A new kind of American troubadour
Joy Oladokun, with a soulful voice and innovative guitar stylings, sings poetry for today’s America.
Joy Oladokun, with a soulful voice and innovative guitar stylings, sings poetry for today’s America.
Chris Stapleton and Patty Loveless hush the CMA Awards show with a powerful “You’ll Never Leave Harlan Alive”
Roots and Americana musicians have as much fun covering the Stones as anyone!
A special New Year’s Eve edition with music as you lift a glass to finally say goodbye to 2020.
Chris Stapleton is a unique talent who can play and sing in so many genres. Priceless.
I love a good country or folk duet.
Folks in Macon, Georgia, take their musical roots seriously. (Think Otis Redding, the Allman Brothers, Little Richard.) So on Friday morning when I was booked for an interview on WNEX, The Creek — a new Macon radio station featuring Southern roots music and local issues — I assumed it would be different from the local NPR stations where I normally find myself talking about preservation. I was right. And (with the possible exception of my time on the Honolulu public radio station), it turned out to be much more fun than my average NPR radio interview! We were in town to launch our National Treasures campaign for the Ocmulgee National Monument. Lands affiliated with the Ocmulgee National Monument have been home to Native Americans for more than 17,000 years. However, over recent decades the places with ties to the site have been threatened by urban sprawl, the subdivision of forested tracts, and ownership fragmentation. The National Trust and our partners are seeking to re-designate the monument as a historical park, expand the current boundaries, and …
There was one upside of being stuck in traffic – and then stuck in the car wash line – on a February day with 60+ degree weather. The Bluegrass Junction station on Sirius XM radio was featuring a live concert of The Steeldrivers – a band I highlighted in my Favorite Roots Music Albums of 2015 post last December. (Oh yeah, it was also the winner of the “Best Bluegrass Album” in that other little year-end list – The Grammy’s.) After playing “If it Hadn’t Been for Love” from their first project (the black album), fiddler Tammy Rogers mentioned that “some singer you might have heard of — named Adele” — had covered that song earlier this decade and featured it in her Live at the Royal Albert Hall DVD. I knew Andrew would love this. So I returned home and told Andrew the story. I mentioned that Chris Stapleton – who wrote and sang on the original SteelDrivers version – just won Country Album of the Year for both the CMA and Grammy’s, which …
I’m not going to pretend that this is a “best of” list for roots music in 2015. With so many things thrown on my plate this year, I haven’t had the time to sample as widely as I would like. (Come to think of it, the last time I felt comfortable enough to publish a “best of list” was 2013!) But I’m very comfortable with a favorites list that just says, “Hey, I like these and I hope you will too.” So with that caveat, let’s see what’s made the cut. The Steeldrivers: The Muscle Shoals Recordings – I’ve loved this Nashville-based bluegrass band for years, even as they have moved through personnel changes that included their lead singer and main songwriter. (More on that later.) The Muscle Shoals Recordings is really the first album where Gary Nichols stepped out on his own as the lead voice for The Steeldrivers – no longer in Chris Stapelton’s shadow. Singer-songwriter Peter Cooper describes it this way: “Right there, at two minutes and ten seconds into the first …