All posts filed under: Bluegrass Music

I grew up with Flatt & Scruggs and WSM’s Martha White show on the radio every morning, but truly went down the rabbit hole the first time I placed the needle on side 1 / track 1 of the “Circle” album

We’re not dead yet!

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Cynics (or my children) looking at last evening’s twin bill at the beautiful Strathmore Music Hall would be tempted to title the show, “We’re Not Dead Yet!”  In response, the current edition of the Seldom Scene (one original member) and the Nitty Gritty Dirt Band (with a whopping three of the five original members) could respond with the same motto:  We may be older than dirt, but we can still fill a concert hall! The Scene (photo at the top of the post) played first, with mandolinist extraordinaire Jimmy Goodreau sitting in on a half-day’s notice for the ailing Lou Reed.  This isn’t your father’s Seldom Scene…the vocals don’t match those of Starling and Duffey, and no one can play those Dobro licks like Mike Auldridge…but this is still a good bluegrass band.  Dudley Connell is an expressive lead singer, Ronnie Simpkins — who along with Goodreau was a long-time member of the Tony Rice Unit — can play bass with the best of them, and 70-year-old Ben Eldridge provides the link to the original …

The Steeldrivers: Rockin’ the Rams Head

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Last Thursday evening, Candice and I made the trek to the Rams Head Tavern in Annapolis to catch The Steeldrivers – one of the more innovative and energetic bands in bluegrass today.  It was my introduction to their live music and we weren’t disappointed. First of all, this is not your father’s bluegrass.  There are equal parts Nashville, soul, bluegrass, great songwriting, and strong instrumental chops.  I’ve seen Tammy Rogers when she played with Patty Loveless, but her work with the Steeldrivers goes to another level.  On Thursday, she gave the band the energy that had the crowd roaring from the opening notes.  Banjo player Richard Bailey was understated but beyond solid, Gary Nichols has a terrific voice out of the Muscle Shoals tradition and bassist Mike Flemming provided the band’s foundation  both instrumentally and vocally.  I especially liked the addition of Mike Henderson’s metal body National guitar, with the slide taking the place of the more traditional bluegrass Dobro.  A great sound. The real surprise for me was that the songwriting of this band …

Old-Time for the New Year

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The coming of the New Year is always a time to look back and look ahead.  I’ve done both the past couple of days as I’ve enjoyed seeing some new video of the “progressive” old-time banjo work of my buddy John Balch. John and I played together in high school and college under a couple of band names – the best one being The Fiery Gizzard String Band (which we used about 20 years before another band from the area took it up).  The name comes from a beautiful and wild area in the South Cumberland region of Tennessee that I’m pleased to say has recently been saved by my friends at the Land Trust for Tennessee (winners of a 2010 National Trust for Historic Preservation Honor Award). But I digress.  I’m talking about new style old-time music. John is a terrific clawhammer banjo player, with two stellar CDs out under his own name.  Clawhammer is known as an old-time style, but John’s music sounds as fresh and current as anything coming out in the …

Running Dog Guitar Ought-3

Fretboard Journal: The 20th Issue

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The 20th issue of The Fretboard Journal showed up in my mailbox a couple of weeks ago.  Any time a big package shows up in the mailbox these days, the kids get excited as they wait to hear back on their applications to college.  But I’m the one who shouts for  joy when I see the package that turns out to be my favorite magazine. I’m glad to see The Fretboard Journal make it to 20 issues, as I wasn’t sure they could sustain this model.  But the editors keep putting out the best guitar porn on the planet, with stories about both players and builders. Readers who like North Carolina’s Avett Brothers will want to check out this issue.  As always, there are great introductions to builders and players I’ve never heard of (see the Joe Veillette article and his beautiful creations).   I enjoyed a Bobby Long piece about how Dylan’s Gibson J-200 on the front of Nashville Skyline (see photo at the top of the post) inspired a life-long passion.  Paul Mehling, founder …

Bluegrass in the Barn

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There are many great places to hear bluegrass – heck, just about any place will do.  But Candice and I have found a spot that’s become a favorite:  the barn at Evensong Farm. Which is how we came to listen to live bluegrass on 10.10.10. Evensong is a farm we support at the Silver Spring farmers market.  Here’s how owner Julie Stinar  describes their work: Heritage. Health. Harmony. These are the chords of Evensong Farm in historic Sharpsburg, Maryland, growing natural foods that sustain our land, our neighbors and our souls. Healthful, heritage foods cultivated at nature’s pace without synthetic fertilizers, pesticides or genetically modified inputs. Heirloom vegetables and herbs, pasture-fresh eggs, grass-raised poultry, pork and beef – healthful food grown to the rhythms of the seasons, to the patient melody of time. We’re just glad that part of the rhythms of the season includes hearing great bluegrass by Darren Beachley and Legends of the Potomac on the Columbus Day weekend in Evensong’s historic wooden barn. Beachley is a fine tenor singer who has played …

Rockland, ME

Eating our way through New England

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From Blue State Coffee in Providence, where Claire and I are enjoying a couple hours relaxation after an early morning wake-up and drive, here are some reflections on the good food found in New England on our trip. Sorry Blue State, but the best coffee we found — hands down — was at Bard Coffee in Portland, Maine.  (That’s not really fair to Blue State, since neither Claire nor I are actually having coffee here…she’s into a great blueberry smoothie and I’m having a delicious iced tea, so we’ll rate them best smoothies and tea…but I digress.) We had breakfast at Bard two days in a row and our various cups of coffee and pastries were terrific.  Everything is fresh and the staff is incredibly friendly.  Plus, when I came in on Thursday, they had Nickel Creek’s The Fox coming out of the speakers, and on Friday, it was Old Crow Medicine Show followed by Alison Krauss and Union Station playing the great Jerry Douglas tune We Hide and Seek.  How can you not love …

Why I Feel Lucky…With a Snowstorm on the Way

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As we await our second snowpocalypse in two months here in the Washington area, I was fortunate enough to read Dr. Tom Bibey’s Stories of the Bluegrass Music Road blog this morning.  It reminded me of how your outlook affects so much in life. My favorite story from Dr. B’s blog this morning: I began to write in 2000.  I’ve had the same game plan since 2002; write a bluegrass based book, have it out in 2010, then travel a little with my wife for a couple years before we get too old to go.  Our goal is to meet the best people, play a lot of music, learn a bunch of new songs, and sell enough books to make the trip break even.  A buddy of mine said he toured with a bluegrass band and made it to California and back.  He had a great time and met all kinda folks.  After it was over he had ten more dollars than he started with.  He is my hero. So I’m approaching the snowpocalypse with the idea that I’ll …

Old Time Zen

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A friend from Philadelphia recently sent the following quote to me via email: “A year or so ago on the bluegrass mailing list, one of the bluegrassers was comparing their custom of playing a tune until all the verses had been sung with the old-time custom of playing the same tune ad infinitum. He remarked that the object of old-time music was to bore people. I explained that the object of an old-time jam session is enlightenment (satori, if you will)—boredom is only a means to that end.”  Charlie Bowen This led to a search online (shouldn’t all posts about zen include some reference to a search?) and took me to the original source: an information sheet about a Hillbilly Zen workshop at the 2006 Solfest.  Other bits of wisdom from the workshop: The violin music is important because we play it. Repetition of the tune in the groove leads people to an absorption, a place of clarity which most old-time musicians like. And my favorite: Respect for tradition is a kind of filter. People …

Eighth of January

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For all who love great old-time fiddle tunes, here’s a little luncheon treat. One of my favorites among the old-time tunes is the Eighth of January, which many will remember from the old Johnny Horton country hit The Battle of New Orleans. (The date of the battle was January 8, 1815, and Jimmy Driftwood, an Arkansas school principal who wrote the words to the song to interest children in history, used the fiddle tune for the music.)  The Eighth of January is a sweet little melody that’s relatively easy to play but has lots of possibilities for variations. I found this video by Roland White with a nice short mandolin version.  I wrote about Roland and his brother Clarence back in March 2009 when they were featured in the Fretboard Journal. So, on January 8, 2010, enjoy the Eighth of January in a more timeless mode. More to come… DJB

When Passions Collide

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I love it when my passions collide. Like when the November/December issue of Preservation magazine has a story on the saving of one of the few remaining Negro League baseball stadiums.  Any preservation story that begins with the name Monte Irvin is guaranteed to warm the heart of this old NY baseball Giants fan.  My mother-in-law thought that because of my position with the National Trust for Historic Preservation I must have chosen the cover picture for the magazine.  I didn’t (although I gave writer Eric Wills lots of encouragement as he put the story together), but I do have a beautiful print of that great shot ready for framing for my office.  And from Preservation Online comes the encouraging news that Patterson, New Jersey’s  Hinchliffe Stadium… …may be restored. The city of Paterson and the school board entered into a shared services agreement in late October 2009, and in early November, voters passed a referendum asking for $15 million to fund the stadium’s renovation. If all goes according to plan, the city will receive permission to issue a …