All posts tagged: Historic Preservation

Change is the Only Constant

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March is one of my favorite times of the year.  The longest month—February—is past. Winter is nearing an end here in DC. Baseball players have reported to spring training camps. Hope springs eternal. Speaking of baseball, I have my own spring training ritual every year. Up first is a viewing of Bull Durham—the best baseball movie ever—followed by reading a new baseball book.  Together the two get me in the mood for the season.  I can report checking off both of those training regimens this year well before Opening Day. I actually read two baseball books recently, although one may not count because it is entitled The Is Not Baseball Book.  You have to love a book which begins with a first chapter of “Sports Is Not a Metaphor.  It’s a Symbol.”  Afterwards it jumps into all matter of things, including pataphysical management systems leading to “self-learning” teams.  That’s for another time. It is the second book, Smart Baseball:  The Story Behind the Old Stats that are Ruining the Game, The New Ones that are …

The Deep Rhythms of Life

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If you are a hammer, then everything looks like a nail. I try and remember that old adage when I consider things I read or hear.  Given my career, training and perspective, I often see historical overtones, even—perhaps—when they don’t exist.  So with that grain of salt, I’ll note that over the course of a recent weekend, I took part in three conversations that all struck me as narratives somehow important and related. The first was not really a conversation. But it felt as if I was on the listening end of one as I went on a Friday night to hear Lucinda Williams and the Drive By Truckers in concert.  Both were great, but it was the music and between-songs patter of Lucinda Williams—her stories, if you will—that made me think about the way in which we can break out of our pasts and stand out from what is expected. Williams has been writing and performing emotionally devastating lyrics for four decades. But she also takes courageous stands against racism, sexism, and hate in …

Remembering Dr. William J. Murtagh: Keeper of the Register, Preservation Pioneer

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(NOTE:  My appreciation of the life and legacy of William J. Murtagh was first published on the Preservation Forum Blog on November 2, 2018.) Bill Murtagh, who passed away on October 28 at age 95, was among the most visible and effective preservation leaders in the middle of the 20th century, when the movement was expanding its focus from historic sites, museums, and teaching to the emphasis on people and community that we recognize today. To those of us who came to preservation in the 1970s and ’80s, Bill was seemingly in the middle of everything. He served two stints at the National Trust for Historic Preservation, first as President Richard Howland’s assistant in 1958, later returning for several years as vice president for Preservation Services. He was a member of the committee that outlined the principles at the core of the 1966 National Historic Preservation Act. He was a key figure in the establishment and growth of preservation education programs from Columbia University to the University of Hawai‘i. His “Keeping Time: The History and …

Studio Lincoln

An education in the obvious

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In the midst of one of the most turbulent weeks in our recent civic life, I attended the play Lincolnesque last Saturday at Washington’s Keegan Theatre.  First released in 2009, this new production couldn’t have come at a better time.  Here’s the synopsis: “Leo has more on his plate than he can handle. He is a speechwriter for an endangered mediocre Congressman, in the final month before a do-or-die mid-term election. His new boss Carla is a dominating message maven who has been brought in from the corporate world to try and save the campaign. And his brother Francis is a psychiatric outpatient recently released from St. Elizabeth’s Hospital, despite having a powerful delusion that he is Abraham Lincoln. Desperate for inspiration, Leo turns to Francis for help writing “Lincolnesque” speeches, hoping that Lincoln’s transformative oratory will revive his boss’s career.” Playwright John Strand uses humor and plot twists to bring Leo and Carla to the point of stealing Francis’ “Lincolnesque” citations for the final campaign speech that puts the Congressman over the top.  The …

Good Trouble

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Congressman John Lewis is a hero to many.  A hero whose skull was cracked more than fifty years ago while working for justice.  So in June when he sent out the following on his twitter account, it was a message worth hearing that day and every day: “Do not get lost in a sea of despair. Be hopeful, be optimistic. Our struggle is not the struggle of a day, a week, a month, or a year, it is the struggle of a lifetime. Never, ever be afraid to make some noise and get in good trouble, necessary trouble.” Lewis wasn’t calling for a “don’t worry, be happy” type of response to the issues of our times. Instead he knows—from more than five decades in the trenches—that despair creates apathy, and apathy destroys activism.  One activist who was in Lewis’ training camps in Mississippi in 1964 notes that “Giving in to despair is lazy surrender.” A few years ago, when the National Trust conference was held in Nashville, John Lewis challenged us to believe in the …

Music Row’s historic character is disappearing. Here’s what we can do.

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NOTE:  My op-ed for the National Trust for Historic Preservation on the future of Music Row ran in today’s Nashville Tennessean.  You can see the original here.   Balance. Harmony. Character. These are essential elements of any great song or musical composition. They are also essential to any great neighborhood. Unfortunately for Nashville, the Music Row neighborhood is out of balance right now. In the last five years alone, 43 historic buildings that housed music related businesses – the lifeblood of Music Row – have been demolished. Only one single threatened building – the venerable RCA Studio A – has been saved from demolition. And that “save” was achieved not by public policy or by city initiative, but solely through the efforts of private citizens intent on preserving irreplaceable heritage. Forty-three to one is not balance. High-rise residential condominiums in a neighborhood of small-scale business is not harmony. Demolishing five more historic buildings in the heart of Music Row is not the way to protect neighborhood character. It is definitely not the way to celebrate the unique and extraordinary cultural heritage that …