All posts tagged: The Claire Lynch Band

Claire Lynch Band at home at IMT

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Monday evening’s Institute of Musical Traditions show at St. Mark’s Presbyterian Church had the feeling of a “living room concert” as founder and emcee David Eisner put it. The Claire Lynch Band – in what has become an annual tradition – put on a  musically adventurous yet still familiar and engaging show for a full house of family and appreciative fans. The 2 1/2 hour concert had all the elements of a Claire Lynch show:  great singing by Claire and the band, sick guitar work from Matt Wingate, jazzy fiddle from Bryan McDowell, and lots of fantastic bass from the incomparable Mark Schatz. There were a number of swing tunes, which fit Claire’s voice to a T, tossed in with the bluegrass and folk.  While performing songs from her most recent CD, the first-rate Dear Sister, Claire also reached back into her catalog, especially including tunes from the Watcha Gonna Do CD from 2009.  The Mockingbird’s Voice and Barbed Wire Boys were two standouts among many. There’s so much to like in Claire’s work these …

Best bluegrass of 2013

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This year brought us some very good bluegrass music – much of it coming out of Alison Brown’s Compass Records in Nashville. In looking at the different albums that came to my attention in 2013, three of my top five bluegrass releases of the year came from this eclectic roots music label which has been stretching boundaries and introducing the world to exciting new artists for almost two decades. First up in the More to Come… “Best of Bluegrass 2013” list is the wonderful Claire Lynch and her Dear Sister project (and not just because she signed my CD cover).  This is a great group of songs that include tunes I began writing about almost two years ago.  The title track comes from letters written before the Civil War battle of Stones River – fought near my hometown of Murfreesboro, Tennessee. I’ll Be Alright Tomorrow is a new working of the Osborne Brothers classic, that sounds just right in the hands of the newly minted 2013 International Bluegrass Music Association (IBMA) Female Vocalist of the Year. …

Red Wing takes flight

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Well, that certainly was a promising start. Day 1 of the 1st Annual Red Wing Roots Music Festival promised a talented and spirited mix of the roots and branches of American music.  And in spite of gloomy skies and the occasional (and thankfully brief) rain shower, this brand new festival — located deep in the heart of the beautiful Shenandoah Valley — pretty much delivered. The festival is the brainchild of an energetic, talented, and amazingly entrepreneurial (for a bunch of roots music players) band The Steel Wheels, fronted by one of the great voices in Americana music, Trent Wagler.  Candice and I arrived back in our old Valley stomping grounds (we lived for 15 years in nearby Staunton, Virginia) after the soggy drive down from Washington just in time to walk in on the 4 p.m. set of the hosts under the tent at the Carolina Old Time Family Stage.  And given the weather, could The Steel Wheels really begin this festival with any song other than their iconic Rain in the Valley? This was …

Merlefest at 25: Gifts in small packages

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Sometimes the best gifts come in small packages.  That’s how it felt for me on the opening evening of the 25th anniversary of Merlefest – the Americana music festival tucked away in the hills of North Carolina. Opening day at Merlefest is the easiest to navigate, because virtually all the music is centered around the main “Watson Stage” – named for the blind guitarist Doc Watson from nearby Deep Gap and his late son and musical partner Merle.  (It was Merle’s tragic passing on October 23, 1985 that led to the first festival twenty-five years ago in 1988.)  Juggling between the 14 venues and making tough decisions about which acts to see and which acts to miss only happens later in the weekend. So I arrived after my drive from Silver Spring in time to catch the first of the main acts on the Watson Stage – The Boxcars. Coming together after stints with Alison Krauss + Union Station, J.D. Crowe, and Blue Moon, this is a “new” band with a lot of experience.  Even …

Claire Lynch: A wonderful songbird keeps singing

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At one point in Monday night’s thoroughly satisfying concert by The Claire Lynch Band at the Institute of Musical Traditions, the band leader mentioned that she started in the music business 33 years ago.  It doesn’t seem that long ago when I heard her play at the Shenandoah Valley’s Oak Grove Music Festival, but in fact it may have been two decades since I saw her with the Front Porch String Band. Thirty-three years is a long time to be on the road, but Lynch and her band of hot young phenoms supported by veteran bass man Mark Schatz, had the energy and sound to more than satisfy the sold-out IMT crowd. Lynch has been an impressive band leader, prolific songwriter (truth-in-advertising: some co-penned in the past with my musical cousin, Hershey Reeves), and all-around pioneer in the acoustic music world…but she’s still most impressive as a singer. She showed us all time and again on Monday evening why she won the 2010 IBMA Female Singer of the Year award. Standouts from a wealth of …