All posts tagged: Acoustic Music

Tennessee Plates – Music Fit to a T

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I’ve been thinking about Tennessee recently, as both Claire and I head there next week.  Claire’s high school choir is in Nashville for a series of concerts, and I’m heading to town later in the week for work and then to connect with Claire.  We’ll end the week with a short visit with family. With all that on my mind, it was appropriate that John Hiatt’s Tennessee Plates came on the iPod as I was heading over to school to pick up Andrew tonight.  I get a big kick out of John Hiatt, and I love this song. The original video I posted was a terrific acoustic version, but it has since been removed, so I encourage you to check out the version from the album.  To keep the good feelings going, I’ll make this the first in a series of “Tennessee” songs over the next few days.  I have a Facebook friend who is posting a series of videos entitled “Music in the Key of Joe” (as all the artists are named Joe).  So …

We’re not dead yet!

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Cynics (or my children) looking at last evening’s twin bill at the beautiful Strathmore Music Hall would be tempted to title the show, “We’re Not Dead Yet!”  In response, the current edition of the Seldom Scene (one original member) and the Nitty Gritty Dirt Band (with a whopping three of the five original members) could respond with the same motto:  We may be older than dirt, but we can still fill a concert hall! The Scene (photo at the top of the post) played first, with mandolinist extraordinaire Jimmy Goodreau sitting in on a half-day’s notice for the ailing Lou Reed.  This isn’t your father’s Seldom Scene…the vocals don’t match those of Starling and Duffey, and no one can play those Dobro licks like Mike Auldridge…but this is still a good bluegrass band.  Dudley Connell is an expressive lead singer, Ronnie Simpkins — who along with Goodreau was a long-time member of the Tony Rice Unit — can play bass with the best of them, and 70-year-old Ben Eldridge provides the link to the original …

The Steeldrivers: Rockin’ the Rams Head

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Last Thursday evening, Candice and I made the trek to the Rams Head Tavern in Annapolis to catch The Steeldrivers – one of the more innovative and energetic bands in bluegrass today.  It was my introduction to their live music and we weren’t disappointed. First of all, this is not your father’s bluegrass.  There are equal parts Nashville, soul, bluegrass, great songwriting, and strong instrumental chops.  I’ve seen Tammy Rogers when she played with Patty Loveless, but her work with the Steeldrivers goes to another level.  On Thursday, she gave the band the energy that had the crowd roaring from the opening notes.  Banjo player Richard Bailey was understated but beyond solid, Gary Nichols has a terrific voice out of the Muscle Shoals tradition and bassist Mike Flemming provided the band’s foundation  both instrumentally and vocally.  I especially liked the addition of Mike Henderson’s metal body National guitar, with the slide taking the place of the more traditional bluegrass Dobro.  A great sound. The real surprise for me was that the songwriting of this band …

Old-Time for the New Year

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The coming of the New Year is always a time to look back and look ahead.  I’ve done both the past couple of days as I’ve enjoyed seeing some new video of the “progressive” old-time banjo work of my buddy John Balch. John and I played together in high school and college under a couple of band names – the best one being The Fiery Gizzard String Band (which we used about 20 years before another band from the area took it up).  The name comes from a beautiful and wild area in the South Cumberland region of Tennessee that I’m pleased to say has recently been saved by my friends at the Land Trust for Tennessee (winners of a 2010 National Trust for Historic Preservation Honor Award). But I digress.  I’m talking about new style old-time music. John is a terrific clawhammer banjo player, with two stellar CDs out under his own name.  Clawhammer is known as an old-time style, but John’s music sounds as fresh and current as anything coming out in the …

Running Dog Guitar Ought-3

Fretboard Journal: The 20th Issue

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The 20th issue of The Fretboard Journal showed up in my mailbox a couple of weeks ago.  Any time a big package shows up in the mailbox these days, the kids get excited as they wait to hear back on their applications to college.  But I’m the one who shouts for  joy when I see the package that turns out to be my favorite magazine. I’m glad to see The Fretboard Journal make it to 20 issues, as I wasn’t sure they could sustain this model.  But the editors keep putting out the best guitar porn on the planet, with stories about both players and builders. Readers who like North Carolina’s Avett Brothers will want to check out this issue.  As always, there are great introductions to builders and players I’ve never heard of (see the Joe Veillette article and his beautiful creations).   I enjoyed a Bobby Long piece about how Dylan’s Gibson J-200 on the front of Nashville Skyline (see photo at the top of the post) inspired a life-long passion.  Paul Mehling, founder …

A Celtic Yule

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On a blustery, cold evening in suburban Washington, a full crowd was warmed by the 11th annual Celtic Yule concert of Robin Bullock and Amy White & Al Petteway.  Hosted by the Institute of Musical Traditions (or IMT), this annual concert is like much of the holiday musical scene – familiar yet welcome. Bullock has a wonderful tone coming out of his Taylor guitar and sounds better with age.  The second half opened with his haunting In the Bleak Midwinter/The First Noel/It Came Upon a Midnight Clear medley.   His solo mandolin pieces exploring the Bach unaccompanied violin and cello suites are a new (for me) part of his show, and they demonstrate his impressive chops.  The Cello Suite #4 is technically demanding (the E-Flat major transposes into B-Flat major on the mandolin), but Bullock made it sing on his beautiful Gibson A-style mandolin from the 1920s.  Check out the video below of Bullock playing solo guitar, and then imagine that it sounds twice as good live. Al Petteway and Amy White played holiday tunes (including …

Music of the Season

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Among the treasures of Washington are the musical offerings at local churches and synagogues throughout the city and at all times of the year.  Today, the Madrigal Singers from Andrew’s high school sang a Music of the Seasons concert at St. John’s Church, Lafayette Square – the “Church of the Presidents” across from the White House. It was a beautiful 30 minute concert that was captured live on the Episcopal Church website.  Click on the link and you can see the entire concert which begins with O come, O come, Emmanuel, moves through Riu, riu, chiu and includes beautiful music by Holst and Parsons.  The mood shifts with the Thomas Dorsey Precious Lord, take my hand and the moving spiritual Ride on, King Jesus.  The Christmas Song and It’s Beginning to Look a Lot like Christmas round out the set. Although I didn’t know it when I arrived for today’s concert, Andrew had a few solos.  I wouldn’t be the proud father if I didn’t point out that you can hear him kick off Riu …

Ave Verum Corpus – Music Made for a Cathedral

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Yesterday Andrew and Claire were confirmed in a magnificent service on a beautiful fall day at the National Cathedral. There’s so much I could cover:  The pageantry.  The three bishops.   The time spent with godparents and their families.  The wonderful discernment process that our Assistant Rector, The Rev. Jered Weber-Johnson, led the twins through over the past two years.  The personal thoughts that ranged from a baptismal service with two infants some 17 years ago to confirmation with two beautiful and talented young adults whom I admire for their thoughtfulness and integrity. Instead (no surprise) I want to talk about the music. The Cathedral Singers – comprised of women sopranos and gentlemen in the counter tenor, tenor, and bass roles – were in residence for yesterday’s service.  Their work was beautiful throughout. But when they sang William Byrd’s Ave Verum Corpus, I just closed my eyes and listened to the wonderful melodies that come together in that magnificent piece reverberate around in the acoustics.  When they finished, I turned to Claire’s godfather and said, …

Bush, O’Brien and Froggy Bottom

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Two of my favorite musicians – plus one of this era’s best guitar builders – are all featured in the Fall 2010 issue of The Fretboard Journal which landed in my mailbox last week.  Let’s begin with those musicians. I’ve been listening to New Grass Revival founder Sam Bush (on the right in the picture by Thomas Petillo at the top) since about 1973.  A few years later I began to hear Hot Rize member Tim O’Brien in a number of venues.  Both are multi-instrumentalists who have stretched the boundaries of bluegrass since coming on the scene. The Fretboard Journal has a laid back yet informative “conversation” between Bush and O’Brien as the cover story of the most recent issue.  The topics are wide-ranging, from playing with jazz pianist Bill Evans at the Blue Note to the night when Bush and Mark O’Connor joined the Hot Rize alter ego band Red Knuckles and the Trailblazers for a set. When the conversation turned to hearing someone for the first time, my mind went back to the …

Bluegrass in the Barn

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There are many great places to hear bluegrass – heck, just about any place will do.  But Candice and I have found a spot that’s become a favorite:  the barn at Evensong Farm. Which is how we came to listen to live bluegrass on 10.10.10. Evensong is a farm we support at the Silver Spring farmers market.  Here’s how owner Julie Stinar  describes their work: Heritage. Health. Harmony. These are the chords of Evensong Farm in historic Sharpsburg, Maryland, growing natural foods that sustain our land, our neighbors and our souls. Healthful, heritage foods cultivated at nature’s pace without synthetic fertilizers, pesticides or genetically modified inputs. Heirloom vegetables and herbs, pasture-fresh eggs, grass-raised poultry, pork and beef – healthful food grown to the rhythms of the seasons, to the patient melody of time. We’re just glad that part of the rhythms of the season includes hearing great bluegrass by Darren Beachley and Legends of the Potomac on the Columbus Day weekend in Evensong’s historic wooden barn. Beachley is a fine tenor singer who has played …