and roots music.  Their website tells the background story: “Co-founded in 1994 by musicians Alison Brown and Garry West, Compass is a new breed of roots-music label: eclectic, sophisticated, and artist-friendly. Called “one of the greatest independent labels of the last decade” by Billboard Magazine, Compass Records has provided a thriving haven of creativity for artists and a reliable beacon of quality for music fans. Its 2006 acquisition of the Green Linnet catalog and the 2008 acquisition of the seminal Mulligan Records label has made Compass the place to go for Celtic and roots music.“ Brown is …

MerleFest Day 4

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I’ve now arrived home and cut off my MerleFest wristband…so it is officially over.  (I’m sure the organizers are glad to know that’s what it takes.) Sunday at MerleFest is a short day, ending at 6 p.m.  If you live 7 hours away, as I do, it ends even earlier unless you want to get home at 1 a.m. Nonetheless, there were some good final day acts that I was able to work in before the heat and the prospect of the drive drove me out the front gate and headed north. I arrived a little later than planned (must have been that early morning post), so I skipped Doc and the Nashville Bluegrass Band’s traditional gospel show and caught up with the Dixie Bee-Liners at the Hillside stage.  I’d seen them the day before as part of the New Generation Super Jam and wanted to see a full show.  They had a very entertaining set, with strong harmonies and interesting arrangements.   They are worth a look if they are traveling to your town. Afterwards, …

New wave and old standards shine at Merlefest 2009

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Merlefest Day 2 began bright and early for me this morning, with a rousing performance at the Americana Stage by the DC-based band Scythian. I caught the irony of having a band fronted by two Ukrainian brothers opening up the Americana stage, but that’s the joy of Merlefest and hey, it is a post-Obama election world. Then came the first great surprise of the morning. I went to the Traditional Stage to hear the New North Carolina Ramblers, but walked in to a packed tent listening in rapt attention to 86-year-old festival patriarch Doc Watson playing a set with old time banjo wizard David Holt.  (It turns out the Ramblers were double-booked and so Doc and Holt were on-call.  And when I say packed, I mean packed.  The picture below was taken from the side because the front was crammed with kids and grandparents alike.)  Doc was in fine form, playing guitar and singing with lots of strength and emotion. Fiddle tunes (Whiskey Before Breakfast paired with Ragtime Annie) were interspersed with Travis-style picking (Deep River Blues) and even …

Jerry Douglas, Travis Tritt, and the Fretboard Journal cap first day of Merlefest 2009

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With just a Dobro, acoustic guitar, and one great country blues voice, Jerry Douglas and Travis Tritt filled the North Carolina night with terrific music at the end of Day One of Merlefest 2009. I left this morning and drove to Wilkesboro on a picture perfect spring day.  The Shenandoah was beautiful as I drove up the valley: red-buds were everywhere, and the hardwoods were just beginning to green.  Just another reason I treasure my 15 years in Staunton and go back as often as possible. I arrived at the Wilkes Community College campus — home to Merlefest — in time to catch most of the Lovell Sisters’ act.  I’ve written about the Lovell Sisters before, but they continue to grow as musicians and as a band, with more complex arrangements and beautiful harmony singing.   They ended with a tune by that well-known bluegrass composer Jimi Hendrix. Wayne Henderson followed on the Cabin Stage.  Wearing his Boston Red Sox hat (see photo at right) and finger-picking on a beautiful Henderson guitar, Wayne and his band-mates …

David Grier at IMT

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All of David Grier’s guitar skills were on display tonight at the Monday evening concert of the Institute of Musical Tradition in Rockville.  Greir opened with a spirited version of Durham’s Bull, an old fiddle tune (and afterwards opined that all fiddle tunes are described as “old”), and then put on a two-hour tour de force of flatpicked guitar and bad jokes. It is a tall order to keep an audience’s interest with two hours of solo flatpicked guitar, but Grier made it look easy.  With equal measures original tunes and flatpicking chestnuts – with the occasional popular tune such as Yesterday thrown in as well – Grier showed why he’s one of the best flatpickers on the planet.  This was an evening of highlights:  the beautiful intro for Red Haired Boy, the original waltz High Atop Princess Cove, and the Stephen Foster tune Angeline the Baker among them.  One of Grier’s best recorded efforts is the Bill Monroe tune Old Ebenezer Scrooge, which he worked as a duet with bassist Todd Phillips on the Grammy award winning True Life …

There’s at least one good story in today’s Wall Street Journal

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On the day the stock market fell another 678 points, the only good story I could find in today’s Wall Street Journal was on Dobro God Jerry Douglas.  Entitled:  Jerry Douglas:  Irreplaceable Instrumentalist, it is a nice feature on how Douglas thinks like a vocalist when he plays.  The article also has Douglas’ take on why so many young bluegrassers expand their playing into more jazz-oriented music:  Bluegrass is such a chops-oriented music. It builds stamina and strength in your hands because it’s such a physical music, so hard-driving. And you have to stay up; you can’t just play half the song. Sometimes it seems like it’s an endurance test to see who can play fastest the longest! And with that training, you can go just about anywhere else, because you’ve already played all those notes in rapid succession. Thanks to the irreplaceable Bluegrass Blog for highlighting this story on an otherwise dreary news day. More to come… DJB

David Lindley featured in new Fretboard Journal

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Regular readers of More to Come… will know that one of my favorite magazines is The Fretboard Journal, which bills itself as “Not Just Another Guitar Magazine.”  The Fall 2008 issue showed up in the mailbox the other day, and it contains more great articles and photos of the world’s most beautiful acoustic guitars.  Multi-instrumentalist David Lindley is featured in an extensive interview with Ben Harper, while banjoist Tony Trischka talks about the banjo as the great antidepressant.  That article begins with a great quote from Pete Stampfel, banjoist in the Holy Modal Rounders, the anarchist folk group from the 1960s: “The real reason the Great Depression happened was that people quit playing the banjo.” An interesting thought for the day when the Stock Market dropped 777 points. More to come… DJB

Bang-Bang Plays

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With two bang-bang plays at the plate, I may have been an eyewitness to the week when we see the crowning of the Philadelphia Phillies as repeat NL East Champions amidst another historic Mets breakdown. Friends will know that a couple of years ago I started on a quest to visit every Major League ballpark.  And in the last week of the 2008 season, I was lucky enough to squeeze in my fourth new stadium visit of the year. Don and Nancy, friends and great preservationists from Philadelphia, read of my goal on More to Come.  Don called a week ago and said “I have three tickets – two for Nancy and me and one for you if you can make it.”  That was all I needed to hear, and I was on I-95 for the short two-hour drive to Philly yesterday afternoon. Citizens Bank Park is a beautiful stadium, opened a couple of years ago.  After a short walk around the park and picking up my free “Fightin’ Phils” rally towel, I joined Don and …