Music Row’s historic character is disappearing. Here’s what we can do.

NOTE:  My op-ed for the National Trust for Historic Preservation on the future of Music Row ran in today’s Nashville Tennessean.  You can see the original here.

 

Balance.

Harmony.

Character.

These are essential elements of any great song or musical composition. They are also essential to any great neighborhood. Unfortunately for Nashville, the Music Row neighborhood is out of balance right now. In the last five years alone, 43 historic buildings that housed music related businesses – the lifeblood of Music Row – have been demolished. Only one single threatened building – the venerable RCA Studio A – has been saved from demolition. And that “save” was achieved not by public policy or by city initiative, but solely through the efforts of private citizens intent on preserving irreplaceable heritage.

Forty-three to one is not balance. High-rise residential condominiums in a neighborhood of small-scale business is not harmony. Demolishing five more historic buildings in the heart of Music Row is not the way to protect neighborhood character. It is definitely not the way to celebrate the unique and extraordinary cultural heritage that still exists on Music Row, nor how to ensure that the neighborhood remains a thriving cultural campus filled with creative people, talented artists, striving songwriters, and  myriad businesses that support, promote, and share their work with the world.

Music Row Treasures announcement

Music Row announcement as a National Treasure, with musician Ben Folds

Music Row’s past is deep, rich, and complex. It evolved into a singular ecosystem of musical production – a one-of-a-kind neighborhood that became the physical manifestation of the “business of making music.” It is the place where music emerges from the thoughts, dreams and experiences of songwriters, musicians and singers. It is the place of more than 200 recording studios, record labels, promoters, licensing agents, and a host of other small (and not so small) businesses dedicated to the singular and profound purpose of making our world a brighter, livelier, and more engaging place through music.

There is nowhere else like Music Row, period. The good news is there are solid strategies that Nashville can use to stem this current tide of demolition and keep the music on Music Row. We stand with Historic Nashville Inc., the hundreds of fans of Music Row who gathered at Bobby’s Idle Hour on July 24, and the many more who signed our petition in urging Mayor David Briley, the Metro Council and Metro Planning Commission to take immediate, specific steps to support and save Music Row:

  • Create a Music Row Cultural Industry District. This designation—the state’s first–would serve to strengthen, develop, and promote music related businesses in Music Row through the use of incentives, branding, promotion, historic preservation, infrastructure investment, and other tools.
  • End Specific Plan Exemptions. Currently Metro Planning Commission is approving Specific Plan exemptions for the Music Row geographic area. By consistently approving larger and taller buildings than allowed by current zoning, Metro is encouraging demolitions that destroy music-related buildings to make way for generic apartment buildings.
  • Develop Incentives to Support Music Row’s Music Industry. Although large companies are routinely awarded incentives to locate or operate in Nashville, no such benefits exist for the small music businesses. New incentives, including much-needed preservation tools, can help keep music businesses on Music Row and preserve the area’s historic buildings.

It is not too late. But the clock is ticking, and the song is growing ever more discordant. We call on city leaders to take immediate action before this unique cultural industry district is lost forever.

The public is encouraged to sign our petition to Nashville’s key elected officials at www.savingplaces.org/savemusicrow.

More to come…

DJB

One Response

  1. […] Music Row’s historic character is disappearing. Here’s what we can do. […]

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