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An appetite for Paris (with a side order of Glasgow)

The restaurants, bistros, and sidewalk cafes throughout Paris are as much a part of the city’s aura as its architecture, monuments, and culture. When we chose Paris as the place to celebrate our 40th anniversary, we did so in part because of the expectation of the culinary experience. We also made the choice because, for some inexplicable reason, Paris was a city we had missed in our travels.

It was past time to rectify that oversight.

Exploring new cuisines is one of the joys of travel. So it was with great anticipation that we undertook our recent trip to Paris (with a visit to Glasgow and other environs included in the opening ten days). On the culinary front, this trip brought surprising delights and created new memories.

We are fortunate in having a number of friends who share our love for food and who have lived in or regularly travel to France. Restaurant and food recommendations came pouring in during the weeks before our trip, more than we could have sampled if our stay were twice as long. Knowing of our love for reading, we also received suggestions for books to consider. While at the Red Wheelbarrow Bookstore at the suggestion of Janet Hulstrand, I came across two that we purchased. Sweet Paris: Seasonal Recipes from an American Baker in France by Frank Adrian Barron became a family birthday gift for Candice. The second was an “evocation of a now vanished Paris” — where food was at the center of the story. Naturally, I picked up that one for myself and quickly devoured this gem of a book.

Between Meals: An Appetite for Paris is a memoir by the well-known New Yorker writer A.J. Liebling, who captured his love for Paris, food, “and for pleasure itself” in his last book before his death in 1963. While definitely a piece of its time (especially when it comes to women), Liebling’s writing remains juicy and irresistible even today. He first came to Paris as a student in the 1920s. As James Salter writes in the introduction, “the frankness and sexuality of the city were dazzling, especially to Americans who had known only the Puritanism of their own country, its materialism, indifference to art, and ignorance of history.” Liebling joined those who “came to France to breathe new air.”

And Liebling breathed it deeper than most. His appetites were expansive. And his writing always draws you in. As one reviewer of his body of work put it, “Every sentence he wrote contains a kick, a bounce, and a leap.” He knew how to make the reader laugh, “but for a reason: A window opens when a man laughs, a window through which you can insert an idea.”

A Parisian girlfriend described the rather unattractive Liebling as “passable”, a descriptor which became the title of the last chapter. Between Meals is, in fact, much more than passable: It is a delight. If you scroll to the bottom of the post, you’ll find one small excerpt to demonstrate why and to tempt you to read more.


Unlike Liebling, Candice and I made our arrival in Paris a few years after our student days and late on a Friday evening, tired after a day of travel. The city was flooded with football (soccer) fans for the Championship League final between Liverpool and Real Madrid. An Irish Pub at the end of our block became one of many unofficial headquarters for the fans of Liverpool and we could hear them singing and cheering late into the evening. We walked in the opposite direction and quickly found a nice sidewalk cafe where we could share a pizza and wine to come down from the pressures of airline travel in the age of covid.

Early the next morning I was out on the streets looking for pastries, fruit, eggs, tea, and coffee — the fixings for my traditional breakfast which I prepared for the family each day we were in Paris. I found all within three blocks of our temporary home…the best being the pastries at LIBERTÉ, the tea at Mariage Frères, and the coffee at the nearby Malongo.

Mariage Frères Paris France (credit: Norio NAKAYAMA from Saitama, Japan – https://commons.wikimedia.org)
Our local pastry shop in Paris (credit solosophie.com)

We had spur-of-the moment bites at streetside cafes, took in lunches near our daily venues, and enjoyed long-planned celebratory meals at local restaurants to savor the finest of modern French cooking during our time in Paris. Claire joined us late on Saturday. After a whirlwind tour of the Louvre the next day, the three of us settled in on the large terrace along Rue de la Seine at La Palette, a busy cafe with a long tradition and a loyal local clientele who enjoy the basics of the bistro tradition. We kept it simple with wine and a generous fromage plate. It was a great beginning.

La Palette (credit: Junot)
Our fromage plate at La Palette (CHB)

Andrew arrived on Monday morning, and after dropping off his bags (well, the one that made it on time) we headed to Le Christine, a Michelin guide restaurant, for our first Parisian meal together with the entire family.

Andrew and Claire toast everyone’s safe arrival at Le Christine (DJB)

Over the course of the next eight days, we generally took two of the three meals outside the apartment. At these meals we enjoyed a wide range of food and discovered the occasional connection to some other part of our lives. Andrew’s experience on our final Sunday in the city was both surprising and somehow totally natural. He heard the individuals at the next table mention a piece of obscure organ music, turned to them and asked, “are you organists?”

Well, it turned out that Cathy Rodland and her colleagues from St. Olaf College in Minnesota were organ professors. Cathy was the teacher for one of the organists at the National Cathedral, where Andrew sings in his day job. They were in Paris for eight days to visit and play organs. We all began sharing contacts and struck up a nice friendship, with a shared love of Taylor and Boody Organs from Staunton being part of the connection.

Andrew with Cathy Rodland from St. Olaf College (DJB)

On Thursday we took a Sweet and Savory French Gourmet Food and Wine Tasting Tour of the Montmartre neighborhood. We saw the markets which many residents visit on a daily basis (as opposed to the weekly trip to the supermarket), and sampled cheeses, meats, chocolates, and wines in a delightful overview of the food scene in this historic village in the city.

Montmartre street market (CCB)
A Montmartre cheese shop (CCB)
Sampling chocolates on the Montmartre Gourmet Food and Wine Tasting tour (CCB)

We ate at numerous restaurants and bistros, including these favorites:

  • Le Petit Medicis — A very small bistro with terrific escargot, a lovely view of the Luxemborg Gardens, and a friendly staff.
  • l’isolotto — This small Italian pizzeria was tasty, with the added advantage of being located directly across from our apartment door.
  • Au 35 — A lovely local restaurant recommended by our friend James Schwartz, where we celebrated our last evening together for this trip to Paris.
One of many fine dishes we sampled in Paris, this one at Au 35 (DJB)

Candice had selected Kitchen Galerie Bis (KGB) for her birthday dinner, and it did not disappoint. There was an innovative tasting menu that, as the website notes, brings “together numerous cultural influences,” with the lead emphasis clearly coming from Asia. “Roots, fresh herbs, broths, vegetables and citruses have carte blanche and whimsically draw new culinary lines.”

It was the highlight of the Paris cuisine tour.

The Entree course at KGB
Mushrooms and pork at KGB
A portion of the dessert offering at KGB
At the end of a flavorful birthday dinner at KGB

But…did I mention that we began the trip in Glasgow? It was in that city, pulsating with new youthful energy, that we had the culinary surprise of the trip.

We arrived in Glasgow a day before meeting with the other travelers on the National Trust Tours visit to the Scottish Highlands, Outer Islands, and the Norwegian Fjords. We certainly wanted to adjust our internal time clocks, but we were also interested in visiting works by the famous Scottish architect Charles Rennie Mackintosh. We ended up eating a good Scottish breakfast at the Mackintosh Tea Room on Buchanan Street before visiting the restored Willow Tea Rooms on Sauchiehall Street. Well worth the visit.

Exterior to the restored Willow Tea Rooms (DJB)
Second floor of the restored Willow Tea Rooms (DJB)

But in the early evening the night before, we walked the thirty minutes from our hotel to the Finnieston neighborhood. And it was there that we had the most amazing meal of our 22 days abroad.

A statue of architect Charles Rennie Mackintosh overlooks the Finnieston neighborhood (DJB)
The Finnieston neighborhood of Glasgow (DJB)

The Gannet is always ranked among Glasgow’s top restaurants, and we soon discovered why. The setting and staff are warm, professional, yet unpretentious. Our waitress, a lovely Scottish woman named Tess, could not have been more welcoming and knowledgable.

The Gannet in Glasgow (credit: The Gannet)

And the tasting menu with wine pairing was sumptuous. Take a look at the sample menu and scan the photographs below and on the website, and you’ll see what makes a reservation hard to acquire during the dinner hour.

A delightful sampling to tease the palate at The Gannet (DJB)
The perfect pairing to go with our dessert at The Gannet (DJB)

After a delightful two-hour meal, topped off with dessert and the Maury Grenat No. 02 fortified wine, we were headed back downtown to remember this special meal…and to anticipate the delicacies ahead.

More to come…

DJB

A little sampling of the writing of A.J. Liebling:

In the restaurant on the Rue Saint-Augustin, Parisian actor and gourmand Yves Mirande would dazzle his juniors, French and American, by dispatching a lunch of raw Bayonne ham and fresh figs, a hot sausage in crust, spindles of filleted pike in a rich rose sauce Nantua, a leg of lamb larded with anchovies, artichokes on a pedestal of foie gras, and four or five kinds of cheese, with a good bottle of Bordeaux and one of champagne, after which he would call for the Armagnac and remind Madame to have ready for dinner the larks and ortolans she had promised him, with a few langoustes and a turbot — and, of course, a fine civet made from the marcassin, or young wild boar, that the lover of the leading lady in his current production had sent up from his estate in the Sologne. “And while I think of it,” I once heard him say, “we haven’t had any woodcock for days, or truffles baked in the ashes, and the cellar is becoming a disgrace — no more ’34s and hardly any ’37s. Last week, I had to offer my publisher a bottle that was far too good for him, simply because there was nothing between the insulting and the superlative.”

A.J. Liebling in the chapter “A Good Appetite” in “Between Meals: An Appetite for Pais”

Image: Looking at the temptations in a window of a bistro in Paris by DJB

Books to be read

The books I read in May 2022

Books start conversations. Each month I have a goal to read five books on a variety of topics and from different genres in order to learn and to start conversations with readers and others I encounter along the way. Here are the books I read in May 2022. If you click on the title, you’ll go to the longer post on More to Come. Enjoy!

Magnus, the second novel of George Mackay Brown, was published in 1973 (and republished by Polygon in 2019). It is the fictional account of the real-life murder of Earl Magnus of Orkney who “walked calmly, knowingly and completely unarmed to a terrible death at the hands of his cousin Hakon Paulson.” Told through the eyes of several peasants, it is both atmospheric in capturing the spirit of the islands, and descriptive in recounting the hardships and terror of life in the 12th century. Poet Seamus Heaney once remarked that Mackay Brown passed everything “through the eye of the needle of Orkney.” That is true in Magnus, where Brown takes off on a dream flight in the midst of the description of the killing of the 12th century martyr to meditate on the murder of famed German theologian Dietrich Bonhoeffer at the hands of the Nazis near the end of World War II. This is a serious and powerful work from one of Scotland’s most accomplished 20th century writers.

The 9.9 Percent: The New Aristocracy That is Entrenching Inequality and Warping our Culture (2021) is philosopher and historian Matthew Stewart‘s wide-ranging survey and urgent call to action on wealth inequality. Most of us assume we are not “rich” because we are not billionaires, allowing us to fall into the 99% and scapegoat the world’s wealthiest individuals. Stewart reframes the issue, noting that the really wealthy make up only 0.1% of the population. When you examine the top ten percent to find the people who control more than half of the country’s wealth, it is those other 9.9% — looking a great deal like many of us and our friends — who are doing so many things to entrench inequality in our system. There are many suggestions and conclusions in this brilliant work which are worthy of mention. In the end, Stewart calls for a strong recommitment to liberal democracy, which works to raise everyone up and which he describes as a truth machine. Its most fundamental premise is that every step in the direction of reason is also a step in the direction of justice. Highly recommended.

Bedside Essays for Lovers (of Cities) (2012) is architect Daniel Solomon‘s call for all of us to understand and care for our cities. In this short collection, Solomon is focused on what makes cities vibrant, livable, and sustainable; places where we would all want to live. Cities are complex, with innumerable moving parts, and the need to find solutions that work is made more urgent by factors such as climate change, justice, and inequality. Solomon’s voice is an important one, as he as argues that we need to pay more attention to nurturing “continuous cities” where “new buildings, new institutions, and new technologies don’t rip apart the old and wreck it. They accommodate, they act with respect, and they add vibrant new chapters to history without eradicating it.”

Beeswing: Losing My Way and Finding My Voice 1967 – 1975 (2021) is British singer-songwriter Richard Thompson’s witty, moving, and un-ponderous (to use one reviewer’s description) memoir of his early musical career in Fairport Convention, as a session guitarist for hire, and then in a musical duo with his wife Linda. The work is as well-crafted as Thompson’s music and is a delight to read. Throughout there are unforgettable lines, thoughtful passages about tragedy and resilience, insightful descriptions of 1960s London, and laugh-out-loud stories.

Edvard Grieg: His life and music is a 2002 work written by Erling Dahl, Jr. and published by the Edvard Grieg Museum — Troldhaugen. It was an excellent short intro for those — like me — who may have heard a number of Grieg’s compositions through the years but do not know much about the life, influences, and work of Norway’s most famous composer. The Hungarian composer Béla Bartók said that “Grieg was the first to cast off the yoke of Germany.” There is much packed into this short biography, but I was most fascinated by Grieg’s connections to, and love of, Norwegian folk music. That connection flowered in an especially creative period in the mid-1870s, when he lived in western Norway. The well-received work from this era has been seen as a group of highly personal, heartfelt compositions.

Enjoy reading!

More to come…

DJB

NOTE: To see which books I read in January, FebruaryMarchand April, click on the links. You can also read my Ten tips for reading five books a month online.

Image: My to-be-read pile from a couple of years ago…some of those books remain in the pile, which grows along the lines of Strega Nona’s pasta bowl.

The joys of returning to travel

Preparing to return home after more than three weeks of professional and personal international travel, I am reminded first of our privilege to be able to move about the world so freely and second of how much we’ve missed these connections with new places, new friends, and new ideas during the pandemic.

There will be several more posts in the coming days and weeks before I exhaust what I have to say about the things we’ve seen and learned in our visits in Scotland, Norway, and France, but I’ll just end this post with a quote from Pico Iyer that I like to use in my talks.

We don’t travel …in order to move around – you’re traveling in order to be moved.  And really what you’re seeing is not just the Grand Canyon or the Great Wall but some moods or intimations or places inside yourself that you never ordinarily see…

More to come…

DJB

Image of Arc de Triomphe by DJB

The City of Light

One of the many names people use to describe Paris is the City of Light. According to the website Culture Trip, there are more than 296 illuminated sites in Paris, “if you count everything from hotels and churches, statues and fountains, national buildings and monuments, and out of 37 major bridges in Paris, an impressive 33 of them are illuminated to full glory each sunset.”

Lights along the Seine (ABB)

While many assume the name comes from recent illuminations, such as the Eiffel Tower, the name goes back to Louis XIV, the Sun King, and his attempts to make Paris a safer city through the addition of streetlights.

Whatever the origin, the city now comes to life every night. On our recent trip, we’ve taken to the streets a few nights to capture scenes of the City of Light.

Subway entrance near our Parisian apartment (DJB)
One of the city’s 33 illuminated bridges (ABB)

The first two evenings we were in Paris, the city was flooded with football (soccer) fans for the Championship League final between Liverpool and Real Madrid. An Irish Pub at the end of our block became one of many unofficial headquarters for the fans of Liverpool, and we could hear them singing and cheering late into the evening.

Liverpool fans invade Rue Saint Andre-des-Arts (DJB)
Candice rests in our Parisian home as day turns to night (DJB)
An illuminated clock from the old train station that now holds the Museum d’Orsay (DJB)
Museum d’Orsay detail (CHB)
Street art along the Seine (CHB)
A tour boat full of revelers and sightseers along the Seine (CHB)

What’s a night life in Paris without the opera? Andrew chose Rossini’s The Barber of Seville for his adventure in the city, and we thoroughly enjoyed the delightful, slapstick of Count Almaviva, Rosina, Bertha, and Figaro.

Candice and Andrew at the Opéra National de Paris for Rossini’s Le Barbier de Seville (DJB)
Figaro’s curtain call (DJB)

The ultimate prize in any night tour of the City of Light is the illuminated Eiffel Tower. We walked along the river for some 45 minutes one evening, catching glimpses along the way until we turned the corner and caught the full view.

Eiffel Tower at night (ABB)

A magnificent memory.

More to come…

DJB

For additional posts in this series of photographs of Paris, click here for Part 1, Part 2, and Part 3.

Image of a Paris illumination by ABB.

You cannot take a bad picture in Paris (well, truth be told, actually Giverny): Part 3

An early morning wakeup on Thursday (following a night at the opera…but that will come later), then rides on three trains including an hour on yet another wonderful European train system, and we found ourselves at impressionist painter Claude Monet’s gardens and home in Giverny.

Claire, Andrew, and Candice take in the French countryside outside Paris (DJB)

Claude Monet’s gardens at Giverny are like his paintings — brightly colored patches that are messy but balanced. Flowers were his brushstrokes, a bit untamed and slapdash, but part of a carefully composed design. Monet spent his last (and most creative) years cultivating his garden and his art at Giverny, the spiritual home of Impressionism (1883-1926).

Rick Steeves “Paris”
The flowers that greeted us upon our arrival at Monet’s gardens (DJB)

All four of us were mesmerized by the beauty of the gardens and landscapes. We took hundreds of pictures, many of which include other people because there were a great many visitors on group tours and school field trips during our day at the site. One could find isolated spots however, for moments of quiet reflection.

Enjoy this sampling, and — as always — the family photos are at the end of the post (but there are some good ones, if I do say so myself!)

The colors were vibrant (DJB)
Monet’s garden (DJB)
Along the garden path (DJB)

The water garden is one of the most recognizable subjects in painting, and a visit shows why.

Water garden (ABB)
Water lilies in the garden (DJB)
Detail of water lilies (DJB)
Andrew takes in the famous water garden boats (DJB)
Water garden detail (CCB)
Views through the gardens to see the pond (CCB)

Monet’s home is only mildly interesting, but there were features we all chose to capture, including the kitchen, dining room, and studio.

Facade of Claude Monet’s house (CHB)
Monet’s studio (DJB)
Dining room…for 8 children…at the Monet house (CCB)
The Monet kitchen (CCB)
View of the gardens from the house (CHB)
The porch (DJB)

Finally, with so many luscious backdrops, the urge to take family photos in this setting is irresistible. Here’s a look at the Browns, set amidst Claude Monet’s beautiful gardens at Giverny.

Andrew in Monet’s gardens (CHB)
Claire along the garden path (ABB)
Candice on the bridge at the water garden (DJB)
Candice and DJB in the gardens of Giverny (CHB)

More to come…

DJB

For other posts in the series on pictures of Paris, click here for Part 1, and click here for Part 2.

Image: Bees at work at Giverny by CHB

You cannot take a bad picture in Paris (Part 2: The Versailles edition)

One day after reviewing a new book on wealth inequality, we visited Versailles…ground zero for the inequality that led to the French revolution! Ah well, c’est la vie! (And by the way, you have to scroll all the way to the end before you run into the obligatory family shot!)

Panorama of the main facade of Versailles (DJB)

We’ll capture our day at Versailles in this second post of the ongoing series You cannot take a bad picture in Paris. (Click here for Part 1.)

As you can see in the panorama, we choose wisely as to crowds (not insane, as was the case with the Louvre) and weather (picture perfect, pun intended.)

Versailles detail (CHB)
Chapel, with organ and ceiling (DJB)

Like every other visitor, we were entranced with the Hall of Mirrors — the most famous room in Paris. But the crowds — seen in the picture below — weren’t bad. Compared to a 2016 visit to the Sistine Chapel, we felt practically alone in this magnificent venue!

Walking into the Hall of Mirrors, with hundreds of our new-found friends (DJB)
Hall of Mirrors detail (DJB)
A focus on the chandeliers and ceiling of the Hall of Mirrors (DJB)
In the gallery of war paintings (DJB)
A nice view looking outside from inside the chateau…which makes for a nice segue to the gardens (CHB)

Of course, the gardens of Versailles are at least half the reason for visiting, and our cameras caught multiple views that we wanted to capture for our memory banks.

Claire and I were talking this morning about how we approach photography. She’s the artist, always looking for the angle to make the picture more interesting. I’m more the documentarian, looking to capture the scene in its totality. There’s no better example than our two versions of the same scene:

Here’s my panoramic view of the vista into eternity. BTW, I love the little child’s playful gesture in the lower left. (DJB)
And Claire’s take on the same scene (CHB)
One of more than 300 fountains still in existence at Versailles (DJB)
View across the garden fields to a temple (DJB)

We ended our day at Versailles at the Queen’s Hamlet, a remarkable landscape to find in the Parisian suburbs, to say the least!

Structure and lake at the Queen’s Hamlet (DJB)
Detail from the Queen’s Hamlet (DJB)
Another house in the Queen’s Hamlet (DJB)

All in all, it was a lovely day. As we were trying to get a family selfie in the Hall of Mirrors near the end of the house tour, a very kind fellow tourist offered to take a shot for us. It turned out rather nicely, I would say.

Family portrait taken in the Hall of Mirrors by an anonymous and helpful fellow traveler who took pity on my attempts to get a group selfie.

As for more photographic reporting from our trip to Paris, I’m sure there will be, as I say, more to come…

DJB

Image: The gates to Versailles by DJB

We have nothing to lose but our illusions

It wasn’t something I’d planned, but the juxtaposition of reading a book on the historical and current effects of wealth inequality while traveling through Glasgow, the Highlands and Islands of Scotland, the Fjords of Norway, and then Paris has provided an interesting backdrop for contemplating our current and future status as a nation.

The National Trust Tours portion of our trip was not of the ADC (*) variety by any stretch of the imagination. While we did have a visit to one castle and one cathedral, they were not the highlights of the wonders we saw. We were able to perceive, however, how three different countries and multiple cultures have addressed their own issues of inequality through the years.

The 9.9 Percent: The New Aristocracy That is Entrenching Inequality and Warping our Culture (2021) is a wide-ranging survey and urgent call to action by philosopher and historian Matthew Stewart. Most of us assume we are not “rich” because we are not billionaires, asserts Stewart. This allows us to fall into the 99% and scapegoat the Jeff Bezos, Elon Musks, and Peter Thiels of the world. (Note: Those three deserve a great deal of scorn, but that’s for another book.) Stewart reframes the issue, noting that the really wealthy make up 0.1% of the population. When you examine the top ten percent to find the people who control more than half of the country’s wealth, it is those other 9.9% — who look a great deal like many of us and our friends — who are doing so many things to entrench inequality in our system.

There’s a great little vignette in the book that is quite telling. Lizzie Magie, a feminist and part-time game designer, invented a board game she called The Landlord’s Game. One could play it by buying properties, creating monopolies and charging rents to others. But Magie included a second way of playing that was intended to illustrate the ideas of the progressive economist Henry George. “When players acquired a monopoly, they had to pay money into a common fund, so that individual success enriched everyone. The game ended when the poorest player doubled his or her original stake.”

Parker Brothers bought the game from Magie for a small sum of money and did not pay her royalties. Thus, they had a monopoly on the game that became known to millions as Monopoly. The company went on to earn millions of dollars from the game, a male engineer claimed credit for the feminist inventor’s idea, and the ugly capitalist form of the game replaced the pro-social variant.

Magie spent the end of her life working part-time in a government office. As one reviewer noted,

For any aspiring novelist trying to capture the layered hypocrisies and cruelties of American life, this historical episode is enough to inspire despair. It would be hard to invent a more perfect encapsulation of predatory corporate behavior, masculine arrogance, and cultural amnesia about the true sources of wealth and the urgent need for a system that distributes it more fairly.

Entrance into the 9.9% begins at about $1.2 million in assets and extends to those with about $20 million in assets, although Stewart notes that the figure will no doubt climb by the time the book is published. All of a sudden, we’re looking in the mirror, facing a necessary reassessment. And what does Stewart see that is causing such outrageous inequality in America today? We are increasingly dominated by monopolies (Google, anyone?); we totally misunderstand how wealth originates; we fight to reward those who become wealthy as a result of the work of others; we totally misunderstand our existing tax system; and we create fictions to support our inequality.

Stewart takes chapters to examine the behavior and beliefs of the 9.9 percent in a specific domain such as fitness, merit, housing, parenting, gender, education, real estate, race, and more. Many of them are stand-alone brilliant. Barely a page passed in this book where I didn’t underline something for further reflection, and often the entire two-page spread looks like my ink pen went crazy.

There are many suggestions and conclusions in this work which are worthy of mention…but that would make this review too long. Here’s one that will have to sit in for others:

Liberal democracy is misunderstood if it is represented, as it often is today, merely as a device for tabulating the opinions of a population. Liberal democracy does not in fact take its start from the assumption that human beings are largely self-sufficient rational actors in need of some minor assistance in maximizing their pre-existing preferences. On the contrary, its most basic assumptions are that humans left to their own devices are generally unreasonable.

The point of the separation of powers, the checks and balances, the inherently public character of deliberation and legislation, the election of representatives, the guaranteed rights, especially of expression, and all the other mechanisms of a functioning liberal democracy is to ensure as much as possible that the understanding on which public action takes place is accountable to reason. Properly conceived, liberal democracy is a truth machine. Its most fundamental premise is that every step in the direction of reason is also a step in the direction of justice (emphasis added).

As I mentioned, this trip provided an interesting backdrop for considering Stewart’s thesis. During the Norwegian portion of our visit, the local guides were quick to point out ways in which the country’s focus was on the common good. Yes, taxes were high, but the benefit was to a healthier, more productive, better educated, happier country.

Chandelier in Napoleon III’s apartment in the Louvre in Paris
View of one of the rooms in Napoleon III’s apartment in the Louvre

Stewart’s final chapter begins in 1785 with Thomas Jefferson in France, contemplating the playgrounds of the aristocracy. While doing so, he fell into conversation with a minimum wage peasant woman, and she told him of the brutal circumstances of her life. He came back to his apartment and wrote to his friend and political ally James Madison about the need for a progressive tax system in America — on property, on inheritance — to refrain the takeover by the oligarchs that he saw in France. Jefferson wasn’t the only founding father to advocate for what today is attacked as socialism. Benjamin Franklin, John Adams, Adam Smith (the founding father of modern economics), and Thomas Paine all had similar proposals.

The sad fact of the matter is that every country in the history of the world that allows the rich to build up massive wealth and extreme inequality crashes and burns to various extents. Rome, England, France, and more come to mind. Stewart rightly worries that America is on the same path. And yet the answers are fairly clear and well known.

American history considered in its broadest sweep makes abundantly clear that collective action through a democratically elected government has been and must remain an indispensable tool in advancing the cause of equal justice. The idea that the market or civil society, left to their own devices, will organize a fair tax code, break up monopolies, ensure universal access to health and education is and always has been fatuous. It is usually the mantra of those who rely on the hidden powers of government to sustain their own privilege.

And those who rely on those hidden powers and false tales most often look like us: the 9.9 percent. To reach the place where our awareness is clear that our happiness depends on understanding our actual relations with other people and our place in nature, we only have to “lose our illusions.”

Highly recommended.

More to come…

DJB

*Another Damn Castle and/or Cathedral tour (take your pick)

Image of the Eileen Donan Caste in Isle of Skye, Scotland, by DJB

You cannot take a bad picture in Paris (Part 1)

It took less than an hour in the beautiful City of Light for Claire — our official family photographer — to observe that “you cannot take a bad picture in Paris.” Two days in, I fully agree.

Here are a range of photos, with little or no description and in no particular order, from our first few days in the city where the family has gathered to celebrate a birthday and an anniversary. As I’m fond of saying, more to come.

An iconic Paris shot (CHB)
A Paris Cafe (CHB)
Saint Severin Church interior (DJB)
The first of what promises to be several fromage plates (CHB)
Pere-Lachaise Cemetery (ABB)
Two days into a visit to Paris and our memories - in our hearts and on our cameras - are overflowing.
The well-loved tomb of French singer-songwriter Alain Baschung (DJB)
Andrew and Claire share a first Parisian lunch at Le Christine (DJB)
One of our luncheon courses at Le Christine (DJB)
Waiting in line to enter Shakespeare and Company…I always find the independent bookstores (DJB)
Rue St. Andre-of-the-Arts…our home away from home during this time in Paris (DJB)
Chandelier in the apartment of Napoleon III in the Louvre (DJB)
A city where you turn a corner…and there’s Notre Dame (DJB)…
…or you turn a corner and there’s Andrew in the neighborhood arcade — Passage cour du Commerce Saint-Andre (CHB)
A tired but happy group celebrating Candice’s birthday (Credit: Our wonderful French waitress at KGB)

There will definitely be…more to come…

DJB

Image of the exterior of the Louvre by DJB

Through the eye of the needle of Orkney

Over a delightful meal with Fran Flett Hollinrake — historian, storyteller, tour guide, writer, and the manager of St. Magnus Cathedral for the Orkney Islands Council — I asked for her recommendation of a book to read about this remote, windswept, northern outpost of Scotland. She didn’t hesitate.

“Anything by George Mackay Brown will do,” she replied. In a wonderful independent bookstore on our next stop in the Shetland Islands, I bought two volumes and immediately dived in to one of his early works.

Magnus, the second novel of George Mackay Brown, the acclaimed Orkney writer, was published in 1973 (and republished by Polygon in 2019). It is the fictional account of the real-life murder of Earl Magnus of Orkney who “walked calmly, knowingly and completely unarmed to a terrible death at the hands of his cousin Hakon Paulson.” Told through the eyes of several peasants, most notably the farmer Mans and his wife Hild, as well as the tinker Jock and his blind wife Mary, it is both atmospheric in capturing the spirit of the islands, and descriptive in recounting the hardships and terror of life in the 12th century.

George Mackay Brown (1921 – 1996) was one of the greatest Scottish writers of the twentieth century. A prolific poet, admired by such fellow poets as Ted Hughes and Seamus Heaney, he was also an accomplished novelist, dramatist and a master of the short story. Bar a brief period in Edinburgh … Mackay Brown spent most of his life in Orkney, and his work is saturated with references to his native islands. 

Seamus Heaney once remarked that George Mackay Brown passed everything “through the eye of the needle of Orkney.” That is true in Magnus, where Brown takes off on a dream flight in the midst of the description of the killing of the 12th century martyr to meditate on the murder of famed German theologian Dietrich Bonhoeffer at the hands of the Nazis near the end of World War II. He returns with a short tale of Jock and Mary three years after the murder, where Jock prays over the recently buried bones of Magnus and a miracle follows.

I finished the book after we left Scotland for Norway, but I was certainly called back to that haunting landscape, in part because of Mackay Brown’s use of language and images. In fact, lines from Hamnavoe, his most famous poem, speak to why he is so effective and evocative.

In the fire of images
Gladly I put my hand.

In reading Mackay Brown, I recalled our day in Orkney with National Trust Tours and the visit to the majestic St. Magnus Cathedral in Kirkwall.

St. Magnus Cathedral, Kirkwall

Known as the “Light in the North”, the cathedral was founded in 1137 by the Viking, Earl Rognvald, in honor of his martyred uncle. Built of red and yellow standstone, this internationally recognized site has a striking and unique appearance.

The worshipping community over the centuries has been part of the Roman Catholic Church, the Norwegian Church, the Scottish Episcopal Church, and the Church of Scotland (Presbyterian). The worshipping community thus inherits an ecumenical tradition. 

View towards the altar

I mentioned to Fran that in my research for the trip, I found stories that suggested that the residents of the Orkney Islands were both resilient and pragmatic souls. She suggested that was true and told a short story as an illustration. St. Magnus Cathedral had weathered the Reformation physically and in spirit. The same clergy who just weeks before were Roman Catholic priests simply became Scottish Presbyterian ministers following the change. Same team, different uniforms.

That resilience is seen in the stories around Skara Brae, Western Europe’s best preserved Neolithic village.

Skara Brae

The stories we tell give us a sense of why particular places matter. Stories connect people to a certain place in a certain time, yet they add to the continuum of a community’s narrative. Stories don’t have to reveal something new. Often, they are more about tapping into our memories, our values, and our deepest longings, and so they resurrect what is very old, and very wise, and very precious.

People and places are intertwined.  It is why, when discussing their communities, so many people focus on the stories attached to places and less on the intricate architectural details of the buildings. 

Consider the stories surrounding Skara Brae. If a landmark’s essential feature is not its design, but the place it holds in our memory, then the stories of this Neolithic village are ones for all humanity. Stories place Skara Brae in the larger context of human history — predating the pyramids in Egypt and Stonehenge in England.

We learn from places like Skara Brae that life doesn’t stand still. Ritual ― trying to make sense of the changing world around us ― is part of who we are. Resiliency is an important part of our make-up as humans, but so is adaptability. Skara Brae was abandoned around 2500 ― but we are unsure why. Even those places that no longer exist as living communities still have lessons to teach us and imbed stories into our collective consciousness.

Historian David McCullough likes to remind us that history shows that we have been through difficult times before. Yet in face of difficult times “we have an all-important, inexhaustible source of strength. And that source of strength is our story, our history, who we are, how we got to be where we are, and all we have been through, what we have achieved.”

Ring of Brodgar

Sometimes, stories in Orkney are enigmatic, like the stone henge of the Ring of Brodgar. We visited the ring — part of the Heart of Neolithic Orkney World Heritage Site, a series of important domestic and ritual monuments built 5000 years ago in the Orkney Islands — with master archaeologist Nick Card.

It was a magical day, one that provided images and stories of Orkney that will remain for a lifetime.

More to come…

DJB

For other posts on my reports and impressions from the Scottish Islands and Norwegian Fjords National Trust Tours trip, click here for Glasgow and the Scottish Highlands, here for the cultural landscapes of Norway and here for the Edvard Grieg home.

Image: Skara Brae by DJB

Do not abandon us to our foolishness and fallenness

This was one unforgettable week in America. If ever we needed comfort, understanding, and direction from power greater than ourselves, this was that week.

Writing on the day after 19 children and 2 of their teachers were butchered in Uvalde, Texasnot just murdered but cut down with repeated fire from an assault rifle — Heather Cox Richardson spoke for many of us. “I have been coming back to this” she wrote:

How have we arrived at a place where 90% of Americans want to protect our children from gun violence, and yet those who are supposed to represent us in government are unable, or unwilling, to do so?

This is a central problem not just for the issue of gun control, but for our democracy itself.

How indeed have we arrived at a place where one political party, representing a shrinking minority of our fellow citizens, acts as if it has the right to dictate through force, if necessary, how the rest of us will live…or not live, as the case may be.

Today, we arrived at the American Cathedral of the Holy Trinity in Paris, seeking answers. Interim Dean Timothy Safford gave an emotion-filled sermon full of question, doubt, love, and grace. One of his questions, like that of Dr. Richardson, was how one group of politicians could make the argument on today’s talk shows to suggest that it was constitutional — indeed normal and essential for our way of life — for someone to be able to legally buy an assault rifle and 300 rounds of ammunition before they are legally old enough to buy a beer.

The altar at the American Cathedral in Paris, with the Memorial Day wreath from the 100th anniversary of Armistice Day

In the cover note to the congregation, Dean Safford wrote:

Is your heart broken? Mine certainly is.

In our opening prayer, we petition God “not to leave us comfortless.” Yes, God, please comfort me, but more importantly, please comfort (if it even possible) every mother and father who lost a child to needless, avoidable violence in Uvalde, Texas.

On this the second anniversary of the senseless and brutal murder of George Floyd, comfort all who experience the daily pain and violence of racism and exclusion. In the horror of Uvalde, we must not forget the evil unleashed in Buffalo, New York, where 10 died to racist violence.

On American Memorial Day, comfort us as we honor those who have died in heroic service while we also grapple with the pain that so many are dying in Ukraine because humanity cannot save itself from ourselves.

Maybe my prayer is, “God, do not abandon us to our foolishness and fallenness.

I am weary and I am sad. But I still come to pray, to hope, to praise, to glimpse glory. I know that you will be here with me to hold me up when I want to sit down, to face me forward when I want to turn away, and lift me up when I fall.

Dean Safford noted that we are in the ten-day period in the church year between the Ascension and Pentecost. In church language, Jesus has “left the planet” and the “Comforter” has not yet arrived. The French translation for the plea “not to leave us comfortless” is not to leave us inconsolable.

It is easy this week to feel inconsolable when contemplating our future as a country and as a people. But no matter how we find the strength, we must stand up, we must face forward.

We simply cannot keep turning away.

The view in the American Cathedral in Paris as one heads out into the world.

May you find the strength to keep working.

More to come…

DJB

Another in the series of Observations from… (in this case, Paris).

Image by Pexels from Pixabay